Catalog

SEQUOIAS from composer Jeffrey Jacob and Navona Records is an ode to the entrancing qualities of the natural world, echoing through music an appreciation for its transcendental beauty and concern for the devastating impact of climate change. Inspired by what he calls “cathedral-like sentinels of nature,” Symphony No. 6 meditates on the magnificence and grandeur of the tall trees towering in California’s Sierra Nevada Mountains. With other pieces inspired by the limitless reverberations conjured from the forest and the natural light that illuminates it, SEQUOIAS showcases the composer’s creative ambition and commitment to the environment.

Acclaimed pianist Anna Kislitsyna stuns on PIANO SPECTRUMS, a profoundly emotive selection of aesthetic contemporary pieces – and a world-class interpretation ranging from tender filigree to unbridled, seething virtuosity. Ten contemporary composers share their works on this album with an eclectic program, both in terms of styles and subject matters. All the more outstanding, then, is how Kislitsyna scintillates with her wonderful, singing touch and musical sensitivity, effortlessly unifying ten unique voices into an album that is greater than the sum of its parts.

On FANTASY FOR VIOLIN AND PIANO, composer Benjamin Shorstein examines the age-old rules and conventions of musical form and structure and transforms them into inspirational foundations on which to build narratives. The improvisational Fantasy for Violin and Piano begins Shorstein’s story with an exploration of emotion and character, as each instrument formlessly weaves and wanders between themes—a sentiment that continues with Sonata for Piano, which extends the album’s musical worldbuilding, expanding upon an original theme that remains warm and sensitive as it gains intensity. The dance-based partita is also interpreted anew by Shorstein, as he uses the violin to explore the coexistence of melody and dissonance within self-expression.

(RE)CREATION from Navona Records and pianist Marko Stuparević is centered on the acts of creation and re-creation, observed through three piano sonatas of three Russian composers: all pianists, contemporaries, and representatives of some of the most notable works of 20th century Russian piano music. Performed by the award-winning pianist, each sonata is rich with advanced compositional techniques and the individual ideologies of their composers, crafted with cyclical forms representing the circle of life. The works of Sergei Rachmaninoff, Alexander Scriabin, and Nikolai Medtner are on full display, born and immortalized into the never-ending life cycle they mirror.

Composer Michael Murray’s album PASSAGES brings the words of iconic 19th and 20th century poets to life through stirring music for solo soprano and instruments. Murray has selected poetry from the likes of Robert Louis Stevenson, William Butler Yeats, William Wordsworth, John Keats, and Walt Whitman, with poems detailing childhood adventure, hope, and tragedy. Celebrated soprano Genevieve Fulks performs throughout; most of the music heard on the album was written specifically with her voice in mind. Murray’s music has been lauded for its meticulously crafted yet ultimately approachable style. Through familiar themes and time-honored poetry, Murray invites listeners to engage with, and even be challenged by, this collection of thoughtful compositions.

A CITY OF SILVER & A CITY OF FIRE from pianist Roberta Rust marked a monumental moment for classical music as Carnegie Hall’s first presentation of music by an American Indian composer performed by an American Indian artist. Written in celebration of two cities close to the composer’s heart, these works by Louis W. Ballard come with a generous helping of intricate musical narratives and sentimental tones that speak clearly and thoughtfully through Rust’s performance. Originally recorded in 1984, these pieces honor the late composer and spirit of those to whom they’re dedicated in this live recording.

Navona Records presents LAST NOTES, an album tracing the musical footprint of composer Eric Biddington’s compositional history through revived works of the past. Some written nearly 30 years ago, the unearthed gems featured on this album speak in a fresh tone, effusing elegance and thoughtfulness across varied orchestrations and moods. From the tender sentiments teeming in Peace for Julie to the playful nature of A Little Dance and his deeply moving passages for bassoon and piano, Biddington covers a wide gamut of expression in these chamber works.

Throughout her storied career, composer and music activist Mary Howe elevated the status of women composers and the Washington DC music scene and gained notoriety for her orchestral works. Many of her pieces for smaller ensembles, however, remain unpublished. On BETWEEN US, premiere recordings of Howe’s duos at last see the light of day and showcase her knack for drawing out the melodic qualities and dynamic timbres of the piano, voice, and stringed instruments. The pieces transcend time, simultaneously pulling from the sensibility and formal structures of romanticism and 20th-century idioms, spanning and bridging the gaps that typically pigeonhole music into a specific milieu.

Composer Ferdinando DeSena is no stranger to variation; from his previous electro-acoustic concoctions to this dynamic blend of chamber orchestrations in TOCCATA MIAMI, a world of enticing conversation between tonal opposites begs to be uncovered in these expressive compositions. Oboe and piano dance in an ominous sonata soundscape, harps and flutes seek to sooth in Three Attitudes, and solo piano works shine with a latin flair in the album’s titular track.

The story of Misha Galaganov’s CHARM, PASSION, AND ACROBATICS began when the artist uncovered a trove of forgotten, 19th century viola music in a private library. The music on this album from composers Pierre Kunc, Désiré-Émile Inghelbrecht, and Ernest Chausson has long gone unplayed; Kunc’s musical manuscripts, for example, were kept under lock and key by the Society of Authors, Composers and Publishers of Music until 2021. Featuring challenging virtuosic pieces alongside expressive, impressionistic masterworks, this album celebrates the boundless potential of the viola. The music transports the listener to a French salon of the Belle Époque, guided by Galaganov and Owings’ sensitive and technically-masterful performances.

MEMORIES UNSETTLED explores music that has too often been marginalized from the historical musical canon. Sun Min Kim and Hilary Glen joined forces during the height of the pandemic, forming the Gibbs Street Duo. This piano-cello duo tours colleges and universities across the country, sharing their inspiring music with students, faculty, and other patrons of the arts. The album features composers from diverse backgrounds including Dorothy Rudd Moore, James Lee III, Ching-chu Hu, and HyeKyung Lee. Moore’s Dirge and Deliverance is a sonata in two movements written in 1971 that uses music to reflect on the Black experience in 1960s America. Abraham’s Sons written by James Lee III was written in 2013 to express horror and outrage at the killing of Trayvon Martin. Through these pieces and more like them, the Gibbs Street Duo demonstrate the power and relevance of music as a catalyst for change.

TIME AND THE HOUR from Israeli-born composer Ayala Asherov is a selection of chamber works tied together by the theme of the passing of time. Asherov’s acknowledgment of time moving us forward in constant motion is a significant piece of the composer’s compositional process, translated into her work with titles such as Seasons and Crystal Watch. This carefully curated collection of Asherov’s pieces commissioned and performed throughout the years provides a thorough taste of the composer’s communicative and powerful musical style.

UNCOMMON VOICES from Natasha Stojanovska explores the music of female composers from Eastern Europe. This collections of piano works includes the music of Croatia, North Macedonia, the former Soviet Union, and other Eastern European countries, combined with elements of the western musical tradition. The album includes two of Stojanovska’s compositions, Phantasy No. 1 and Phantasy No. 2. The former borrows metrical patterns found in Macedonian folk music; along with elements of tonality and atonality, the piece examines the uncertain boundary between the Macedonian and American cultures. The album also features the works of contemporary composers like Bojana Petrovic Aleksova, as well as historical composers like Maria Szymanowska. Stojanovska is especially proud to bring the music of Szymanowska to the attention of modern listeners; while Szymanowska’s music is not performed as often today, her compositions—including the enchanting Nocturne in B-flat major—likely inspired Frederic Chopin. UNCOMMON VOICES offers a long overdue celebration of female composers from Eastern Europe, as interpreted by the capable hands of Natasha Stojanovska.

Navona Records presents MOMENTS MUSICAUX, a unique program of solo piano repertoire performed by pianist Antoinette Perry. Captured live from USC Thornton’s Alfred Newman Auditorium, these pieces celebrate the works of German, Austrian, Russian, and American composers, intermingling cultures through various compositional styles. When it comes to Perry's artistic ability, Germaine Vadi of Les Affiches de Grenoble et du Dauphiné put it best: “One felt oneself to be in the presence of a great pianist — an absolute art of nuance, her subtle touch, and finally her perfect musical understanding, which permits her to assimilate the music of all cultures."

There are great singers, and then there are great singers who break the mold, pushing both the musical and organizational boundaries of their craft. American mezzo-soprano Megan Ihnen impressively demonstrates her affiliation with the latter group on CURRENTS IN TIME, once more employing her formidable talents as both a 21st-century vocalist and impresaria to shine a light on a varied array of contemporary composers.

2020 VISIONS from the Fischer Duo celebrates the piano-cello group’s 50 years of performances together. The Duo is known for performing music from the likes of Beethoven alongside the works of emerging composers. The pair celebrated the anniversary of their formation in 1971 during the height of the pandemic; though the performance was given virtually, the resulting recording is a declaration of love and resilience. This album features three works commissioned for the Duo including Pulitzer Prize and GRAMMY Award-winning composer William Bolcom's Second Sonata, as well as three recent compositions from promising new composers. Expressing the pain of loss as well as the hope for a better tomorrow, 2020 VISIONS showcases this duo’s versatility and musicianship.

TEXTURES IN CLASSICS from renowned pianist and music scholar Sang-Hie Lee explores the rich musical possibilities offered by the piano. To do so, Lee performs works from some of the seminal composers in Western music including Mozart, Beethoven, and Brahms. The album captures Lee’s unique pianism at the height of her maturity as an artist. While contemporary performers often place an outsized emphasis on virtuosic technical skill, Lee’s performances examine the notion of texture in piano music; this ranges from the clean, crisp soundscape of Mozart’s early pianoforte to Beethoven’s exacting technique and lush harmonies. There is little doubt that TEXTURES IN CLASSICS will cement Lee’s legacy as a scholarly-artistic pianist.

Poetry and music have often been described as "beautiful sisters" in the European tradition, and American composer Benjamin C. S. Boyle sets out to prove just how harmonious this kinship can be. Owing to pianist and art song expert Laura Ward as well as to a selection of top-class singers, these elaborate yet easily accessible vocal compositions are resplendently brought to life on SPIRITS IN BONDAGE.

CHAMBER WORKS OF ÉRIC TANGUY from Navona Records and composer Eric Tanguy delivers three world premiere recordings and a curated selection of the composer’s chamber pieces that demonstrates his illustrative style of punctuated modality. Brought to life by talented artists Ambroise Aubrun (violin), Cécilia Tsan (cello), Steven Vanhauwaert (piano), Martin Chalifour (violin), and Elissa Johnston (soprano), these seven pieces reflect many years of past collaboration amongst the performers resulting in a connection that is translated through thoughtful yet intense musical stylings. Tanguy’s ear-catching melodies and personalized compositions foster a sound quality that showcases the strengths and dexterity of the performers, all the while providing a stimulating and intimate listening experience.

On SOURCE GROUND, Hans Bakker’s second full-length release on Navona Records, the composer once again probes music’s ability to, as Leonard Bernstein said, “name the unnameable and communicate the unknowable.” Rhythmically rigorous pieces for solo piano, organ works that fill every nook and cranny of the aural spectrum, powerful orchestral works, and pieces for the rare and haunting lame-sonore draw listeners towards a sense of infinite oneness connected by music.