Release Date: May 12, 2017
Catalog #: NV6094
Format: Digital & Physical
21st Century
Orchestral
Orchestra

Passage

Contemporary Works For Orchestra

Sergio Cervetti composer
Craig Madden Morris composer
Betty R. Wishart composer
Daniel Crozier composer

Though “passage” is a word of numerous meanings, they all point back to a singular idea – the transition between two disparate entities. Whether it’s a passage of prose which moves along a narrative, a physical passageway connecting two points, or the continuous passing of time, all these snapshots help define our crucial moments within life’s movements. This theme threads the works on PASSAGE, the latest orchestral compilation from Navona featuring compositions from Sergio Cervetti, Daniel Crozier, Craig Morris, and Betty Wishart.

For his contribution to the album, Cervetti recalls a passage from the Book of Revelation, read to him in French by his grandfather while sitting in his lap, immobilized by terrified fascination. The resulting Concerto for Trumpet, Strings, and Timpani, Septem Tubae from Revelation 11:15 (“The seventh angel sounded the trumpet…”) is an awing and triumphant work of fittingly Biblical proportions. After a foreboding trumpet solo opens the composition, a tumultuous duet breaks out between timpani and trumpet. Once there’s calm on the battlefield, a final meditative section recalls the Voices of Heaven, with violas and cellos accompanying timpani and trumpet in an apocalyptic crescendo.

Morris’ piece A Child’s Day comes from a similarly personal place, with the music’s light, sweet themes reminding the composer of his grandchildren, who experience the fullness of each passing day as a “fresh new world.” The suite for string orchestra with percussion captures the moments within this daily experience, beginning with “Morning Smiles” and it’s airy string arrangement, which conjures the scene of a child slowly waking to the warm, loving faces of their parents in the morning. After a passage defined by energetic mallet percussion and a whimsical instrumental timbre on “Playtime,” the tired child drifts off to sleep on “Sweet Dreams” after an eventful day full of warm memories, captured by a slow-soaring micro suite with lighter percussive accents.

With her own mysterious passage on Concertante No. 1, “Journey into the Unknown,” Wishart composes based on the musing that “we may rest from the journey, but the effects of our encounters are still with us.” Written for strings, woodwinds, and French horn, the composer creates a journey for both the mind and heart, as logos-driven motives weave the different instruments in imitative, overlapping counterpoint, and the prominent use of minor seconds, tritones, and sevenths throughout capture the emotional apprehension and excitement of exploring the unknown. From the low opening double bass and cellos all the way through playful groups of sixteenth-notes and a climactic dialogue between the winds and the string, the composer explores highly contrapuntal and expressive motives.

Crozier contributes to PASSAGE with Ballade: A Tale After the Brothers Grimm, a similarly fantastical musical yarn. The composition throughout conjures storybook reveries of every persuasion, ranging from bouncing spring footsteps via a collective fluttering orchestra to an evil romp through the forest as thundering percussion propels a frantic string section. By the end, listeners will crave the visual representation of the tale Ballade creates with its musical narration.

Listen

Hear the full album on YouTube

Stream/Buy

Choose your platform

Artist Information

Sergio Cervetti

Composer

Sergio Cervetti, a Uruguayan-born American composer, came to the United States in 1962 to study composition. By 1966 he attracted international attention by winning the chamber music prize at the Caracas Venezuela Music Festival.

Learn More

Craig Madden Morris

Composer

Dr. Craig Morris has composed music since the age of 11. He studied composition with Shirley Bloom, Kevin Scott, and Joelle Wallach and also studied violin, piano, and voice. He played violin with the Bronx Symphony Orchestra for over 40 years and presently plays with the Ridgewood Symphony. He has sung professionally as a cantor for over 30 years. His music has been performed by the Bronx Symphony Orchestra, the CETA Orchestra of New York, the North Jersey Symphony, the Fifth International Music Festival of Buenos Aires, the Orchestra Society of Philadelphia, the Chamber Music Society of Formosa, the Amasi Trio, the Gregg Smith Singers, and the Nyack College Chorale.

Learn More

Betty R. Wishart

Composer

Betty Wishart and music are synonymous. Her earliest memories involve singing in church choirs and playing the piano. She was introduced to contemporary music while studying with Richard Bunger at Queens University. At the end of her junior year, she wrote her first composition, submitted it to a music fraternity and was invited to perform a mini-recital of her music at their international conference. That event inspired her to continue composing while earning an M.M. degree in piano performance at the University of North Carolina at Chapel Hill.

Learn More

Dan Crozier

Composer

Described as “harmonically lush and lyrically soaring” by the New York Times, and as having “abstract elegance, structural coherence, and tender feeling” by the Wall Street Journal, music by Daniel Crozier has been performed or recorded by the Fort Worth Opera, the Boston Symphony Chamber Players, the Seattle Symphony Orchestra, the New York City Opera, the Jacksonville Symphony Orchestra, the Bach Festival Society of Winter Park, Songfest 2004, Winsor Music, saxophonist Branford Marsalis, oboist Peggy Pearson, and pianists Heidi Louise Williams and Vivian Choi.

Learn More