Cadence
Catalog #: NV6061
Release Date: October 14, 2016
21st CenturyChamberLiturgicalVocal MusicPianoVoiceCADENCE, the new vocal music compilation from Navona Records, offers a set of inspired, emotive premiere recordings by composers Christopher J. Hoh, David Kirtley, Joanne D. Carey, and Timothy Kramer in works juxtaposing the ethereal and the earthy, the diaphanous and the muscular, and the serene and the agile.
Celestial Voices
Catalog #: NV6600
Release Date: March 1, 2024
21st CenturyLiturgicalVocal MusicVoiceEthereal, uplifting, and deeply impactful throughout. The works on CELESTIAL VOICES check these boxes and more. Featuring sacred choral works from several contemporary composers, this offering from Navona Records is a musical exploration into the divine that’s ready to be experienced in both stereo and Dolby Atmos immersive audio formats. Modern harmonies and rhythmic freedom, new settings of famous hymns, fragments of plainchant that highlight contemporary topics, and more are expressed with clarity and spirit by The Kühn Choir of Prague in this release, who are joined by supportive instrumentalists at various points in the program.
I Wanna Be Ready
Catalog #: NV6527
Release Date: June 9, 2023
21st CenturyLiturgicalVocal MusicPianoVoiceFew things have informed and inspired as much music as humanity's search for God. Acclaimed baritone, arranger, and conductor Courtney Carey explores the relation between the worldly and the divine on I WANNA BE READY, a set of 12 spirituals arranged for different instrumentations — and each piece packs a punch. Six of them are songs for a solo voice (soprano or baritone) and piano, and Carey, being a trained vocalist himself, deploys this setup to its fullest effect, allowing for powerful brilliance. The other half are choral pieces, which are furnished with extra layers of depth and vigor by the splendidly expressive Concert Chorale ensemble. Even individually, these spirituals would be remarkable; together, they are a tour de force.
Lord, How Come Me Here?
Catalog #: NV6408
Release Date: February 11, 2022
21st CenturyFolk MusicLiturgicalVocal MusicPianoVoiceOn LORD, HOW COME ME HERE?, composer Shawn Okpebholo turns the mirror of history on today’s society with his own work and a reimagined collection of spirituals by enslaved Africans and American folk hymns that draws upon music from the past to critique contemporary racial injustices in the United States and around the globe. An ensemble of mezzo-soprano (J’Nai Bridges), baritone (Will Liverman), piano (Paul Sánchez), cello, and flute poignantly bring Okpebholo’s music to life, from hopeful anthems celebrating community to laments between a mother and her Creator and hymns celebrating faith and hope over hate and fear.
Psalms
Catalog #: NV6354
Release Date: July 23, 2021
21st CenturyChamberLiturgicalVocal MusicFlutePianoVoiceOne does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.
Soul Sanctuary
Catalog #: NV6406
Release Date: February 4, 2022
21st CenturyFolk MusicLiturgicalVocal MusicCelloPianoVoiceSoprano Maria Clark and pianist Maria Thompson Corley navigate the intense emotion, scars of suffering, and religious passion in the hymns and gospels on SOUL SANCTUARY from Navona Records. Featuring empowering spirituals from the past two centuries, the duo brings to life religious songs that have stood the test of time and find deep relevance today. Arranged by Thompson Corley and recorded in Atlanta GA’s Peachtree Presbyterian Church, these spirituals, including His Eye is on the Sparrow, Wade in the Water, and Glory, Glory, Hallelujah, offer uplifting outlooks in the face of adversity.
The Vocal Music Of Alan Beeler
Catalog #: NV6049
Release Date: July 8, 2016
21st CenturyLiturgicalVocal MusicChoirVoiceThe music of Alan Beeler (1939-2016) is frequently a compact, tightly focused one, presenting sharp contrasts of color and mood in the context of clear, direct compositional structures. Although noticeably influenced by artistic movements in Europe and America during the first half of the 20th century, Beeler’s musical voice is an identifiable one – crisp, bold, and pointedly quirky.