Composers

Composer and conductor Joseph Gregorio has received commissions from ACDA, Cantus, The Esoterics, and Choral Chameleon, and was awarded a 2015 Commissioning Grant from the Ann Stookey Fund for New Music. Gregorio’s music is published by Areté Music Imprints, E.C. Schirmer Music Company, Walton Music, and Imagine Music Publishing. He is the director of choirs at Swarthmore College and was the founding director of Ensemble Companio, which he led from 2011-2016 and which won the 2012 American Prize in choral performance. Gregorio has also served as assistant conductor of the San Francisco Bach Choir and has taught music theory and musicianship at the San Francisco Conservatory of Music and Temple University.

“Richard Galliano has changed the course of accordion history. Today we can speak of ‘before’ and ’after’ Galliano.” — Yasuhiro Kobayashi, accordionist and musician accompanist of the singer Björk It was my dearest wish: to give a fair place to this instrument, unjustly qualified as the “poor man’s piano,” whereas my accordion has always been a Steinway with braces. I was determined to restore the image of my instrument, so I left my native village and “went up to Paris” like many others. There I had the chance to meet artists who quickly put their trust in me: accordionists like Jo Basile, singers like Claude Nougaro, Serge Reggiani, Barbara, and jazzmen like Chet Baker, Charlie Haden, Ron Carter and Michel Portal.

Simon Andrews is an English composer who is earning a reputation as a creator of eloquent concert music that blends harmonic complexity and lyricism, introversion and broad gestures, delicate timbres and bold statements. His output ranges from large-scale orchestral works and opera to intimate chamber music, with a special delight in chamber music with solo voices. He studied at Oxford University, and the Royal Academy of Music, and gained a Ph.D. from the University of California, Berkeley. Winner of the 1985 Benjamin Britten Prize, his music has been commissioned and performed to critical acclaim on both sides of the Atlantic.

Deborah Kavasch, composer, soprano, specialist in extended vocal techniques, and music educator, has had works commissioned and performed in North America, Europe, the United Kingdom, and China. She has received grants and residencies in composition and performance, was a 1987 Fulbright Senior Scholar to Stockholm, and has appeared in major international music centers and festivals in concerts, solo recitals, workshops, lecture/demonstrations, and television and radio broadcasts since 1981.

John Christopher Wineglass is a multiple ®EMMY Award-Winning Composer who has performed on five continents, before U.S. presidents since Ronald Reagan, and with several ®OSCAR and ®GRAMMY Award-winning artists including Aretha Franklin, Whitney Houston, and Jamie Foxx to name a few. He has written several scores and incidental music for shows on MSNBC, CNN, NBC, CBS, and ABC as well as documentaries on Headliners & Legends for The Brady Bunch, Kathy Lee Gifford, and Farah Fawcett. Having scored mainly independent films, several of his nationally syndicated commercials include music for the United States Army, American Red Cross, and Texaco as well.

Barbara Jazwinski’s music has been heard throughout North America, Europe, and the Far East. Her portfolio, influenced by her Polish heritage and by the culture of New Orleans, her home for many years, includes over 100 original compositions in various genres and for many different vocal and instrumental ensembles. She has been commissioned by many artists and ensembles around the world and her works have been presented to critical acclaim at well-known concert series and international festivals. Among her numerous awards are the Prince Pierre of Monaco Composition Award and the First Prize in the Nicola De Lorenzo Composition Contest. Barbara Jazwinski’s compositions are available on several recording labels and on websites and radio stations around the world.

Steve Law is a British composer, arranger, and pianist. He studied composition at Bristol University under Raymond Warren and received a masters degree for his jazzy opera Heaven on Earth, which has been described as “a significant contribution to the genre.” Law has a gift for melody that is rare in contemporary music and a popular original style that assimilates jazz and pop influences. He has recorded and performed his music. Musicweb International described Law’s first solo piano album as “kaleidoscopically varied... impressionistic atmosphere... slowly burning passion.” His Violin Concerto was performed in Scotland and 3 Poems by Lorna Law were performed by Ferrier Award-winning baritone Gareth Brynmor John. Law is a published arranger of Dudley Moore’s music with Faber, and is working on a volume for the Gershwin Critical Edition.

Composer Mark Eliot Jacobs, born in 1960, lives in southern Oregonís Rogue River Valley. He is a frequent participant in the musical life of the valley: principal trombonist in the Rogue Valley Symphony, and musician with the Oregon Shakespeare Festival, among other engagements. He is an adjunct instructor at Southern Oregon University where he has taught in the areas of music theory, composition, and low brass. Mark holds the degree Doctor of Music from Northwestern University in Evanston, Illinois in Music Composition (1986).

Inspired by Christian iconography, Nathan’s compositions emphasize music’s ability to propose emotional narratives by layering and/or juxtaposing simple musical ideas, or “sonic icons.“ This approach to composition—praised by the Boston Globe as “adroit and expressively efficient”—stresses the relationship between disparate musical ideas, which the audience is invited to reconcile of their own accord. And while the narrative journeys of Nathan’s compositions can thus be as varied as humanity itself, the subject of each work points only to One: the salvation of humanity.

Bernard Hughes’s music has been performed by various ensembles, including the BBC Singers and the London Mozart Players at major British venues such as the Royal Albert Hall and St Paul’s Cathedral. His music has won a number of awards both in the UK and internationally, and is regularly broadcast on the UK’s BBC Radio 3. Bernard Hughes’s BBC commission Birdchant was premiered at the Proms festival in August 2021. After studying music at Oxford University, and composition privately with Param Vir, Bernard was awarded a Ph.D. in composition by London University in 2009.

Mark Edwards Wilson, currently a member of the faculty of the University of Maryland, began his productive career in his native California. He studied with Henri Lazarof and Leon Kirchner at the University of California at Los Angeles, where he received a Ph.D. at the age of 25. He has received many prizes, awards, and other honors for his orchestral and vocal works, as well as his chamber music and electro-acoustic compositions, many of which have been commissioned and performed by major institutions and performing organizations.

Dr. J.A. Kawarsky (b. 1959) is Professor of Music Theory and Composition at Westminster Choir College of Rider University in Princeton in New Jersey. Kawarsky received his B.M. in composition from Iowa State University and his M.M. and D.M.A. from Northwestern University, where he studied with John Paynter, Alan Stout, and Frederick Ockwell. In 1982, Kawarsky conducted the Opera Company of the Negev Region in Be’er Sheva in Israel. Before coming to Westminster in 1989, he taught at Fort Hays State University, the University of Wisconsin, and Moraine Valley Community College.

Michael J. Evans is an American composer based in Washington DC He has recorded with pianist Karolin Rojahn, Sirius Quartet, St Petersburg State Symphony Orchestra, Millennium Symphony Orchestra, Kiev Philharmonic, Prague Radio Symphony Orchestra, Moravian Philharmonic and Janaček Philharmonic.

Matthew Heap, born in 1981, is an internationally-performed composer whose music has been featured in several American and English cities and on WQED and WCLV radio. He is also very involved in the theater community as an actor, director, and writer. Matthew received his B.F.A. from Carnegie Mellon University, M.M. from the Royal College of Music in London, and  Ph.D. from the University of Pittsburgh. He has studied with Leonardo Balada, Eric Moe,  Nancy Galbraith, Mathew Rosenblum, Amy Williams, and Timothy Salter.

The deep humanitarian concerns that permeate much of Deon Nielsen Price’s music is represented in her duo War Ends-Song Endures, a tribute to the valiant spirit of Ukrainians, premiered in 2023 at the Mu Phi Epsilon International Convention in Texas by flutist Rik Noyce and commissioning pianist Mary Au. Named the "Tom Brady of Composers" (New York Times 12/24/2022), Price feels honored to represent octogenarian composers who are still professionally active. During her truly banner year of 2023, several long-term projects came to fruition with premier performances, album releases, new recording sessions, and two compositions that were finalists for The 2023 American Prize: Ludwig’s Letter to Eternal Beloved, song cycle in the category Vocal Chamber Music; and Ammon and the King, Immigrant Speaks Truth to Power in the Opera/Theater category.

John Rommereim is a musician who has pursued a varied career as a composer, conductor, keyboardist, and professor. He has written works for choir, solo voice, orchestra, string quartet, saxophone quartet, flute ensemble, guitar, organ, piano, and electronic media, as well as a chamber opera, and music for theater and film. The New York Times praised the “richly expressive” character of his work for voice and piano, Into the Still Hollow.

Karl Blench is a composer and conductor who holds bachelor’s degrees in education and music theory from the University of New Hampshire, and a Master’s degree and DMA in composition from Rice University. His music has been performed throughout the United States, Europe, and Cuba. Recent engagements include performances of his works by the Shepherd School Chamber Symphony, the h2 Saxophone Quartet, the Indianapolis Symphony Orchestra, and the University of New Hampshire and University of Houston Wind Ensembles.

New York City composer Bruce Lazarus characterizes his extensive catalog of instrumental and vocal music as "diverse, concise, architectural, contemporary, and in turn meditative, energetic, humorous, moody, and exuberant.” Lazarus' music has often been inspired by astronomical imagery, woodlands and mountain trails, and lifetime involvement in the worlds of theater and dance. His works are published at Universal Editions and Swirly Music, and his albums - Musical Explorations of the Messier Star Clusters and Nebulae, Works for Solo Piano, November Sonata, and Song of the Earth - are available on iTunes, Amazon, and Spotify.

Beth Wiemann was raised in Burlington VT, studied composition and clarinet at Oberlin College and received her Ph.D. in composition from Princeton University. Her works have been performed nationally and internationally by the ensembles Continuum, Transient Canvas, Earplay, Guerilla Opera, and others.  Her compositions have won awards from the Orvis Foundation, Copland House, the Colorado New Music Festival, New York Treble Singers, and regional arts councils. She teaches clarinet, composition, and music theory at the University of Maine. 

Martha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. She was a member of the first graduating class of the Houston High School for Performing and Visual Arts, (Vocal Music ’74) and earned a Bachelor of Music degree in Composition from the University of Texas at Austin (1979). She is grateful to many inspirational and generous teachers including composers Dr. Donald Grantham and Dr. Sam Dolin and pianists Danielle Martin, Gregory Allen, Dr. Errol Haun, and Trudy Borden.