Catalog

A renowned cellist in his own time, Carlo Alfredo Piatti (1822-1901) is known for composing his 12 Caprices, a set recognized for its technical difficulty and complexity, and widely used as developmental exercises for cellists. On his debut Navona Records release, PIATTI: 12 CAPRICES FOR SOLO CELLO, Venezuelan/American cellist Carmine Miranda interprets Piatti's virtuosic solo cello pieces, masterfully showing them as works that withstand treatment as significant concert repertoire.

On their debut Navona Records release, KOSTOV-VALKOV DUO: TRANSCRIPTIONS AND PARAPHRASES FOR CELLO AND PIANO, the Kostov-Valkov Duo - cellist Lachezar Kostov and pianist Viktor Valkov - present a powerful and invigorating program, showcasing their virtuosity and superior technique with commanding performances of works by Franz Liszt, Buxton Orr, Bohuslav Martinů, and Mario Castelnuovo-Tedesco.

Like many European composers alive during the World Wars, Bohuslav Martinů (1890-1959) was nomadic. But while most of these artists’ music changed drastically based on their location, Martinů’s compositional style consistently referenced the culture of his Czech heritage. SMALL STORMS – cellist Meredith Blecha-Wells’ debut record – contains Martinů’s duos for cello and piano from the latter half of his life, with the performances of Blecha-Wells and pianist Sun Min Kim fully embodying the folkloric sensibility and conservative style that typify the composer’s oeuvre.

The four works on UNEXPLORED, offer an expansive variety of musical genres while introducing listeners to previously unrecorded cello repertoire. Premiere recordings of works by Tchaikovsky, Cassadó, Rudnytsky, and Rimsky-Korsakov are presented by cellist Nada Radulovich and pianist Cullan Bryant.

Since the late 18th century, art songs have combined poetic vocals and equally intricate instrumental accompaniments to delight listeners with intimate compositions across the globe. The Malta Philharmonic Orchestra Trio’s CANTILENA spans the centuries and continents to highlight the form’s enduring appeal.