The music of Bill Pfaff is characterized by a strong sense of line, clear harmonic motion, and gestures that have been described as “profound and extravagant.”  Known for his collaborative impulse, Bill has produced music for theater, dance and art installations.  In this context, his language embraces electronic sources, traditional acoustic instruments, electric guitar and found sounds. As a performer on the soundplane, Bill explores composition that combines physical modeling synthesis, granular synthesis and acoustic instruments.

Inspired by the unique geography and cultural landscape of the United States, Bill has been an Artist-in-Residence at the Ucross Foundation, Escape to Create, Petrified Forest National Park, Hubbell Trading Post National Historic Site and Canyons of the Ancients National Monument.  His sustaining interest in ethnomusicology, particularly the music of indigenous Americans, has led him to be inspired by and integrate traditional Native American instruments and musical concepts in his work. As Composer-in-Residence at Birdsong Academy of Music in Trinidad and Tobago, he created the Birdsong New Music Ensemble, a fusion of steel pan and traditional instruments. An ever-evolving and developing composer, Bill’s work represents several decades of immersive dedication to his craft.



Release Date: March 11, 2016
Catalog Number: NV6033
21st Century
Navona Records presents RIPPLES, a collection of contemporary works from composers Mathew Fuerst, Heath Mathews, Bill Pfaff, Sally Reid, and William Thomas McKinley, that showcase percussion alongside either a pianist, saxophonist, or chamber ensemble, exploring the textures and tonal colors possible within each instrument combination.