John D. Rojak joined the American Brass Quintet in 1991. He is bass trombonist with the Orchestra of St. Luke’s, IRIS, New York Pops, Little Orchestra Society, Stamford Symphony, and played for the 16-year run of Broadway’s Les Misérables. He has performed and recorded with the New York Philharmonic, Orpheus, New York Chamber Symphony, and as solo trombone of Solisti NY. He has performed with the Cleveland Orchestra, the Los Angeles Philharmonic, the Boston Symphony, for Pope John Paul II in New York’s Central Park and St. Patrick’s Cathedral, and for Pope Francis in Madison Square Garden. As part of Gunther Schuller’s handpicked orchestra he was involved in the recording of Brahms’ First Symphony and Beethoven’s Fifth for a collaborative CD to Mr. Schuller’s book “The Compleat Conductor.” Mr. Rojak has performed with many ballet companies, including the Bolshoi, Kirov, Royal, Netherlands Dance Theatre, China, and San Francisco. Other Broadway shows include The Producers, Sugar Babies and Shirley MacLaine on Broadway and he has played with the big bands of Mel Lewis, Gerry Mulligan, and Bob Mintzer. In addition to classical recordings, he can be heard on soundtracks for commercials and film, and played with Metallica, Peter Gabriel, and Styx.

Active as a soloist and clinician, Rojak was the first bass trombonist to be artist in residence at Quad City Arts in Illinois/Iowa and has been featured at the International Trombone Association Workshops in Champaign-Urbana, Boulder, Salt Lake City, New York, and Iowa City and several times at the American Trombone Workshop in Ft. Myer, Virginia. He was invited to perform Eric Ewazen’s Concerto for Bass Trombone with the Daejon, Korea, Philharmonic, has given master classes and recitals throughout the U.S., Asia, Europe, Mexico, and Australia, been visiting trombone instructor at the North Carolina School of the Arts, and adjudicator for competitions including Concert Artists Guild, Fischoff, and Coleman.                                                                               In the spring of 2000 Rojak made his New York concerto debut, performing Walter Ross’ Trombone Concerto No. 2 in Alice Tully Hall with the New York Chamber Symphony, Gerard Schwarz conducting. The piece was recorded and is featured on Rojak Rocks on Navona Records. He has been featured with the trombone section of the Brass Band of Battle Creek, and played the solo trombone part with Vladimir Spivakov and the Moscow Virtuosi in the North American premiere of Schnittke’s Five Fragments Based on Paintings of Hieronymus Bosch for Violin, Trombone, and Tenor in Avery Fisher Hall. His first solo recording, The Romantic Bass Trombone with pianist Robert Koenig on MMC Records, was critically acclaimed in several trade journals. Other solo recordings are Rhapsody for Bass Trombone and Strings composed by Eric Ewazen with the Czech Philharmonic Chamber Orchestra on the Albany CD, Bass Hits, and The Essential Rochut on Belle records. He has collaborated on chamber music recordings with Andrew Violette, David Sampson, and Jeffrey Nichols. 

Rojak received a Bachelor of Music degree from Juilliard and held fellowships at the Tanglewood and Waterloo Music Festivals. He is on the faculties of Juilliard, Colorado College Summer Music Festival, and the Aspen Music Festival and School.

Albums

Rojak Rocks

Release Date: January 8, 2016
Catalog Number: NV6019
21st Century
Chamber
Concertos
Orchestra
Piano
Trombone
For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.
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