Release Date: April 14, 2015
Catalog #: NV5995
Format: Digital & Physical
21st Century
Chamber
Vocal Music
Voice

Orpheus With His Lute Made Trees

Joseph Summer composer

Arcadia Players | Ian Watson conductor
Andrea Chenoweth soprano; Lisa Perry soprano; Kathryn Guthrie soprano;
Neal Ferreira tenor; Katarzyna Bryla viola; Josef Špaček violin; Peter Kibbe cello;
Andrea Leblanc flute; Gleb Kanasevich clarinet; SangYoung Kim piano;
John McGinn piano; Miroslav Sekera piano

On the fourth offering in Navona Records’ The Shakespeare Concerts Series, ORPHEUS WITH HIS LUTE MADE TREES, executive director and composer Joseph Summer presents original works and pieces by composers from the 18th through the 21st centuries that celebrate the myth of Orpheus.

A character whose fame goes back to Ovid’s The Metamorphoses, a collection that dramatically influenced Shakespeare’s writing, Orpheus is a representation of the poet, composer, and performer. More than settings of texts about the Greek mythological character, these works illustrate the connection between the three aspects of Orpheus. Summer’s Sonata for Violin and Voice is, as the composer states, “about itself, about the musicians, and about the composer” while his On the Death of Phillips mourns the passing of a 16th-century lutenist by his beloved instrument.

Highlighting the relationship between the performer and the instrument, Karol Szymanowski’s Mythes is an early 20th-century work that explores previously underutilized aspects of the violin’s capabilities, while presenting imagery from Greek mythology. Not only do the works of Summer, Thomas Chilcot, and Ralph Vaughan Williams set the text of Shakespeare’s poem Orpheus with his lute made trees, this collection shows how music brings into unison the performer, poet, composer, and listener.

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Artist Information

Joseph Summer

Composer

Joseph Summer began playing French horn at the age of 7. While attending the Eastern Music Festival in North Carolina at age 14 he studied composition with the eminent Czech composer Karel Husa. At age 15 he was accepted at Oberlin Conservatory, studied with Richard Hoffmann, Schönberg’s amanuensis, and graduated with a B.M. in Music Composition in 1976. Recruited by Robert Page, Dean of the Music Department at Carnegie Mellon University, Summer taught music theory at CMU before leaving to pursue composition full time.

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