Release Date: January 12, 2018
Catalog #: NV6134
Format: Digital & Physical
21st Century
Chamber
Vocal Music
Voice

No Enemy but Winter and Rough Weather

Joseph Summer composer

Even the most fearful of the cold will draw warmth from Joe Summer’s comforting NO ENEMY BUT WINTER AND ROUGH WEATHER, the sixth album honoring The Shakespeare Concerts Series, of which he is founder and executive director. Track 1 is Summer’s own Concert Overture for Piano, an icy introduction performed by SangYoung Kim. Following are two settings of “Under the Greenwood Tree.” Track 2 is the inviting setting by William Walton performed by soprano Kathryn Guthrie and pianist John McGinn. Alluring, too, is Track 3 the Erich Wolfgang Korngold setting of the text performed by Kim and mezzo-soprano Thea Lobo. Kim stays at the piano for Track 4—“When Birds Do Sing”—also by  Korngold; Guthrie delivers this spritely tune.

Track 5, Thomas Morley’s “It Was a Lover and His Lass” echoes the delight of the previous song, but with a harpsichord’s accompaniment (Ian Watson) and the agile voice of tenor Luke Grooms.

Spring darkens with the entry of Track 6, Peter Warlock’s “Sleep,” performed by Kellie Van Horn (mezzo-soprano) and the Arcadia Players, though Thomas Arne’s “Blow, Blow, Thou Winter Wind” (Track 7) test’s winter’s fate through the regal sound of Paul Soper’s baritone voice and Ian Watson’s dexterous harpsichord playing. Korngold’s setting of the same text (Track 8) is cool and collected but stern, nonetheless, with the voice of Thea Lobo, warning winter (SangYoung Kim, piano).

Tracks 9 and 10 are highlights from the classic Elizabethan Songs by Dominic Argento that has long been a favorite of art song lovers. The spry “Winter,” is perfectly navigated by tenor Luke Grooms, and the complex, but exquisite “Dirge” is elegantly delivered by soprano Andrea Chenowith. Both are accompanied by the Arcadia Players.

Donald Busarow’s voice, French horn, and piano trio “Death Be Not Proud” (Kathryn Guthrie, Kevin Owen, SangYoung Kim respectively) is Track 11 and warmth’s stately elegy in this program.

Compositions by Joe Summer close the album. First his provoking, “Sonnet LX,” (David Salsbery Fry, bass; Victor Cayres, piano) in Track 12; then “O! That This Too, Too Solid Flesh” performed by Kim and tenor Neal Ferreira in Track 13. Following, in Track 14, is “Beseech, You Sir, Be Merry” from Summer’s chamber opera of Shakespeare’s Tempest, skillfully interpreted by players Jeremiah Johnson (Antonio), baritone; James Maddalena (Alonso), baritone; Ethan Bremner (Sebastian), tenor; Katherine Pracht (Ariel), mezzo-soprano; and The Shakespeare Concerts ensemble. Lobo and Kim reappear in Track 15, “The Quality of Mercy,” where precipitation (late winter’s rain) is represented in the descending arpeggios of the piano and the falling phrases of the melody. Ending the album is Track 16, Joe Summer’s setting of “When That I Was A Little Boy,” in which Grooms and the Arcadia Players denounce winter once and for all. When the listener discovers the rich artistry and clever programming inherent in this recording, she will immediately want to hear the previous five albums in The Shakespeare Concert Series available on the Navona label.

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Artist Information

Joseph Summer

Composer

Joseph Summer began playing French horn at the age of 7. While attending the Eastern Music Festival in North Carolina at age 14 he studied composition with the eminent Czech composer Karel Husa. At age 15 he was accepted at Oberlin Conservatory, studied with Richard Hoffmann, Schönberg’s amanuensis, and graduated with a B.M. in Music Composition in 1976. Recruited by Robert Page, Dean of the Music Department at Carnegie Mellon University, Summer taught music theory at CMU before leaving to pursue composition full time.