Release Date: March 10, 2017
Catalog #: NV6082
Format: Digital & Physical
21st Century
Orchestral
Solo Instrumental
Orchestra
Piano

Dark Clouds in Life

Natalie’s Suite & Other Works

Mark John McEncroe composer

Janáček Philharmonic Orchestra | Anthony Armore conductor
Helen Kennedy piano

A persistent goal of Mark John McEncroe is to create compositions that elicit an emotional response, as is echoed in the titles of his works. This is particularly true of the Australian composer’s Navona debut DARK CLOUDS OF LIFE, a conceptual release focused on overcoming addiction and depression, challenges McEncroe has personally struggled with. His sessions in Ostrava, Czech Republic with the Janáček Philharmonic Orchestra and pianist Helen Kennedy produced a cornerstone suite and three addendums that capture the essence of the record’s stated purpose.

The most personal of these works is the three-movement Natalie’s Suite. McEncroe dedicated the piece to his daughter, who has been “wrestling with addiction and depression as I have and is well on the way to a better life. This suite is all about that struggle.” The emotive, expansive performances of this tribute by Kennedy and the Janáček Philharmonic amount to a stirring soundtrack to Natalie’s journey and the turmoil of all who battle addiction.

The composer describes these themes as grappling with an insane, detrimental cycle of repeating mistakes, which he chose to illustrate by staying in the home key throughout the entire work and creating a “tragic soundscape.” This is most prominently showcased in the storming density of the suite’s first two, 20-minute movements – “Facing the Demons” and “Into the Dark Spaces.”

Yet, as “Moving into the Light” concludes Natalie’s Suite, a lighter mood begins to dissipate the tragedy of the suite. The movement accomplishes what its title suggests, presenting and embodiment of McEncroe’s view that “there can be no recovery until acceptance of complete powerlessness is reached. Only at that point can an addict and/or alcoholic begin the long slow, painful, but richly rewarding journey into a brand new life.”

Though the Janáček Philharmonic returns on Echoes from a Haunted Past, Kennedy dominated the album’s three addendums with her solo piano performances on Natalie’s Theme and The Pendulum. While both pieces are haunting displays, it is the pianist’s reprise of Natalie’s Suite which beautifully accents the album’s central theme. The solo duet also draws from McEncroe’s fondness of Japanese gardens, bonsai and koi ponds, an influence he compares to the way in which Claude Monet took inspiration from his garden for many of his paintings.

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Artist Information

Mark John McEncroe

Composer

Mark John McEncroe was born in 1947 in Sydney, Australia. He came to music later in life and began studying piano seriously at the age of 37. Not having studied at a formal musical establishment, he studied composition privately with Margaret Brandman in Sydney from 2003 to 2012. He also studied orchestration with Mark J Saliba and continues to work with Saliba on many projects.

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Janáček Philharmonic Orchestra

Orchestra

The Janáček Philharmonic is a world-class symphony orchestra based in Ostrava, Czech Republic and an emerging figure on the international performance scene. With over 100 top-level musicians, the orchestra aims to introduce unique, quality repertoire while showcasing their own recognizable sound.

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