Composer Jason V. Barabba’s (b. 1970) work has been called “deeply meditative” by Fanfare magazine, and his music has been performed by such diverse musicians as the Arneis Quartet, Janaki String Trio, clarinetist Richard Stoltzman, the California E.A.R. Unit, and Chicago’s Quintet Attacca. Reviews of the 2011 premiere of Barabba’s work Diddling: Considered as One of the Exact Sciences said it was “uproariously hilarious, Barabba’s “Diddling” was plain evidence of this composer’s tremendous talent and ability to evoke laughter from the listener” not an easy task.”

Barabba is General Director of Synchromy, a Los Angeles composer’s collective, coming together with performers to present new music in collaboration with diverse artists in Southern California. The Crescenta Valley Weekly has called Synchromy “one of the most exciting new music projects in the Los Angeles area today.”

Barabba has frequently drawn on his love of literature for inspiration. He has created several works using texts by author Ursula K. Le Guin, including Say I Am Not Far Enough, and The Scarcity of Rhinos on the television, which set poems from her book Sixty Odd. His Three Meditations for Clarinet and Piano draws inspiration from her version of the Tao Te Ching. Of Barabba’s music, Le Guin said, “Some composers use words as raw material. Like Schubert or Vaughan-Williams, he collaborates with them…the texture of the music and the tension in it are wonderfully effective.”

After receiving a Bachelor’s degree at Occidental College, Barabba studied music composition at the University of Chicago, UC Irvine, and UCLA, studying under such teachers as Andrew Imbrie, John Eaton, David Lefkowitz, Richard Grayson, Christopher Dobrian and Alan Terricciano. He currently lives and works in Los Angeles. Recordings of Barabba’s music have been commercially released on the Yarlung Records, MMC Recordings and Navona Records labels.



Release Date: April 1, 2013
Catalog Number: NV5909
21st Century
String Quartet
Music represents a dialogue between composer and listener, channeled through performance and observation. Much like in spoken conversation, the works in PERCEPTIONS present us with the revealing perspectives of their composers as told through small ensembles. The listener is presented with music that entrances, enkindles, jars, lingers, connects, and engrosses–perceptions both highly incisive and deeply personal.

Paper Clips

Release Date: August 1, 2012
Catalog Number: NV5879
21st Century
Solo Instrumental
For too long the trombone has been ignored as a central instrument in contemporary music. On PAPER CLIPS, trombonist Andy Malloy proves the instrument's capabilities of being a driving force and, along with pianist Karolina Rojahn, its collaborative appeal. An unabashed champion for the trombone, Malloy commissioned each work on this album specifically to expand the often overlooked instrument's repertoire.