Shanghaied Paisano

The Chamber Music of Peter Paulsen

Peter Paulsen composer

TurksHeadKnot ensemble
Dalí Quartet ensemble

Release Date: August 25, 2023
Catalog #: NV6545
Format: Digital
21st Century
Orchestral
Large Ensemble

Composer and double bassist Peter Paulsen presents SHANGHAIED PAISANO, featuring the contemporary music ensemble TurksHeadKnot joined by The Dali Quartet. TurksHeadKnot, which includes Paulsen on double bass and as director, Chris Hanning on percussion, and Chris Bacas on saxophones, incorporates the discipline and precision of modern classical composition with the expressive flow of jazz improvisation. The ensemble is accompanied on this album by The Dali Quartet, a string ensemble known for mixing Latin American, Classical, and Romantic repertoire. SHANGHAIED PAISANO features Paulsen’s Shanghaied Paisano, a four-movement work inspired by Lawrence Ferlinghetti’s Americus IV, as well as Paulsen’s arrangement of Chega De Saudade by Antonio Carlos Jobim.

Listen

Hear the full album on YouTube

Track Listing & Credits

# Title Composer Performer
01 Shanghaied Paisano: I. “And then went...” Peter Paulsen TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello 8:26
02 Shanghaied Paisano: II. “Passagio al Occidente” Peter Paulsen TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello 7:43
03 Shanghaied Paisano: III. “And Cortez came...” Peter Paulsen TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello 7:00
04 Shanghaied Paisano: IV. “Americus...” Peter Paulsen TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello 12:19
05 Chega De Saudade Antonio Carlos Jobim arr. Peter Paulsen TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello 9:35

Recorded January 12-14, 2023 at Madeleine Wing Adler Theatre, Wells School of Music, West Chester University in West Chester PA
Session Producer & Engineer Brad Michel
Session Assistant Engineer Lucas Paquette

Editing, Mixing, Mastering Brad Michel

Artwork by Logan Hanning

Executive Producer Bob Lord

A&R Director Brandon MacNeil
A&R Chris Robinson

VP of Production Jan Košulič
Audio Director Lucas Paquette
Production Manager Martina Watzková

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming, Morgan Hauber
Publicity Patrick Niland

Artist Information

Peter Paulsen

Peter Paulsen

Composer, Double Bass

Peter Paulsen is an active performer on the Philadelphia jazz scene as well as Assistant Principal Bass of the Harrisburg Symphony Orchestra and Principal Bass of the Allentown Symphony Orchestra. He has received three PA Council on the Arts composition grants and was recognized with a PEW Fellowship in Composition. Paulsen has released five critically acclaimed CDs of his compositions: Three-Stranded Cord by Peter Paulsen Quintet; Tri-Cycle by Peter Paulsen Trio; Peter Paulsen Change of Scenery Sextet; Goes Without Saying by Peter Paulsen Quintet; and A Few Thoughts by Peter Paulsen Trio.

TurksHeadKnot

ensemble

The Contemporary Music Ensemble, TurksHeadKnot, incorporates the discipline and precision of modern classical composition with the expressive flow of jazz improvisation in forging a sound quite unique and their own. Newly commissioned works as well as compelling arrangements drawn from a wide range of material are staple elements of the ensemble’s repertoire.

Dr. Chris Hanning is a Professor of Percussion and Dean of the Wells School of Music at West Chester University, a recording artist for NFL Films, and performs with the Peter Paulsen Quintet, the Bach Festival Orchestra of Bethlehem, and Philadelphia’s premier contemporary music ensemble Relâche. His performing has taken him throughout Europe and the United States with engagements at such prestigious venues as Carnegie Hall, the Kennedy Center, and Royal Albert Hall in London. In 2006 he released Island Grooves, an instructional drum set DVD that received a 4 1/2 out of 5 star rating from Modern Drummer magazine.

Hanning has recorded several CD’s with Relâche, the Bach Choir of Bethlehem, David Liebman and the Manhattan Saxophone Quartet, and a new release with the Peter Paulsen Quintet titled Goes Without Saying. Hanning performed on numerous recordings for NFL Films over the past 12 years including several Emmy Award Winning projects. You can hear Hanning every year when the Lombardi Trophy music is played during the Super Bowl. He is currently co-writing music with long time NFL Films composer and producer Tom Hedden.

You can check out some of his music at firstcom music (firstcom.com). Hanning is an artist/clinician for Vic Firth, Pearl/Adams, Remo, Zildjian, and Panyard and has presented clinics at universities, conventions, and percussion festivals across the United States and abroad. Hanning also chairs the Percussive Arts Society Contest and Audition Procedure Committee and serves on the PAS Board of Directors.

Over the past thirty years, saxophonist Chris Bacas has appeared at festivals all over the world, including the Nice, North Sea, Cork, Santiago, Montreal, Moers, Texaco, Annapolis, JVC New York, and Central PA Jazz Festivals. He has performed in Copenhagen at the Tivoli Gardens; in Los Angeles at The Hollywood Bowl and LA’s Comedy Store; in New York’s Blue Note and Birdland; Berlin’s A-Train; Chicago’s Jazz Showcase; and in Washington D.C. at Blues Alley and One Step Down.

Bacas began working in big bands in 1983 starting with Glen Miller Band, The Tommy Dorsey Band, the Artie Shaw Band, and Buddy Rich’s legendary Big Band until Rich’s passing in 1987. Bacas was a member of and recorded with the Smithsonian’s Jazz Masterworks Orchestra under conductors David Baker and Gunther Schuller. In 1999 Bacas was a soloist in Mary Lou Williams’ “Mass” at the National Cathedral with Marian McPartland. Since 1989, Bacas has appeared on over 50 recordings, including three (Two Choices, Leave a Message, and Exits) as leader/co-leader. Since moving to Brooklyn NY in 1999, Bacas has performed and recorded with Stefan Bauer and Voyage, JC Sanford Orchestra, TurksHeadKnot, and Triocracy. 2014 releases include Geographia with Voyage and Views from the Inside JC Sanford Orchestra. 2015 releases include Pug Wife 80-lb Pug from “Bolide” Peter Davenport. 2016 brings new music from MJ12 and bassist Percy Jones.

Dalí Quartet

ensemble

The Dalí Quartet brings its signature mix of Latin American, Classical, and Romantic repertoire to stages and audiences of all kinds. The quartet’s passionate energy is poured into everything they do, generating critical and audience acclaim for their Classical Roots and Latin Soul. Its tours include appearances for distinguished chamber music and cultural center series in the United States, Canada, and South America. Recent engagements include concerts in New York and Philadelphia, on to Portland, Puerto Rico, San Jose, and from Tulsa to Toronto and beyond. The Dalí Quartet’s engaging style reaches across the footlights for an experience which “leaves the audience almost dancing in the aisles.” (Peninsula Reviews)

In addition to works of the masters from Haydn to Brahms and Amaya to Piazzolla, the group’s adventurous and entertaining programming includes new works for quartet with percussionist Orlando Cotto, and quintets both Latin and Classical with the renowned clarinetist Ricardo Morales, principal clarinetist of The Philadelphia Orchestra, and with acclaimed pianist Vanessa Perez.

The Dalí Quartet has an ongoing collaboration with the Van Cliburn Competition’s gold-medal winning pianist Olga Kern, with whom they have toured from coast to coast in the last year. They have recently recorded the piano quintets of Shostakovich and Brahms with Kern in live performances at the Virginia Arts Festival.

2019 recipient of the Atlanta Symphony’s esteemed Aspire Award for accomplished African American and Latino Musicians, the Dalí Quartet is devoted to audience development and to reaching communities of all kinds. The group’s Latin Fiesta Workshops and Family Concerts in both traditional and innovative settings move listeners – literally! The Dalí Quartet is sought after for master classes and professional development workshops for students, (recently at the National Repertory Orchestra, Miami University, Michigan State, the University of Wisconsin, and the University of Iowa) and has opened musical vistas for younger kids with its week-long Any Given Child programs (over three seasons for the Tulsa Public School System). In addition, the quartet’s International Music Festival is an admired chamber music and orchestral program founded in 2004 which develops the performance skills of young musicians up through semi-professional level. The Dalí has also served as a guest resident ensemble at Lehigh University.

Trained by world-renowned artists, members of the Dalí Quartet hail from Venezuela, Puerto Rico, and the United States, and have studied at esteemed institutions such as the Cleveland Institute of Music, Yale University, Indiana University Bloomington, and the Simón Bolivar Conservatory in Caracas, Venezuela. The quartet is based in Philadelphia PA.

The quartet serves as faculty at West Chester University Wells School of Music as the Quartet in Residence, and is an IRIS Orchestra Resident Ensemble. The Dalí Quartet proudly uses Pirastro Strings and WMutes. Worldwide representation by Jonathan Wentworth Associates.

Notes

Americus IV
By Lawrence Ferlinghetti

“And then went down to the ship,
Set keel to breakers, forth on the godly sea…”

What ships what shores what grey islands!
What songs the sirens sang
What name Achilles bore
What harboring Orestes found

“So suddenly out of the stale and drowsy lair, the lair of slaves,
Like lightning Europe lep’t forth…..half startled at itself
Its feet upon the ashes and the rags…..Its hands tight
to the throat of kings…”

So that—-
we set up mast and sail
on that swart ship once more
and so set forth once more
forth upon the gobbly sea
loaded with liberated vestal virgins
and discus throwers reading Walden—-

And when he was being born in a dream
he approached the flying earth
and spied a huge banner stretched ‘round it
like a cloud
And the sign proclaimed

ABANDON ALL DESPAIR YE WHO ENTER HERE

Passagio al Occidente
a new kind of Passover
And the Genovese sea flooding westward
The high prow parting the spray
una migrazione degli uccelli
following the fantail
crying out a contrappunto
With a crew of desperados
and Johan Padan, shanghaied paisano—-
Full fathom five he falls
(those are pearls that were his balls)

Only connect! Cried Columbus
Staring through his telescope
And he scoped it out all right
the “new world” as he saw it
And he saw it plain
made of gold bullion and bloody Marys
And the natives “like children”
brought him treasures they had hoarded
for the next Coming
of Blondie
(described in their fumetti
their magic comic strips)
And Johan Padan
topside sailor
Genovese giovane
illiterate marinaro
crossed himself and
dropped his pantaloons
when he gazed upon pure flesh of Indy
for the first time
his old time religion
never having prepared him for
naked animal anima
with no sense of sin
quando il verbo si fa carne
As nude virgins and shamans
fell before the blunderbuss
cavalli crashing up the beaches
of Carib paradisos
the gold gleaming heavy
in the blood-red sands

And the great navigator
hugging the absolute shoreline
the great navigator with his lead line
sounding the depths
mapped the continental shelf
ran in at high tide
breaching the shallows
spyglass trained inland
Another body for the human mind
Animus e anima
to be charted probed and bloodlet for gold

“Old men carrying their fathers and philosophers
weeping in the dust, America perhaps, Don Quixote”

And Cortez came
the fair-haired god as prophesied
and was welcome as such by the Aztecas
and so laid waste to them
(although there were later uprisings
at once brave and pathetic—
Tierra y Libertad!
cried an army of Indians
marching out of jungles—
followed still much later by
Viva Zapata!
against the invading powers of Nafta
and the New World Order)

Whereas and wherefor
North of the Border too
Our God the greatest White Father
told the white men under his command
to take all the Indian’s land
because that was their manifest destiny
And they did then set forth
with the great obscene hunger of
the territorial imperative—
set forth upon the virgin continent
unmapped uncharted and unsung

And the Mayflower had landed
not in an empty wilderness—
in a land already occupied
with a culture of signs and signals
omens and prophecies—
its pulse later taken by missionary sawbones
bent on converting the heathen
to parlor games, crochet, and high tea

(Boston’s Tea Party
the first “people’s protest”
against big bad corporations)

While other Whiteys landed up the Hudson
as in a painting of the Hudson River School
wading ashore (also already occupied)
in Dutch boots
to sink in among croaking frogs

History repeats itself with a stutter
Potemkin sailors revolt
Kerensky shoots his bolt
Kropotkin cries
And an anarchist colony is founded at Woodstock

Americus
carrying the contents of civilization
in his hat
Chaplin’s beat-up bowler
And the world his melon
balanced on his head

So that—he a man of no fortune
with naught to lose
and much to gain—
A wop and a yid in one
A kind of Don Quixote
tilting at sawmills and ginmills
A Euro man indeed
(Blackie and Whitey and all shades in between)
on the virginous land
as American as Booker T. Washington
or brother Du Bois (who had no use for him)
or Emma Goldman or Mother Jones
or Walt Whitman or Mark Twain
“the Lincoln of our lit”
Each a palimpset of everybody’s past
A man like a country
Restless…driven…
And the forest birds shaken with music

In the gloaming
by a waterfall
a woman shakes out her gold hair
Across the pond
his heart turns over
Lovely stranger, life is fleeting—
If we could know each other!
Darkness falls