Georgia native Gabriela Diaz began her musical training at the age of 5, studying piano with her mother and the next year, violin with her father. As a childhood cancer survivor, Diaz is committed to supporting cancer research and treatment in her capacity as a musician. In 2004, Diaz was a recipient of a grant from the Albert Schweitzer Foundation, an award that enabled Gabriela to create and direct the Boston Hope Ensemble. This program is now part of Winsor Music. A firm believer in the healing properties of music, Diaz and her colleagues have performed in cancer units in Boston hospitals and presented benefit concerts for cancer research organizations in numerous venues throughout the United States.

A fierce champion of contemporary music, Diaz has been fortunate to work closely with many significant composers on their own compositions, namely Pierre Boulez, Magnus Lindberg, Frederic Rzewski, Alvin Lucier, Unsuk Chin, John Zorn, Joan Tower, Roger Reynolds, Chaya Czernowin, Steve Reich, Tania León, Brian Ferneyhough, and Helmut Lachenmann. Diaz is a member of several Boston-area contemporary music groups, including Sound Icon, Ludovico Ensemble, BMOP, Dinosaur Annex, Boston Musica Viva, and Callithumpian Consort.  She plays regularly with Winsor Music, Castle of our Skins, Radius Ensemble, and Emmanuel Music, and frequently collaborates with Alarm Will Sound, the International Contemporary Ensemble, and A Far Cry. 

​In 2012, Diaz joined the violin faculty of Wellesley College.She is co-artistic director of the much beloved Boston-based chamber music and outreach organization Winsor Music. Please visit for more information!

​Diaz’s recording of Lou Harrison’s Suite for Violin and American Gamelan was highlighted in the New York Times Article, “5 Minutes That Will Make You Love Classical Music.”

Critics have acclaimed Diaz as “a young violin master,” and “one of Boston’s most valuable players.” Lloyd Schwartz of the Boston Phoenix noted, “…Gabriela Diaz in a bewitching performance of Pierre Boulez’s 1991 Anthèmes. The come-hither meow of Diaz’s upward slides and her sustained pianissimo fade-out were miracles of color, texture, and feeling.” Others have remarked on her “indefatigably expressive” playing, “polished technique,” and “vivid and elegant playing.”

Diaz can be heard on New World, Centaur, BMOPSound, Mode, Naxos, and Tzadik records.

​Diaz plays on a Vuillaume violin generously on loan from Mark Ptashne and a viola made by her father, Manuel Diaz.

Diaz is proud to be a core member of the team that created Boston Hope Music, bringing music to patients and frontline workers during the pandemic