Australian composer Andrew Schultz studied at the Universities of Queensland and Pennsylvania and at King’s College London and has received various awards, prizes and fellowships. His music, which covers a broad range of chamber, orchestral and vocal works, has been performed, recorded and broadcast widely by many leading groups and musicians internationally. He has held numerous commissions, including from the major Australian orchestras. Andrew has written a number of large-scale works, including three operas (Black River, Going Into Shadows and The Children’s Bach), which have been presented live and on film around the world. Other major works include Journey to Horseshoe Bend, Song of Songs and three symphonies. Recent orchestral works include Sound Lur and Serpent for the Sydney Symphony, Peace and Endling for the Tasmanian Symphony and Maali, Concerto for oboe, clarinet, horn and bassoon for the West Australian Symphony Orchestra.

Andrew has held residencies and academic posts in Australia, Canada, France, UK, US and is currently Professor of Music at the University of New South Wales in Sydney. Recent composition successes include the Paul Lowin Prize, the Schueler Award, a 2016 Australian Art Music Award, Australia Council Fellowship, Cité des Arts Paris residency and the Centenary of Canberra and Gallipoli symphony commissions.

CDs of his orchestral music performed by the Sydney, Queensland and Tasmania Symphonies are available on ABC Classics, three volumes of chamber music are available on the Tall Poppies labels, Brisbane Chamber Choir and the Kühn Choir of Prague have each released his Magnificat and Nunc dimittis, a disc of ensemble vocal music has been released by The Song Company, and Wirripang have released a disc of his solo piano music played by Antony Gray. The Moravian Philharmonic has recently recorded his Falling Man/Dancing Man and Symphony No 2 – Ghosts of Reason.

Albums

Reason & Reverence

Release Date: June 8, 2018
Catalog Number: NV6166
21st Century
Orchestral
Orchestra
REASON AND REVERENCE represents an aural exploration of our world’s complexities. By comparing and contrasting present triumphs with past regrets, the composers on this album develop a compelling, philosophical reflection of the world we live in. Conducted by Petr Vronský, the Moravian Philharmonic Orchestra delivers a master class in cohesiveness while tackling a wildly diverse, yet wholly complete set of compositions.

Winter’s Warmth

Release Date: April 14, 2017
Catalog Number: NV6091
21st Century
Orchestral
Orchestra
One of the central tenets of Albert Camus’ philosophy is the indomitability of the human spirit, a subject on which he famously mused that “In the depth of winter, I finally learned that within me there lay an invincible summer.” This quote encapsulates the theme of WINTER’S WARMTH, Navona’s latest orchestral compilation featuring works from John A. Carollo, J.A. Kawarsky, Andrew Schultz, and R. Barry Ulrich. These composers present conceptual pieces that all act as soundtracks to our resiliency during the toughest moments of the human experience.

Fine Music, Vol. 5

Release Date: April 1, 2014
Catalog Number: NV5949
21st Century
Chamber
Orchestral
Clarinet
Orchestra
Piano
Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

Foundations

Release Date: February 1, 2014
Catalog Number: NV5939
21st Century
Liturgical
Orchestral
Vocal Music
Choir
Orchestra
Excerpts from the Bible, text from the Middle Ages, and traditional instrumentation (organ, orchestral, and choral) form the basis of six composers' inspired works on FOUNDATIONS to create stirring, new contemporary classical music. By connecting to the roots of historical texts and musical conventions - in some cases the foundations of our collective cultures - these pieces present a modern spin on traditional materials, sounds, and forms.