• Source Ground

    Catalog #: NV6452

    Release Date: September 23, 2022

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Organ
    Piano

    On SOURCE GROUND, Hans Bakker’s second full-length release on Navona Records, the composer once again probes music’s ability to, as Leonard Bernstein said, “name the unnameable and communicate the unknowable.” Rhythmically rigorous pieces for solo piano, organ works that fill every nook and cranny of the aural spectrum, powerful orchestral works, and pieces for the rare and haunting lame-sonore draw listeners towards a sense of infinite oneness connected by music.

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  • Oerbos

    Catalog #: NV6381

    Release Date: April 8, 2022

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Piano

    A primeval forest, unaltered by man and teeming with natural greens and ancient oaks, and its power struggle between chaos and order is unearthed in OERBOS from composer Peter Greve. His third volume of all original compositions, the composer offers a wide variety of works for solo, chamber, choral, and orchestral performers, along with a riveting narrative of forest life in the album's titular symphonic poem. Join the Janáček Philharmonic Orchestra as they guide you through a turbulent passage of music, beginning with a calm sunrise and ending with an ode to the unity of mankind and nature, a celebratory movement after a ravaging storm.

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  • Sequoias

    Catalog #: NV6411

    Release Date: March 25, 2022

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Piano
    String Quartet

    SEQUOIAS from composer Jeffrey Jacob and Navona Records is an ode to the entrancing qualities of the natural world, echoing through music an appreciation for its transcendental beauty and concern for the devastating impact of climate change. Inspired by what he calls “cathedral-like sentinels of nature,” Symphony No. 6 meditates on the magnificence and grandeur of the tall trees towering in California’s Sierra Nevada Mountains. With other pieces inspired by the limitless reverberations conjured from the forest and the natural light that illuminates it, SEQUOIAS showcases the composer’s creative ambition and commitment to the environment.

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  • Anthelion

    Catalog #: NV6402

    Release Date: January 28, 2022

    21st Century
    Chamber
    Solo Instrumental
    Cello
    Orchestra
    Viola

    Navona Records presents ANTHELION, showcasing favorite works from composer Adrienne Elisha (1958-2017). The works that comprise the album are technically demanding and rich in philosophical significance. Anthelion, for one, is a sonic contemplation of a natural phenomenon in which the sun’s light is projected across the sky, reflecting itself on the opposite horizon. The two-movement work, scored for flute, clarinet, violin, violoncello, percussion, and piano, expresses moments of “sonic abstraction” and continuous reverberation by way of unique instrumental timbres. In TranscenDance, on the other hand, Elisha makes a humanistic statement about the Syrian civil war, borrowing joyful melodies from Arab music and reimagining them in an orchestral setting. In this way, the music of ANTHELION is at once abstract and deeply contextual, challenging yet ultimately transcendent.

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  • Window Panes

    Catalog #: NV6304

    Release Date: August 14, 2020

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Piano
    Voice

    Navona presents WINDOW PANES, a cross section of works by compositional veteran Elizabeth R. Austin. The collection is the first to comprise a lifetime of the American's works into one album: and as the title insinuates, it is an album full of interwoven associations, subconscious reminiscences and intense melodic reflections, with decades of labor condensed into an hour of listening.

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  • Dark Clouds in Life

    Catalog #: NV6082

    Release Date: March 10, 2017

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Piano

    A persistent goal of Mark John McEncroe is to create compositions that elicit an emotional response, as is echoed in the titles of his works. This is particularly true of the Australian composer’s Navona debut DARK CLOUDS OF LIFE, a conceptual release focused on overcoming addiction and depression, challenges McEncroe has personally struggled with. His sessions in Ostrava, Czech Republic with the Janáček Philharmonic Orchestra and pianist Helen Kennedy produced a cornerstone suite and three addendums that capture the essence of the record’s stated purpose.

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  • The Spectra Series

    Catalog #: NV6077

    Release Date: January 13, 2017

    21st Century
    Solo Instrumental
    Vocal Music
    Choir
    Orchestra
    Piano

    In 2008, PARMA Recordings acquired Capstone Records, the highly respected New York-based classical label founded by composer Richard Brooks in 1986, with the intent of shepherding the company and its music into the digital era. This album was originally released on Capstone and is being re-released by PARMA Recording's Navona Records.

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  • The PARMA Sessions: Karolina Rojahn

    Catalog #: NV5925

    Release Date: August 1, 2013

    21st Century
    Chamber
    Solo Instrumental
    Orchestra
    Piano
    Piano Trio

    THE PARMA SESSIONS: KAROLINA ROJAHN presents a series of recordings featuring longtime PARMA collaborator and pianist Karolina Rojahn. Showcasing the artist's skill, adaptability, and dedication, this digital compilation features Rojahn performing works by a diverse set of composers with myriad influences and styles.

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  • The Music of Sparky Davis

    Catalog #: NV5897

    Release Date: January 1, 2013

    21st Century
    Orchestral
    Solo Instrumental
    Orchestra
    Piano

    About 100 years ago, classical music made a jagged turn away from the harmonic structures that had comprised its underpinnings for several centuries. This departure was early-on dubbed atonalism, and opposed the functional harmony that prevailed during the great musical flourishing of the 17th, 18th, and 19th centuries. Composer Sparky Davis, who takes a "modern, not modernistic" approach to writing his music, continues this forward movement, expanding the vocabulary of music to include non-traditional elements and adding to the functional uses of long-established note combinations.

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