Artists

The Kühn Choir of Prague is one of the largest Czech choirs and has been part of the musical world for over 60 years. It devotes itself to the choral repertoire of all periods, and its activities include significant performances of contemporary music, performances of large vocal-instrumental works in collaboration with leading Czech orchestras and, last but not least, projects for the performance and recording of film music.

Lenka Navrátilová studied piano and harpsichord at the Teplice Conservatory and choral conducting (sacred music) under the guidance of Jiří Kolář and Marek Štryncl at the Faculty of Education of Charles University in Prague. She is second chorus master of the Kühn Choir of Prague, professor of opera coaching at the Prague Conservatory, and répétiteur of the Prague Philharmonic Choir. As the assistant to the chorus master of the Prague Philharmonic Choir, she has participated in its appearances in Doha, Berlin, and at the Sankt Gallen opera festival.

Juventas New Music Ensemble is a contemporary chamber group with a special focus on emerging voices. Juventas shares classical music as a vibrant, living art form. They bring audiences music from a diverse array of composers that live in today’s world and respond to our time. Since its founding in 2005, Juventas has performed the music of more than 300 living composers. The ensemble has earned a reputation as a curator with a keen eye for new talent. It opens doors for composers with top-notch professional performances that present their work in the best possible light.

Dr. Cassandra Eisenreich is Associate Professor of Flute and Music Education at Slippery Rock University. She is the principal flutist with the Butler Symphony Orchestra (Butler PA) and has performed with the Pierce Theatre Players, Florida Grand Opera, Florida Sunshine Pops, and New World Symphony. She has also performed and recorded with top artists including George Benson, Michael Feinstein, Dave Grusin, Dee Dee Bridgewater, Mark O’Connor, Terence Blanchard, Jon Secada, Patti Austin, Arturo Sandoval, Nestor Torres, Sammy Figueroa, Pharrell Williams, Josh Groban, Lou Gramm, and groups including The Jacksons, Evanescence, Take 6, and Tiempo Libre.

Recognized as an artist of unusual sensitivity and virtuosity, pianist Steven Masi has concertized extensively throughout North America, Europe, and Asia. He has appeared at the Casals Festival, Aspen Music Festival, Chautauqua Festival, Park City International Festival, Central Vermont Chamber Music Festival, and Music Festival of the Hamptons. His many orchestral appearances have included series with the The Atlanta Symphony, the Baltimore Chamber Orchestra, and New Symphony Orchestra of London. In Germany he was an artist member of the Bonn Chamber Music Society.

Jennifer Bouton has performed around the world as a guest artist, clinician, and orchestral musician. A member of the Milwaukee Symphony Orchestra since 2011, she performed two seasons with Lyric Opera of Chicago, and has played guest roles with the Chicago Symphony and Detroit Symphony Orchestras, among others. In 2019 she won an extended appointment with the Australian Ballet and Australian Opera in Melbourne, and was invited to become a permanent member of Orchestra Victoria.

Frank Alexander Clark is a board-certified adult outpatient psychiatrist at Prisma Health-Upstate. He also serves as clinical associate professor at the University of South Carolina School of Medicine-Greenville. Clark received a Bachelor of Arts degree from Monmouth College in Illinois and a Doctor of Medicine degree from Northwestern University. He then completed his residency in general psychiatry at Palmetto Richland Hospital in Columbia SC.

Described by audience members as “silky smooth butter in musical form” and “voices like I imagine angels might sound,” Voices of Concinnity is Connecticut’s versatile professional vocal chamber ensemble illuminating the breadth and variety of choral music through innovative and artfully sung programming. Sponsored by Consonare Choral Community, Voices of Concinnity consists of 12 dedicated, seasoned choral artists from diverse backgrounds with a mission to connect with the community through exquisitely crafted, innovative choral programming that fosters inclusion, promotes collaboration, illuminates variety, and ensures affordable access. 

Carlos Manuel Vargas' performances have received accolades from both audiences and critics in the United States, South America, and Europe. Reviews of Vargas’ performances in the 2022 season, which included his solo debut recital in Germany at the Musiken concert series, have described his playing as “highly emotional and thoughtful” while praising the “striking energy and uncompromising honesty” of it. Highlights of the upcoming 2023–2024 season include a series of recitals in New England and California featuring music of what is to be his debut album titled SOUVENIRS as well as his debut with the National Symphony of Ecuador performing Rachmaninoff’s Piano Concerto No. 2 in honor of the composer’s 150th birth anniversary.

Donald Nally collaborates with creative artists, leading orchestras, and art museums to make new works for choir that address social and environmental issues. He has commissioned over 180 works and, with The Crossing, has 29 recordings, with two Grammy Awards and eight nominations. Nally has served as chorus master at the Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, and the Spoleto Festival in Italy.

The Crossing is a Grammy-winning professional chamber choir conducted by Donald Nally and dedicated to performing new music. It is committed to working with creative teams to make and record new, substantial works for choir that explore and expand ways of writing for choir, singing in choir, and listening to music for choir. Many of its nearly 150 commissioned premieres address social, environmental, and political issues.

Lawrence Ball grew up surrounded by music of all kinds, perpetually, in the home. He is a largely self-taught composer and musician, who began playing melodies by ear at age 4. Ball holds a Computer Science BSc Hons. degree from London University, 1972, where he also studied computer-generated music research. Notable collaborations include those with The Who’s guitarist and principal songwriter Pete Townshend on the Lifehouse-Method project, which resulted in over 10,000 generated music portraits over the internet. A related album, METHOD MUSIC, was released in 2012 on Navona Records. Over the course of his career, Ball has covered a broad palette of media expressions, scored over 200 musical pieces, recorded a wide range of music including electronic, programmed computer software, and improvised over 4000 improvised piano works.

The Society of Composers, Inc. is a professional society dedicated to the promotion, performance, understanding, and dissemination of new and contemporary music. Members include composers both in and outside academia interested in addressing these issues on a national and regional level. The governing body of the Society consists of a National Council made up of co-chairs who represent regional activities, and an Executive Committee made up of the editors and directors of Society publications and projects. We are actively promoting new music through conferences, festivals, publishing of scores, contests, and the release of members’ recordings.

Chris Arrell (b. 1970, Portland OR) composes music for throats, fingers, and oscillators that celebrates the blurring of lines between human and machine, the natural and the digital, and the popular versus the avant-garde. His music, praised for its nuance and unconventional beauty (New Music Box, Boston Music Intelligencer, Atlanta Journal-Constitution), has led to commissions from the Alte Schmiede (Austria), Boston Musica Viva, MATA, Spivey Hall, Cornell University, and the Fromm Foundation. A winner of the Ettelson Composer Award for his work Of Three Minds, he holds additional honors from Ossia Music, the League of Composers/ISCM, the Salvatore Martirano Competition, the MacDowell and ACA colonies, and the Fulbright Hays Foundation. His music is available from Beauport Classical, Electroshock Records, Navona Records, PARMA Recordings, and Trevco Music. Arrell is an associate professor at the College of The Holy Cross in Worcester MA.

Arthur Gottschalk is Professor of Music Composition at Rice University’s Shepherd School of Music, where he founded and directed the school’s electronic music laboratories until 2002, and chaired the composition and theory department for 15 years. His early work as a studio musician led to his co-founding of Modern Music Ventures, Inc., a company which held a recording studio complex, a record production division, four publishing firms, and an artist management division, and for whom he produced records for the PolyGram and Capitol labels, among others.

Flutist Linda Wiley studied at Sam Houston State University in Huntsville TX, earning a B.M. Education degree in 1975 and an M.A. in performance in 1977. While at SHSU, she studied flute with Jan Cole, who had studied privately with Jean-Pierre Rampal for five years. Unrelated to flute performance, Wiley earned a Ph.D. in interdisciplinary education from Texas A&M University in 1986.

Jonathan Sheffer is a Grammy-nominated composer and conductor whose diverse career in music spans the worlds of classical, opera, dance, and film and television. Born in New York City, Sheffer graduated from Harvard University, where his teachers included Leonard Bernstein, and later attended The Juilliard Extension School and the Aspen School of Music. Sheffer’s range of works comprises television and feature film scores, works for orchestra, solo piano, concertos, musicals, and short operas. In addition to several scores for Hollywood films, including Encino Man, Pure Luck, A Shallow Grave and others, his most recent films include the documentaries Mann v. Ford (HBO) and the German/Israeli film, The Decent One, which premiered at the Berlin Film Festival.

Frank Felice (b. 1961) is an eclectic composer who writes with a postmodern mischievousness: each piece speaks in its own language, and his works can be by turns comedic/ironic, simple/complex, subtle/startling, or humble/reverent. Recent projects of Felice’s have taken a turn toward the sweeter side, exploring a consonant adiatonicism.

Driven to create a musical bond with her listeners, saxophonist Heidi Radtke is attracted to the many musical traditions that claim the saxophone as their own. With influences ranging from contemporary classical to jazz and popular genres, Radtke gravitates towards music that dances, sings, and tells a story. As a performing artist, Radtke seeks to entertain, provide emotional connection and release, stir creativity, pique curiosity, generate compassion, and above all, inspire the artistic voice in others.

Monica (Niki) Houghton was born in Vermont and raised in northern Nevada. She holds A.B. and A.M. degrees from Harvard University in Chinese Language and Literature and East Asian Studies. She earned an M.M. in Composition from the Cleveland Institute of Music in 2003 and served as Instructor for their Joint Music Program with Case Western Reserve University for nine years before moving back to Nevada in 2011.