Mari Tamaki is a Japanese cellist, composer, performer, and producer whose great improvisational and compositional skills create fascinating music, fluidly crossing through both classical and contemporary genres.
She began her musical studies on the piano at the age of 3 and began cello studies at the age of 11 with Mr. Yuji Tsukitari of Yomiuri Nippon Symphony Orchestra. She developed her musical talents and instrumental skills without attending formal music schools. She earned her master’s degree in quantum chemistry from Chiba University in Japan. Her journey to become a professional musician was unique and special. When she was a graduate student at the age of 24, she played as an amateur cellist at an orchestra conducted by Mr. Shigenobu Yamaoka, a famous Japanese conductor. He quickly discovered her buried talent and guided her to become a professional cellist and musician. Her unique background and experience as a professional musician allow her to aggressively and actively perform in borderless musical genres.
As a composer, she has successfully created works in a variety of styles, including classical music, progressive rock, free improvisation, avant-garde, and collaboration with the Butoh dance form. In her pieces, she skillfully transitions from tense dissonance to complete harmonization by the end. She employs a lyrical style while emphasizing dissonance.
With the elegant, delicate, and dynamic sounds of her music, she is well-known for scores of string quartet pieces. “The Romantic Cafe” has been used as theme music for television. She also produced “KAGEROHI(heat haze),” the theme music for a recitation drama; “ASAHI DE KOME WO TOGU (washing rice in the rising sun),” the theme music for a stage drama featuring the actor Mr. Keisuke Sagawa; and “Aluett,” the theme music played for a theatrical drama performed by Theatre Murs, along with many other pieces.
She has been pursuing musical adventures as an innovative cellist. She created work reflecting Japanese’ spirituality by collaboration with Kazuo Ohno Dance Studio and Saga Kobayashi at Istituto Di Cultura Tokyo in Butoh. She performed works at Pacifico Yokohama Convention Hall that have been inspired by the sound of the natural environment. At Stella Boyle Smith Concert Hall in Arkansas, she performed a work for violin duo entitled “Tennyo no mai (the heavenly maiden’s dance)” using a phrase of Japanese traditional 能 (Noh) as a subject. She always focuses on Japanese archetype in her works.
She released her first album of inspiring music pieces performed not only at concert halls but also at live houses, drama theaters, and art studios. The title of the album was the 1st movement/Ripple played by “R-Aal,” Japan’s first string quartet with a repertoire of original Japanese musical pieces that had never been previously recorded.
“Mari Tamaki creates the new world of music with elaborative classical sound and innovative modern sound evoking progressive rock.” (Indie’pend Magazine)
“Mari Tamaki’s musical pieces, filled with unique approach and unexpected development, keep [the] audience thrilled and excited.” (Mr. Jun Fukamachi, a Japanese composer and a keyboard player)
“Mari creates her own mood, which is elevated from quiet and thought-provoking to powerful and uplifting.” (Mr. Yasuyuki Fujino, Music Producer)
Playing on the Edge
Catalog Number: NV6249
Described as having “Versatility and flair with lively improvisations” by the New York Times and being “always compelling and always exhilarating” by Imperfect Fifths, NYC-based Sirius Quartet is only the most natural choice for showcasing the genius of five genre-bending contemporary composers. Navona Records’ PLAYING ON THE EDGE brings inspiration and experience from all walks of life into one string quartet collection with the music of composers Jennifer Castellano, Ian Erickson, Brian Field, Marga Richter, and Mari Tamaki.