Composers

Polish-born violinist Piotr Szewczyk has been hailed for his “stellar technique and constantly ringing tone” (Charleston Post and Courier) and has been a member of the Jacksonville Symphony’s first violin section since 2007. He is also an active composer, whose work has been called “magical” (Gramophone Magazine).

He attended Los Angeles City College in 1958 where he studied composItion with Leonard Stein. He graduated with a B.A. in music from Long Beach State College in 1963. While there, he studied with Leon Dallin and Robert Tyndall. He is also a charter member of the Kappa Omicron chapter of PHI MU ALPHA fraternity.

Jonathan Santore is composer in residence with the New Hampshire Master Chorale, and professor of music at Plymouth State University. He has won prizes and awards for his work including The American Prize in Composition (Choral Division), the American Composers Forum Welcome Christmas! Carol Contest, and an Individual Artist Fellowship from the New Hampshire State Council on the Arts.

Charles Alan Beeler (February 10, 1939 - April 28, 2016) Beeler completed his graduate study in theory and composition at Washington University, where he received an M.A. and Ph.D. He studied composition with Robert Wykes, Robert Baker, and Harold Blumenfeld, theory with Leigh Gerdine, and musicology with Lincoln Bunce Spiess and Paul Amadeus Pisk.

The music of adventurer-composer Lias is performed regularly around the world by soloists and ensembles including the Boulder Philharmonic, the Oasis Quartet, the Ensamble de Trompetas Simon Bolivar, and the Russian String Orchestra.

After an injury in 1982 ended his career as a modern dancer, David Kirtley focused on a new path as a self-taught composer. His efforts were rewarded when in 1987 he was granted a residency/fellowship from the Yellowsprings Institute in Pennsylvania for his piece, Songs for the Outcasts of Great Turtle’s Back, a song cycle recounting the great losses of life, land, and culture suffered by the American Indians.

David DeVasto (b.1979) has presented works in the United States and Europe; including The IAEF International Summer Arts Institute, The Council for Undergraduate Research, Society of Composers, Charlotte New Music Festival, Christian Fellowship of Art Music Composers, Electronic Music Midwest, The Iowa Composers Forum, Nevada Encounters of New Music, and The Electro-Acoustic Juke Joint.

Phillip Rhodes was born in Forest City, North Carolina in 1940 and received degrees from Duke University and the Yale University School of Music. His principal teachers have been William Klenz, Iain Hamilton, Donald Martino, and Mel Powell.

Timothy Lee Miller (b. 1961) is an American composer, arranger and publisher writing unique contemporary concert music for chamber ensembles, orchestra, wind ensemble, chorus and solo voice, as well as jazz music. He has also written for several small film and television projects, however, his primary focus is concert music. He has earned degrees from the University of Tennessee (BS Music Ed, 1984), the University of Miami (MM Media Writing and Production, 1990) and Vermont College of Fine Arts (MFA Composition, 2013).

Delvyn Case is a composer, conductor, scholar, performer and educator based in Boston.

Cited in The Washington Post as “one of the top 35 female composers in classical music,” Laura Kaminsky frequently addresses critical social and political issues in her work, including sustainability, war, and human rights. She possesses “an ear for the new and interesting” (The New York Times) and “her music is full of fire as well as ice, contrasting dissonance and violence with tonal beauty and meditative reflection. It is strong stuff.” (American Record Guide).

Libby Larsen (b. 24 December 1950, Wilmington, Delaware) is one of America’s most performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over twelve operas. Grammy Award winning and widely recorded, including over fifty CD’s of her work, she is constantly sought after for commissions and premieres by major artists, ensembles, and orchestras around the world, and has established a permanent place for her works in the concert repertory.

Robert A. Baker (born 1970, Toronto, Canada) is a composer, theorist, pianist and conductor of new music. His compositions have been performed at concerts and at festivals and conferences in North America and Europe including: the St. Magnus and York Spring New Music Festivals (UK); Jihlava International Choral Festival (Czech Republic); Festival "Giuseppe Rosetta" (Italy); New Music North (Canada); Miami New Music ISCM Festival (USA).

Douglas Anderson is a composer, conductor, educator, and producer who has been active in the New York area for 45 years.  He studied music and psychology at Columbia University, where his three degrees culminated in a doctorate in music composition in 1980. His professional career began as a jazz musician at the age of 12, and he performed widely in the Eastern United States before moving to New York to attend college. His work as a conductor has been his performance focus for the last several decades.

Composer Jeff Stadelman's (b. 1959) unusual, arresting, exacting musical voice has evolved over 25 years, amounting to a complex musical practice that suggests no obvious counterpart.

American composer, conductor, orchestrator, and producer Dan Redfeld has had his music and arrangements performed internationally from the concert hall to the musical theatre stage to the recording studio. Redfeld received his training at Boston's New England Conservatory before transferring to the University of California, Los Angeles (UCLA) where he graduated with a degree in composition with an emphasis in conducting. Instructors include composers William Thomas McKinley, Irwin Kostal, and David Raksin, and conductors Jon Robertson, Sir Simon Rattle, Zubin Mehta, and Roger Norrington.

Paula Jespersen Diehl came to New Jersey from China as an infant with her Danish parents and older brother. From her time of awareness, she heard music in the home. She and each of her three brothers studied a musical instrument; her mother listened to opera and played Danish songs on the piano for the children to sing, and her father and an uncle sang Danish songs.

Fred Broer (b.1942) is a native Oregonian. He received his Master of Music degree from Indiana University and his Doctorate from Boston University. Some of the composition teachers he studied with include Jack Goode, Bernard Heiden, and Joyce McKeel. He taught music in colleges for over 25 years, served in several churches as Music Director/Organist, performed as director of several community choruses, and was Director of the North Shore Conservatory of Music, a community music school at Endicott College in Beverly MA.

Eli Tamar’s compositions have been recognized for their high emotional intensity and personal expression. His multi-cultural background (Russian-born Israeli-American) contributed greatly to his ability to explore and synthesize different elements of styles while transcending spiritual barriers between various musical, literary, and religious traditions.

Composer Yves Ramette (b. 1921) was born in Bavay, France, where his father was the director of a school. From a very young age Ramette was instinctively attracted towards music. When he was seven years old he started learning musical notation as well as to play the violin and the piano. At age fourteen, while pursuing his secondary studies at the Beauvais Lycée, he also began taking advanced lessons in harmony.