Artists

Ovidiu Marinescu, a native of Romania, is active as a cellist, conductor, composer, and educator. He has performed at Carnegie Hall, Merkin Hall, the Great Hall of the Moscow Conservatory, Rachmaninov Hall, Holywell Room in Oxford, Oriental Art Center in Shanghai, and many other venues around the world. He has appeared as a soloist with the New York Chamber Symphony, the National Radio Orchestra of Romania, Moscow Chamber Orchestra, Helena and Newark Symphonies, Southeastern Pennsylvania Symphony Orchestra, the Cleveland Philharmonic, Limeira Symphony in Brazil, Orquesta de Extremadura in Spain, and most orchestras in Romania.

Joanna Estelle (Storoschuk) is a Canadian composer, lyricist, and arranger, born of Ukrainian parentage. Her music has won critical acclaim from Parliament Hill, Ottawa (Canada) to London (United Kingdom), Barcelona (Spain), Carnegie Hall (New York City), and elsewhere around the world. Estelle studied classical piano and theory with the Royal Conservatory of Music (Toronto) as a young person, but her parents deterred her from pursuing music as a career. Instead, she graduated in Psychology and English (Brock, 1972), then went on to study management accounting. However, her enthusiasm for music never waned.

L Peter Deutsch is a native of Massachusetts, now living in Sonoma County CA, and British Columbia, Canada. He writes primarily for small instrumental or a capella vocal ensembles, spanning styles from devotional to romantic to jazzy, and from Renaissance to early 20th century. Works to date include four choral commissions; releases through PARMA Recordings include music for chorus, string quartet, woodwind and brass quintets, piano trio (featuring work with Trio Casals), and full orchestra.

John A. Carollo was born in Torino, Italy and brought to the United States by his adoptive parents. When he was in grade school, he studied classical piano and sang in the church choir. While attending college in San Diego CA, he studied music and psychology. During this time, Carollo took piano lessons and began composing his first piano works. He graduated from San Diego State University being granted a master’s degree in clinical psychology.

Liova Bueno's music is performed in concerts and music festivals internationally, from Europe to the United States and across Canada to countries in Central and South America. He has received commissions from and has collaborated with various ensembles, including Cuarteto de Bellas Artes (Mexico), Vox Humana Chamber Choir (Victoria, BC), the Victoria Choral Society (Victoria, BC), the Janáček Philharmonic Orchestra (Czech Republic), Brno Contemporary Orchestra (Czech Republic), the Illinois Modern Ensemble (Illinois), the Orquesta Sinfónica Nacional Juvenil and members of the Orquesta Sinfonica Nacional (Dominican Republic), and members of the Victoria Symphony. He has worked with various conductors and soloists including Ovidiu Marinescu, Noreen Cassidy-Polera, Darwin Aquino, Stanislav Vavrinek, Pavel Šnajdr, Brian Wismath, Pierre Strauch, Mark McGregor, and the Dunn/Ward Duo. 

Ray Fahrner composes in eclectic styles and conducts all manner of music in Cambridge MA. Fahrner began his composition studies with Robert Wason and Arnold Franchetti at Hartt College of Music, University of Hartford, subsequently studying with Scott Huston and Norman Dinerstein at the College-Conservatory of Music, University of Cincinnati, where he received his doctorate in 1980.

Paul Halley is one of Australia’s most popular composers of classical music, blending elements of traditional classical styles with a distinctive modern edge. Drawing on influences from the classical masters such as Beethoven, Bach and Mozart, Halley also draws inspiration from sources as varied as medieval music and film music. With his beautifully melodic and intensely dramatic music he has captivated audiences and made a reputation for himself as a composer of highly accessible contemporary classical music.

Pianist Russell Hirshfield has received critical acclaim for his original and powerful interpretive insights across a wide repertoire. He has performed in recitals regularly throughout the world, giving concerts across the United States, Brazil, China, Belgium, England, Serbia, Costa Rica, and South Africa, including recent performances at the Sheldonian Theater and Holywell Music Room in Oxford, and the Royal Flemish Academy in Brussels. His latest solo recording, ALEXANDER SCRIABIN: EARLY WORKS (Navona Records, 2020) has been programed in radio broadcasts in at least 20 countries. It features a brilliant program of Scriabin’s earlier, and lesser-known, works for solo piano.

Since the Benda Quartet began performing in 2012 they have achieved a wide variety of musical successes and established themselves among highly respected Czech ensembles. Their first significant landmark was the concert debut they performed at the 60th Jubilee of the Janacek Philharmonic Orchestra in Ostrava in April 2014. The concert was recorded by Czech Radio and garnered a huge audience acclaim. Since then has the collaboration with the studio of Czech Radio continued on regular basis and resulted in a number of publicly appreciated recordings. The Benda Quartet have worked intensively together with the Janáček Philharmonic Orchestra and artist management agency Janáčkův Máj on numerous chamber music and educational projects.

Yoko Hagino was born and raised in Japan, where she began her piano studies at the age of 4. As a child, she performed her own compositions, which took her to Europe and the United States, including performances as a concert soloist with the Czech Symphony, the University of Southern California Symphony, Kyoto City Symphony, and Ensemble Orchestra Kanazawa. Hagino has appeared as a soloist with Osaka Century Orchestra, UMass Boston Chamber Orchestra, Key West Symphony Orchestra, White Rabbit Sinfonietta, and has also performed various piano recitals ranging from the music of Bach to contemporary repertoire. Hagino is a prize winner of the Steinway Society Piano Competition, the First International Chamber Music Competition, the All-Japan Selective Competition of the International Mozart Competition, and Chamber Music Competition of Japan.

Clarinetist Rane Moore is well-regarded for her thoughtful, provocative interpretations of standard and contemporary repertoire. Fiercely devoted to the new music communities of the East Coast and beyond, Moore is a founding member of the New York based Talea Ensemble which regularly gives premieres of new works at major venues and festivals around the world. Moore has recently joined the award winning wind quintet, The City of Tomorrow, and is also a member of Boston’s Callithumpian Consort and Sound Icon.

The Arts Fuse lauds de la Guardia’s sound as “lovely, natural” and “as clear and powerful as grain alcohol.” As an active soprano vocalist, Aliana de la Guardia has garnered acclaim for her “dazzling flights of virtuosity” (Gramophone) in “vocally fearless” performances that are “fizzing with theatrical commitment” (The Boston Globe). A graduate of the Boston Conservatory and consummate interpreter of new classical concert repertoire, she has enjoyed collaborations with many ensembles featuring today’s most eminent composers including “Scenes from a Novel” and “Kafka Fragments” with violinist Gabriela Diaz by György Kurtág, “Aspen Suite” by Salvatore Sciarrino,“Nenia: the Death of Orpheus” by Harrison Birtwistle conducted by Jeffery Means, and the world premiere of “Earth Songs” by Ronald Perrera with New England Philharmonic, among others.

Lawrence Kenneth “Larry” Moss was born Nov. 18, 1927 in Los Angeles CA, died June 24, 2022 at his home in Silver Spring MD. Even as a small child, Moss was a gifted musician and eager student who loved listening and learning. He was torn between chemistry and music, but eventually chose music, studying first at Pomona College, receiving a B.A. from University of California, Los Angeles and a M.A. at Eastman School of Music and a Ph.d. from University of Southern California. He taught Music at Yale University and University of Maryland and received two Guggenheim Fellowships, a Fulbright Scholarship, and four grants from the National Endowment for the Arts. 

Nathan Buckner, Ting-Lan Chen, and Noah Turner Rogoff form the Frahm-Lewis Trio, which has served as the resident faculty piano trio for the University of Nebraska at Kearney since 2008. The ensemble has appeared in many of the principal performance venues throughout Nebraska, as well as in recitals in England, Malaysia, and the United States.

The Canadian Encyclopedia calls Christina Petrowska Quilico, C.M., O.Ont, FRSC, “one of Canada’s most celebrated pianists. Equally adept at Classical, Romantic and Contemporary repertoires… she is also a noted champion of Canadian composers.” She was appointed to the Order of Canada in 2020 “for her celebrated career as a classical and contemporary pianist, and for championing Canadian music” and to the Order of Ontario in 2022 “for opening the ears of music lovers through her performances and recordings, her teaching at York University and her establishment of The Christina and Louis Quilico Award at the Ontario Arts Foundation and Canadian Opera Company.”

David Jaeger is a music producer, composer, and broadcaster. Jaeger's compositions range from chamber music to vocal and choral works and opera, as well as orchestral and electronic music. His works for the piano form a large portion of his canon, most of it added since his retirement from CBC in 2013. Since that date, Jaeger has concentrated increasingly on compositions for solo instruments and voices, often based on literary texts. His Nocturnes, written between 2020 and 2023, are all based on poetry he compiled from several authors who he has collaborated with: David Cameron, Seán Haldane, Bruce Whiteman, and his pianist collaborator, Christina Petrowska Quilico.

Dr. David Holdhusen is the Director of Choral Activities and the Douglas and Susan Tuve Distinguished Professor of Choral Music at the University of South Dakota. His responsibilities include serving as conductor for the Chamber Singers and teaching courses in conducting. In addition to his teaching duties, Holdhusen is currently the Chair of the Department of Music and Director of the university’s annual Choral Directors Institute as well as the USD Summer Music Camp. He is also the co-founder and Executive Director of the Vermillion Children’s Chorus.

Chamber Singers is the premiere vocal ensemble at the University of South Dakota. It is comprised of graduate and undergraduate students selected through audition from the entire university student body. Known to critics for “creating a choral concert of stunning beauty and musical understanding,” its repertoire, which is primarily a cappella, includes music from the Renaissance to the present in a wide variety of styles.

Widely acclaimed by audiences and critics alike, The London Symphony Orchestra was named by Gramophone as one of the top five orchestras in the world. A world-leader in recording music for film, television, and events, it was the official orchestra of the London 2012 Olympic and Paralympic Games ceremonies, memorably performing Chariots of Fire on stage in the opening ceremony, conducted by Simon Rattle and with Rowan Atkinson.

Christopher Alan Schmitz composes solo, chamber, and ensemble music that has been described as “sublimely gorgeous” (Fanfare) and “pensive…hard-driving…and whimsical” (American Record Guide). His compositions have been performed and recorded internationally, featuring a broad range of musicians and styles from the London Symphony Orchestra to the USAF Airmen of Note, in venues ranging from New York City (Carnegie Hall) to Alaska (Denali National Park) and London (St. Luke’s Church). Schmitz’s educational music has appeared in concert programs at all levels of development and his recent solo and chamber works have been performed by artists such as the Cortona Trio, Svyati Duo, Terell Stafford, Amy Schwartz Moretti, and Denson Paul Pollard, among others.