Catalog

THREE SONGS TO POEMS brings to life poems written by clinical psychiatrist Dr. Frank Clark set to music by Gordon (Dick) Goodwin. The themes are as emotionally complex as life itself, and so is the music. The pieces illuminate the reflections of a son whose mother suffers from dementia, the joys of becoming a father, as well as the healing of an emotionally neglected child. Heart-wrenchingly performed by tenor Johnnie Felder and pianist Winifred Goodwin, this brief but complete set of songs is bound to leave a lasting impression.

American concert pianist Steven Masi explores the depths of Romantic and Impressionist piano literature on BALLADES & OTHER MUSINGS. Emotive, evocative, and deeply stirring, Masi uncovers previously unheard nuances in both Chopin and Debussy, as well as in their contemporary colleague, Sarah Kirkland Snider, whose musical language seamlessly blends with that of her predecessors. The precision in Masi's performance is breathtaking. It lends an extraordinary clarity to works that are, by their inherent nature, wayward and exalted. Still, generous rubato and creativity in pedaling shine in this program, as does Masi's crystal-clear tone.

The singing quality of string instruments ties together SONGS FOR A NEW CENTURY, a program featuring both world premiere recordings of new music commissioned for the artists and world premiere recordings of masterpieces by Mendelssohn. The program opens with a set of Mendelssohn’s Songs Without Words, beginning with the Opus 109 written by the composer for cello and piano. It continues with a set of arrangements for cello and piano, some recorded for the first time, by the 19th century cellist Alfredo Piatti, a personal friend of Mendelssohn’s upon whose cello Jonathan Miller plays. Gabriela Lena Frank’s Operetta for violin and cello, the composer writes, expands upon Mendelssohn’s concept of the “song without words,” creating opera without words that evokes scenes and characters through singing music for the duo of violin (Lucia Lin) and cello. Scott Wheeler’s second cello sonata, Songs Without Words, was inspired by Miller’s singing cello tone. Finally, Judith Weir’s Three Chorales for cello and piano meditate on religious poetry, departing from hymn texts –– and in the third Chorale, a melody from Hildegard of Bingen –– in a triptych that evokes the human condition.

From mysterious and elusive moods (such as those in Apparition), to the blues (Drehleier), spiritual motifs (Old Swedes), emotional (Julian’s Song), pensive (Prelude in A Minor & Consolatio), to waltzes (Valses Nobles et Sentimentales), Leto’s latest release is meant to convey poetry; reminiscent of and inspired by his recent wedding, invigorating Costa Rican Honeymoon, and dedicated to the upcoming birth of his son in June 2024. He masterfully draws upon poetic elements throughout, using vivid imagery, deep emotion, and narrative flow to give listeners an introspective, meditative, and poignant sonic experience.

Described by the Oskar Morawetz Award jurors as a “legend” of Canadian musicians, Christina Petrowska Quilico joins lauded composer and champion of new music David Jaeger on GAMES OF THE NIGHT WIND, a dreamy musical landscape premiering 12 of Jaeger’s original nocturnes in addition to seven 20th century solo piano works. Each nocturne invokes a different spirit of the night: deception, memory, redemption, realization, and many more, each brought to fruition by Petrowska Quilico’s evocative musicality. Sharp staccato and an increasingly startled momentum drives the image of an encounter with the shadows in Nocturne 11, The Alarm Bell, a weighty contrast to the deep rubato and heaving nostalgia in Nocturne 1, In Memory Of — yet both hail from the same thematic darkness that expands across the entirety of the album. These sensations are ever present in Tōru Takemitsu’s starry Les yeux clos, Alexandre Tansman’s complex and lyrical nocturnes, and two works by Górecki, whose Lullaby sings GAMES OF THE NIGHT WIND off to sleep. GAMES OF THE NIGHT WIND plays to the unfettered wildness of the night, a force of nature encapsulated in every aspect of Petrowska Quilico and Jaeger’s musical and poetic collaboration, an elegant exploration for the night owl in us all.