• Time is the Sea We Swim In

    Catalog #: NV6604

    Release Date: March 1, 2024

    21st Century
    Chamber
    Jazz
    Piano
    Saxophone
    String Quartet

    Following her first Navona Records release, IKARUS AMONG THE STARS, New York-based composer Debra Kaye has curated an ever-varying mix of chamber and solo pieces with TIME IS THE SEA WE SWIM IN. Kaye’s inspirations are seemingly endless, from the improvisatory piano solo At Liberty (1988) where Kaye returns to her roots as a performer, to the jazzy Colossus 1067 (2021) written to accompany Gus Foster’s time-distorting panoramic photograph taken on a roller coaster with a rotary camera; from current events to the poetry of Zen monks, European Romanticism to a philosophical, even metaphysical meditation on time and the creative process. Kaye’s eclectic collection showcases and reconciles heterogeneous influences by way of a sonic language that is wholly, uncompromisingly her own. Her confident embrace of diverse sounds and styles invite and challenge listeners to join her on this voyage of discovery and dip a toe into this sea that we all swim in.

  • Harmony of Dissonance

    Catalog #: NV6255

    Release Date: October 25, 2019

    21st Century
    Jazz
    Vocal Music
    Choir
    Large Ensemble
    Piano

    HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

  • Hard Listening

    Catalog #: NV5975

    Release Date: October 14, 2014

    21st Century
    Jazz
    Piano

    As composer and pianist Mitch Hampton admits, HARD LISTENING, his debut solo album on Navona Records, "aims to dissolve all boundaries of style or taste," while providing an earnest yet sometimes humorous reflection on the questions of society and musical aesthetics.