Performers

A native of Houston, Andrew Schneider is a composer, pianist, and vocal coach whose virtuosic technique and daring interpretation has cemented his reputation among clients as a fearless musician. His extensive collaborative activity encompasses early music, standard operatic and art song repertoire, as well as contemporary music. Proficient for coaching purposes in French, German, Italian, and Latin, as well as adept with less frequently encountered languages, especially Slavic ones, Schneider enjoys using his considerable linguistic skill to help make challenging texts accessible to his clients. His wide ranging musical activities also include harpsichord and organ performance and conducting.

Heralded by Reno Arts News for her “tender” playing, Sarah Coyl enjoys a diverse musical career playing and teaching violin and viola. She is a member of the Reno Philharmonic Orchestra and an instructor of violin at the University of Nevada, Reno. As an emerging chamber musician, she has performed in concert on viola with world-renowned pianist Joyce Yang. Recent solo engagements include a performance of the Bruch Violin Concerto with the Tahoe Symphony Orchestra.

The 2014 and 2018 Latin GRAMMY® Nominee for Best Classical Album and 2008 GRAMMY® Nominee for Best Instrumental Soloist without Orchestra, pianist Allison Brewster Franzetti has received international acclaim from critics and audiences alike for her stunning virtuosity and musicality, both as a soloist and chamber musician. Her performances include the live Latin GRAMMY® Awards television broadcast, the GRAMMY® Awards Classical Music Tribute to Earl Wild and Lang Lang at the Walt Disney Concert Hall in Los Angeles, the American Classical Music Hall of Fame, the Robert Schumann Festival at the Marcella Sembrich Museum in Lake George NY, the Campeche Festival in Mexico, and at the opening of the VI International Festival of Music at the Teatro Colon in Buenos Aires, Argentina.

Timothy Stoddard has been hailed by Opera News as “having a clear-voiced tenor.” A native of Idaho, he is an award-winning vocal musician and actor who focuses his time and interests in new music, works for the stage, and oratorio. His repertoire spans that of early music, chamber music, works of Broadway, traditional opera, and world premiere pieces, and he performs in the United States, as well as Europe and Asia.

Hagai Yodan (b. 1985) is an Israeli pianist, vocalist, harpsichordist, and composer. His repertoire spans from early music to contemporary pieces, and he has collaborated with nearly 300 different composers.

Elizabeth Starr Masoudnia, solo English horn of the Philadelphia Orchestra since 1995, has toured the globe with the Philadelphia Orchestra to wide critical acclaim with many of the world’s finest conductors. She has premiered several solo English horn pieces written explicitly for her, including concertos by Behzad Ranjbaran and Nicholas Maw, and David Ludwig’s Piccola Notturna for English horn, harp, and string quintet.

A South Korean native, Koeun Grace Lee is an avid performer of contemporary piano repertoire. Chicago Classical Review praised Lee’s performance of selected variations of Robert Gross’s Variations on a Theme by Stefan Wolpe, the central work of this album: “Lee brought technical precision and thoughtful shaping to each movement, with particular care given to the childlike second variation, ‘Easily,’ and the third, ‘Like a Baroque Prelude,’ whose rhythmic figurations gesture winkingly to Bach’s Prelude in C Major.”

Award-winning Armenian-American pianist Kariné Poghosyan has been praised on the world stage for her “ability to get to the heart of the works she performs.” Since her orchestral debut at the age of 14, Poghosyan has been enchanting concert audiences around the globe, with her masterful artistry and exceptional performances that leave them forever transformed.

The ARK Trio was founded by soprano Allison Charney, cellist Kajsa William-Olsson, and pianist Reiko Uchida, all full-time musicians, mothers of school-age children, and dear friends who wanted to collaborate musically. Much to their surprise, they soon learned that their make-up of soprano, cello, and piano is unique in classical music, as evidenced by the paucity of extant compositions available for their combination.

Praised for his "utmost commitment, and sensitivity to the composers' diverse voices" by Fanfare Magazine, Brazilian violist Amaro Dubois has become known for his work in expanding and popularizing lesser-known repertoire for the viola through collaborative projects in Brazil and North America. Recently, Dubois has collaborated with orchestras such as the Paducah and Pensacola Symphony Orchestras, as well as the Iris Orchestra in Germantown-Memphis TN, where he was awarded their Fellowship position under the guidance of music director and conductor Michael Stern for the 2019-2021 seasons.

Richard Stoltzman's virtuosity, technique, imagination, and communicative power have revolutionized the world of clarinet playing, opening up possibilities for the instrument that no one could have predicted. He was responsible for bringing the clarinet to the forefront as a solo instrument, and is still the world's foremost clarinetist. Stoltzman gave the first clarinet recitals in the histories of both the Hollywood Bowl and Carnegie Hall, and, in 1986, became the first wind player to be awarded the Avery Fisher Prize.

Winner of The American Prize in Choral Performance (2019), NOTUS is one of the country’s most unique collegiate vocal ensembles, with a singular commitment to championing living composers through the commissioning, programming, and recording of new works. Directed by conductor-composer Dominick DiOrio and a curricular ensemble at the Indiana University Jacobs School of Music, NOTUS has performed across the nation, from regional and national ACDA conferences to Carnegie Hall. In September of 2018, NOTUS released their first commercial album on the Innova label, NOTUS: Of Radiance and Refraction, which includes five world premiere recordings by IU faculty composers. NOTUS was honored to be one of only 24 choirs in the world invited to perform at the 12th World Symposium on Choral Music before it was canceled due to the pandemic. As part of the honor of being invited to the Symposium, NOTUS was named an IFCM Ambassador in 2022 by the International Federation for Choral Music.

Marta Brankovich was born in Belgrade, Serbia. She was only 21 years old when she graduated from the University of Belgrade, as the youngest student with the highest GPA in her class. During her studies she received numerous international and domestic awards, scholarships, and public recognition, including a special honorary scholarship from her country for building an outstanding career in the United States.

Peter Sulski was a member of the London Symphony Orchestra for seven years. While in England he served on the faculty of the Royal College of Music and Trinity College of Music and Drama, as well as being Artistic Director of Chapel Royal Concerts, which he founded in 1993.

Award winning cellist Carmine Miranda has established an international career and recognition as a soloist, chamber musician, educator, and is a best-selling recording artist. Praised by many publications such as Fanfare Magazine for “fast becoming known for his ability to combine virtuosity with intense, well-thought-out interpretations” and by The Strad Magazine for “showing himself to be in full command of both instrument and works,” Miranda’s performances and recordings have appeared in some of the finest concert halls, music festivals, radio and TV stations, as well as PBS affiliated stations all over the United States, Europe, Latin America, and Asia.

Andrew Malloy, a New Hampshire native, attended the University of Massachusetts graduating magna cum laude with a Bachelor of Music Education degree. He continued his education at The Juilliard School where he received a Master of Music in Performance. He lived in Los Angeles where he worked as an active freelance musician for 40 years. As a studio player he recorded hundreds of film scores as well as TV shows and commercials. He performed as a regular member of the Pasadena, Santa Barbara, and New West Symphonies and The Crown City Brass Quintet.

Flutist Julie Scolnik’s tonal enchantment and communicative gifts have captivated audiences in America and France. The Boston Globe writes that “she plays with an urgency full of fire that melts into disarming delicacy,” and a French critic from La Provence praises “her vast palette of sultry colors and magical phrasing.” Scolnik has enjoyed a diverse musical career as a soloist, chamber musician, and orchestral flutist. As a guest flutist at festivals across the United States and France, Scolnik has collaborated with countless world-class artists and chamber groups that include the Brentano, Arabella, and Borromeo String Quartets. She is active as a soloist and for many years presented an annual fall recital at the Salle Cortot in Paris. She currently offers concerts each summer in Provence.

Pianist Sophie Scolnik-Brower’s innate grace and musical sensitivity have moved audiences across the United States and abroad. Her playing has been called “soulful artistry that underlines gorgeous harmonic change.” She has performed extensively at the Perlman Music Program, La Jolla Music Festival, Aspen Music Festival, the American Conservatory at Fontainebleau, and the Pablo Casals Festival. She is a member artist of Mistral Music and a frequent guest on WCRB Radio in Boston.

Duo Sequenza’s passion is to build new audiences for today’s classical music and promote the work of living composers. The duo has toured extensively, premiering American new music throughout the United States, Asia, and Europe. Lauded as "… brilliant, gossamer, and completely engaging…a delight to hear..." by Arts Indiana Magazine, they have been honored with invitational performances at the 21st Century Guitar Conference, Flute New Music Consortium Festival, Mid-Atlantic Flute Festival, National Flute Association Convention, and others. Award-winning adjunct projects, composer collaborations, and residencies augment their impact on today’s classical music, as have more than 20 new works written for them.

Hailed as a “virtuoso” by Donal Henahan of the New York Times, “an extraordinary musician” by The Washington Post, “stupefying” by L’Est Vaudois (Switzerland) and “one of America’s outstanding virtuoso double bass players,” with “eloquent playing, reinforced by his marked beauty of tone” by The Strad (magazine), Richard Fredrickson made his Carnegie Recital Hall debut at the age of 24 after winning the Concert Artists Guild award. This marked the first time the award had ever been presented to a double bassist.