Artists

Nearly all of Navid Bargrizan's compositions explore intonational and tuning concepts, ranging from just intonation and extended equal temperaments (e.g. 24-tone or 36-tone equal temperament) to various microtonal concepts taken from diverse musical cultures. Since 2014, his experiments with microtonality have resulted in 13 premieres and more than 40 performances of his works in the United States, Canada, Germany, and Austria, including at New York City Electroacoustic Festival, Toronto Electroacoustic Festival, Eastern Music Festival, Florida Contemporary Festival, and conferences of the Society of Composers, Inc.

Carol Barnett’s music has been called audacious and engaging. Her varied catalog includes works for solo voice, piano, chorus, diverse chamber ensembles, orchestra, and wind ensemble. She has received grants and fellowships from the Camargo Foundation, Cassis, France (1991), the Inter-University Research Committee on Cyprus (1999), the Jerome Foundation (2002), and the McKnight Foundation (2005).

The music of award-winning composer Greg Bartholomew is frequently performed across the United States and in Canada, Australia and Europe by such highly regarded instrumental ensembles as Third Angle New Music Ensemble, the Electrum Brass Trio, and the Spring Wind Quintet, as well as such acclaimed choral ensembles as Seattle Pro Musica, Austin Vocal Arts Ensemble, and Connecticut Choral Artists (CONCORA). NPR classical music reviewer Tom Manoff called Bartholomew "a fine composer not afraid of accessibility."

Described by NPR's Ron Schachter as "a musical Lewis and Clark, opening up new musical territories," Duo Cello e Basso “unites passion with elegance” (Boston Globe). Cellist/composer Emmanuel Feldman and double bassist Pascale Delache-Feldman partner to perform repertoire ranging from Bartok, Mozart, and Rossini to Feldman, Pinkham, and Schnittke. With more than 20 commissions and premiers to their credit, the duo creates dynamic programming that surprises and energizes audiences.

Jay C. Batzner (b. 1974, Dubuque IA) is currently on the faculty of Central Michigan University where he teaches music technology, electronic music composition, and music theory courses. Prior to this position Dr. Batzner was on the faculty of the University of Central Florida, Kansas City Kansas Community College, Metropolitan Community Colleges (Kansas City area), and Indiana University Southeast. He earned his doctorate in composition at the University of Missouri - Kansas City and holds degrees in composition and/or theory from the University of Louisville and the University of Kansas.

Randy Bauer's works have been performed across the United States and Europe by members of the Minnesota and St. Paul Chamber Orchestras, the Brentano String Quartet, eighth blackbird, Nash Ensemble of London, Zeitgeist, and many others, and has been broadcast on WFMT Chicago and Minnesota Public Radio. He has been a McKnight Foundation Fellow, and a resident artist at Yaddo, the Ucross Foundation, and the Atlantic Center for the Arts. He holds degrees from the Peabody Conservatory and Princeton University, and is on the faculty of Macalester College in St. Paul MN.

Dušan Bavdek (b. Slovenia, 1971) is a composer and professor of composition and music theory as well as a vice dean for international affairs at the University of Ljubljana Academy of Music. His compositional opus encompasses pieces for symphony orchestra, string orchestra, wind orchestra, opera, ensembles, chamber groups, and soloistic performance.

Composer Garth Baxter is noted for his modern traditionalist style of writing. He combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements. He is recognized as one of the preeminent composers of art songs and has been described as an unabashed lyrical, tonal composer.

As a composer, Bunny composes contemporary classical music as well as jazz and ballads. Her most recent works include “Breathe” for jazz ensemble, “Suite for Sarro” for string trio, “Fantasy for Saxophones”, (quartet) “Fantasy for Brass” (quintet) and the suite “Two Rivers and An Ocean” for mixed percussion ensemble. Her client commissions include arrangements. Bunny holds a Master of Fine Arts degree in Music Composition from the Vermont College of Fine Arts.

Kansas composer Dwight Beckham, Sr. did his undergraduate and graduate work at Wichita University. He has studied composition with Homer Keller, Adrian Pouliot, Harold Moyer, Joshua Missal, and Robert Marek. He has played trumpet with the Wichita Symphony Orchestra, the Newton Mid-Kansas Symphony Orchestra, and the Wichita Wind Ensemble.

Patrick Beckman received his B.M. and M.M. in piano from the University of Illinois-Urbana. After graduation he became Artist-in-Residence at Highland College in Illinois where he later headed the music department. He has also taught at Rockford College. Beckman's works for piano include the albums Songs for Piano (1981); Biscuit Alley (1984); Street Psalms (1985); and Spring Chants (1987). Past CDs include Earth Day Sonata (1992); Piano Pieces (1997); Tavern Tunes (2003); American Scenes Vol. 1 (2006); American Scenes Vol. II (2007) and Street Dance (2008, produced by Bob Lord).

Charles Alan Beeler (February 10, 1939 - April 28, 2016) Beeler completed his graduate study in theory and composition at Washington University, where he received an M.A. and Ph.D. He studied composition with Robert Wykes, Robert Baker, and Harold Blumenfeld, theory with Leigh Gerdine, and musicology with Lincoln Bunce Spiess and Paul Amadeus Pisk.

Yuriy Bekker, critically-acclaimed violinist and conductor, has been a mainstay of the Charleston Symphony Orchestra (CSO) in Charleston SC for 15 years. He has recently been named the CSO’s Artistic Director and also continues to lead as Concertmaster (2007) and Principal Pops Conductor (2016). Bekker previously served as the orchestra’s Acting Artistic Director from 2010-2014, playing a major role in the orchestra’s successful resurgence. 

Brian Belet lives in northwestern Oregon with his partner and wife Marianne Bickett. His album SUFFICIENT TROUBLE, containing ten of his computer music compositions, was published by Ravello Records in 2017. Stellar Nebulae, for string orchestra, was published on the album PRISMA VOL. 4 by Navona Records in 2020, and his brass quintet Three by Five was published on the album BRASS TACKS, also by Navona Records, in 2022. Additional music is recorded on albums published by Capstone, Centaur, Frog Peak Music, IMG Media, Innova, New Ariel Recording, SWR Music/Hänssler Classic, and the University of Illinois labels, with research published in Contemporary Music Review, Organised Sound, Perspectives of New Music, Proceedings of the International Computer Music Conference, and Proceedings of the International Web Audio Conference.

The music of Gary D. Belshaw (ASCAP) has been performed throughout the United States and abroad, including England, Austria, Germany, the Czech Republic, Russia, and Spain. Most notably, Belshaw’s Victory Day Overture for concert band received its world premiere in the Great Hall of the Moscow Conservatory. His Oofdah Fanfare premiered in the Imperial Concert Venue of the Schonbrunn Palace in Vienna, Austria.

Donald Betts made his New York debut as a pianist and composer at the age of 21, playing his own music along with works by Prokofieff, Liszt, and Schumann. The New York Times called him "a pianist of imagination and poetic feeling". Musical America cited "his tremendous technique and bravura style".

Award-winning Michigan composer Dinah Bianchi creates vibrant and exciting music; music that is sublime, beautiful, and full of the communicative power of art. She is well versed in a variety of musical genres with a portfolio that includes music for orchestra, concert band, string ensemble, chamber ensemble, solo works, and electronic music. Well received both nationally and internationally, Bianchi’s music has been performed in concert halls in Europe, Asia, Canada, and the United States. Recently, she completed a recording session for Chasse Noir with the Janáček Philharmonic Ostrava in the Czech Republic. The recording was released in August of 2022 and is anticipating an album release with PARMA in the Spring of 2024.

Eric Biddington was born in Timaru, New Zealand in 1953, and received his schooling in Timaru and Christchurch. Upon leaving school, he began part-time work as a laborer and studied at the University of Canterbury, although this was interrupted by illness in 1974. In 1979 he returned to study, laboring work, and musical composition and graduated with degrees in music, arts, and science. Despite suffering from schizophrenia and depression since his teenage years, Biddington has become a prolific and widely performed composer.

Tucker Biddlecombe (Ph.D.) is Director of Choral Activities at Vanderbilt University’s Blair School of Music. There he conducts the Vanderbilt Chorale, and Symphonic Choir, and teaches courses in Choral Conducting and Music Education. He also serves as Director of the Nashville Symphony Chorus, the offcial vocal arm of the Nashville Symphony Orchestra. Dr. Biddlecombe is a veteran teacher and a passionate advocate for music education. Ensembles under his direction have performed to acclaim at state and division conventions of ACDA, and he is active as a guest conductor. A native of Buffalo New York, Biddlecombe is a graduate of SUNY Pots dam and Florida State University, where he completed doctoral studies in choral conducting and music education with André Thomas. He resides in Nashville, TN with his wife Mary Biddlecombe, Artistic Director of the Blair Children’s Chorus.

Hayes Biggs was born in Huntsville, Alabama and raised in Helena, Arkansas. He holds the Doctor of Musical Arts degree in composition from Columbia University. His teachers include Don Freund, Mario Davidovsky, Jack Beeson, Fred Lerdahl and Donald Erb. Biggs has been a fellow in composition at the Composers Conference and Chamber Music Center at Wellesley, at the Tanglewood Music Center, at Yaddo, the Virginia Center for the Creative Arts, the Millay Colony for the Arts and the MacDowell Colony. Among his honors are a John Simon Guggenheim Memorial Fellowship and an Aaron Copland Award, which afforded him the opportunity to live and compose at Copland House in upstate New York for several weeks. Since 1992 he has been on the faculty of the Manhattan School of Music, teaching courses in the theory and composition departments.