Douglas Anderson is a composer, conductor, educator, and producer who has been active in the New York area for 45 years.  He studied music and psychology at Columbia University, where his three degrees culminated in a doctorate in music composition in 1980. His professional career began as a jazz musician at the age of 12, and he performed widely in the Eastern United States before moving to New York to attend college. His work as a conductor has been his performance focus for the last several decades.

Anderson’s compositions include chamber works, orchestral works, concerti, solo vocal and choral music, electronic music, radio drama, jazz, film, and musical theater, as well as many choral and instrumental arrangements. His music has been heard around the world for decades, notably on Voice of America radio abroad, and nationally in radio dramas broadcast on NPR. He has been a featured composer, a composer-in-residence, a guest composer, and had a retrospective concert. He is on the faculty of the Borough of Manhattan Community College/ CUNY, where he is Professor of Music and was for 14 years Chairman of the Music and Art Department. 

Critics have said the following about his dramatic music:

“Anderson’s music is expressive and vigorous, forcefully reflecting the drama at hand, and full of orchestral color and variety. Chamber opera companies, wherever you may be, tune in.”

“This is a bold, atonal work perfectly suited to the shifting emotional mindscape of our age…It works very well. It’s a true gesamtkunstwerk.”

“What in the end matters for us is the impact the music makes on us as listeners. And it is that which stands out. This is music of vitality and charm, a lyrical quality and long, intrinsically interesting melodic part writing.”

Albums

Sparks

Release Date: July 8, 2016
Catalog Number: NV6050
21st Century
Orchestral
Orchestra
SPARKS, a compilation of orchestral miniature works by several composers, offers a sampling of much of what post-modern, contemporary orchestral music has to offer, and is most interesting to consider in contrast to nineteenth century orchestral transitions. Miniatures, in their brevity, defy the conventional bias that orchestral music must conform to the characteristics of large symphonies. More generally, the works on this album suggest a wide range of influences unique to contemporary postmodernism. These include the aesthetics of midcentury composers, as well as film scores and non-classical genres.

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