• Arcadian Winds

    Ensemble

    Arcadian Winds was founded at Boston University in 1987. Originally a woodwind trio consisting of flute, clarinet, and bassoon, the ensemble expanded to a wind quintet in 1989. Since its formation, Arcadian Winds has premiered almost 50 new works and championed many others. With a strong commitment to education, the group has brought chamber and contemporary music into the public, private and community schools in the Boston Area.

  • Megan Ihnen

    Mezzo-Soprano

    Megan Ihnen is a “new music force of nature.” The act of live performance is integral to Ihnen’s work and her performances thrive on elaborate sound worlds and fully-developed dramatic interpretations. Through narrative and non-narrative musical storytelling, she explores the subjects of memory, nostalgia, the perception of time, and relationships. Whether through chamber music, staged recitals, opera, or large ensemble soloist work, she emphasizes the full range of vocal sounds, timbres, colors, and uses that characterize the 21st century voice.

  • Kühn Choir of Prague

    Choir

    The Kühn Choir of Prague is one of the largest Czech choirs and has been part of the musical world for over 60 years. It devotes itself to the choral repertoire of all periods, and its activities include significant performances of contemporary music, performances of large vocal-instrumental works in collaboration with leading Czech orchestras and, last but not least, projects for the performance and recording of film music.

  • Lenka Navrátilová

    Conductor

    Lenka Navrátilová studied piano and harpsichord at the Teplice Conservatory and choral conducting (sacred music) under the guidance of Jiří Kolář and Marek Štryncl at the Faculty of Education of Charles University in Prague. She is second chorus master of the Kühn Choir of Prague, professor of opera coaching at the Prague Conservatory, and répétiteur of the Prague Philharmonic Choir. As the assistant to the chorus master of the Prague Philharmonic Choir, she has participated in its appearances in Doha, Berlin, and at the Sankt Gallen opera festival.

  • Juventas New Music Ensemble

    Ensemble

    Juventas New Music Ensemble is a contemporary chamber group with a special focus on emerging voices. Juventas shares classical music as a vibrant, living art form. They bring audiences music from a diverse array of composers that live in today’s world and respond to our time. Since its founding in 2005, Juventas has performed the music of more than 300 living composers. The ensemble has earned a reputation as a curator with a keen eye for new talent. It opens doors for composers with top-notch professional performances that present their work in the best possible light.

  • Steven Masi

    Pianist

    Recognized as an artist of unusual sensitivity and virtuosity, pianist Steven Masi has concertized extensively throughout North America, Europe, and Asia. He has appeared at the Casals Festival, Aspen Music Festival, Chautauqua Festival, Park City International Festival, Central Vermont Chamber Music Festival, and Music Festival of the Hamptons. His many orchestral appearances have included series with the The Atlanta Symphony, the Baltimore Chamber Orchestra, and New Symphony Orchestra of London. In Germany he was an artist member of the Bonn Chamber Music Society.

  • Donald Nally

    Donald Nally

    Conductor

    Donald Nally collaborates with creative artists, leading orchestras, and art museums to make new works for choir that address social and environmental issues. He has commissioned over 180 works and, with The Crossing, has 29 recordings, with two Grammy Awards and eight nominations. Nally has served as chorus master at the Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, and the Spoleto Festival in Italy.

  • The Crossing

    Choir

    The Crossing is a Grammy-winning professional chamber choir conducted by Donald Nally and dedicated to performing new music. It is committed to working with creative teams to make and record new, substantial works for choir that explore and expand ways of writing for choir, singing in choir, and listening to music for choir. Many of its nearly 150 commissioned premieres address social, environmental, and political issues.

  • Linda Wiley

    Flutist

    Flutist Linda Wiley studied at Sam Houston State University in Huntsville TX, earning a B.M. Education degree in 1975 and an M.A. in performance in 1977. While at SHSU, she studied flute with Jan Cole, who had studied privately with Jean-Pierre Rampal for five years. Unrelated to flute performance, Wiley earned a Ph.D. in interdisciplinary education from Texas A&M University in 1986.

  • Heidi Radtke

    Saxophonist

    Driven to create a musical bond with her listeners, saxophonist Heidi Radtke is attracted to the many musical traditions that claim the saxophone as their own. With influences ranging from contemporary classical to jazz and popular genres, Radtke gravitates towards music that dances, sings, and tells a story. As a performing artist, Radtke seeks to entertain, provide emotional connection and release, stir creativity, pique curiosity, generate compassion, and above all, inspire the artistic voice in others.

  • Melanie Henley Heyn

    Vocalist

    Roaring onto the operatic stage in recent seasons, Melanie Henley Heyn made her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Singing a vast repertoire of music spanning the opera, concert, and folk worlds, her 33 divas recording project combining classic Wagner, Verdi, and Puccini roles with modern American opera heroines remains the No. 1 Most Funded Kickstarter for a Solo Classical Artist.

  • Trio Casals

    Ensemble

    Since making a highly-praised debut at the 1996 edition of the Pablo Casals Festival in Puerto Rico, Trio Casals has delighted audiences with spectacular virtuosity, engaging enthusiasm, and exquisite musical elegance. Consisting of pianist Anna Kislitsyna, violinist Alexandr Kislitsyn, cellist Ovidiu Marinescu, Trio Casals has released several commercial albums with PARMA Recordings and Navona Records to critical acclaim, from the beloved MOTO series to A GRAND JOURNEY and more.

  • Anna Kislitsyna

    Pianist

    Pianist and harpsichordist Anna Kislitsyna made her solo debut at age 10 with the Omsk Symphony Orchestra. She remains in high demand as a soloist, collaborative pianist, and educator. Recent season highlights include five new album productions with PARMA Recordings and two release concerts in Carnegie Hall’s Weill Recital Hall, performing Haydn and Shostakovich Piano Concertos with Helena Symphony and Southeastern Pennsylvania Symphony Orchestra, and returning to the Omsk Philharmonic as a soloist to give the inaugural performance on the new harpsichord.

  • Eugene Rogers

    Eugene Rogers

    Conductor

    A two-time Michigan Emmy Award winner, a 2017 Sphinx Medal of Excellence recipient, and a 2015 Grammy® Award nominee, Eugene Rogers is recognized as a leading conductor and pedagogue throughout the United States and abroad. In addition to being the founding director of EXIGENCE and the director of choirs and an associate professor of conducting at the University of Michigan, Rogers is the artistic director of The Washington Chorus (Washington DC). 

  • Diane Retallack

    Conductor

    Dr. Diane Retallack has been Artistic Director of the Eugene Concert Choir organization since 1985 and is the founding director of the chamber ensemble Eugene Vocal Arts and the Eugene Concert Orchestra. She earned a Doctor of Music in Choral Conducting from Indiana University where she studied conducting with Margaret Hillis, founding director of the Chicago Symphony Chorus, and score analysis with master choral scholar Julius Herford. She has also drawn experience and inspiration from workshops and festivals with Helmuth Rilling and Robert Shaw. 

  • Eugene Concert Choir

    Choir

    The Eugene Concert Choir organization was formed in 1974 and has grown to include the masterworks chorus Eugene Concert Choir, Eugene Concert Orchestra, and chamber choir Eugene Vocal Arts. A Resident Company of the Hult Center for the Performing Arts in Eugene OR, they present an annual concert series of great choral masterworks and diverse artistic experiences, and feature a growing discography of recordings and videos on streaming platforms and their website eugeneconcertchoir.org

  • EXIGENCE

    Ensemble

    EXIGENCE is the professional vocal ensemble of the Sphinx organization, led by founding conductor Eugene Rogers and composed of vocal artists including solo performers, educators, conductors, and composers. The name EXIGENCE is inspired by the definition of the word — “an urgent need or demand.” Their mission is to promote excellence and diversity through choral music within Black and Latinx communities by creating a platform for soloists and composers of color while inspiring and challenging audiences around the country and world.

  • Richard Crosby

    Composer, Pianist

    Richard Crosby was born in Ashland OH and raised in Largo FL. He holds a Bachelor of Music degree in Music Education (1979), a Master of Music degree in Piano and Wind Conducting (1981), and a Doctor of Musical Arts degree in Piano (1990) from the University of Cincinnati’s College-Conservatory of Music. His principal piano teachers at CCM were John Meretta and Richard Morris.

  • Angelique Poteat

    Clarinetist, Composer

    Angelique Poteat (b. 1986) is a native of the Pacific Northwest, and many of her works are inspired by the natural beauty of the region. Her music has been described as “engaging, restless” (New York Times), “serious and nicely crafted” (American Record Guide), and “extremely accomplished and vividly picturesque” (Seattle Times), receiving performances on four continents by ensembles including the Seattle Symphony Orchestra, arx Percussion Duo, Emerald City Music, CernaBella, and Trio Claviola. Poteat is the recipient of the 2015 American Prize in Orchestral Composition for her work Beyond Much Difference (2014), and has held Composer-in-Residence positions with the Seattle Symphony Orchestra and the New Music on the Rock Festival.

  • Natalya Pasichnyk

    Arranger, Pianist

    Ukrainian-born Natalya Pasichnyk, prize winner of several international piano competitions, has with Stockholm as her base, and with her deeply intellectual and creative interpretations, established herself as one of Europe's leading concert pianists. Sweden’s biggest classical music journal OPUS magazine listed her twice (2014, 2022) as one of Sweden's most influential cultural personalities. She has over the years also dedicated much energy on uncovering the unknown Ukrainian musical treasure for the Western audiences, and she has frequently appeared in both radio and TV.