Catalog

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

Edward Hart’s UNDER AN INDIGO SKY features A Charleston Concerto and Under an Indigo Sky, two concertos that celebrate and reflect the history and culture of the Southeastern United States. A native of Charleston SC, Hart finds inspiration in the natural beauty and multicultural heritage of his homeland. A Charleston Concerto was written to commemorate the 350th Anniversary of the City of Charleston; it features a collaboration with the Charleston Symphony and the world-renowned Harlem Quartet. It takes an unflinching yet ultimately hopeful view of the city’s complex history over those three and a half centuries. Under an Indigo Sky for violin and orchestra is a musical love letter written to Hart’s geographical home. It explores both the physical splendor of the mountains and coast, but also the feel and “soul” of these breathtaking places.

Throughout his lifetime, composer Sydney Hodkinson wrote over 250 works, covering a wide array of genres including educational literature, chamber arrangements, and large-scale orchestral pieces. SYDNEY HODKINSON: CHAMBER WORKS from Navona Records brings four live recordings of the late composer’s string quartets and a trio, Rogatio Gravis, to life with performances from the Benda Quartet and the Jupiter Quartet. With works written in dedication to family members, loved ones, and friends, this posthumous release serves as a perfect parting gift from Hodkinson — a musical display of his compositional prowess and kindness.

What do you get when you tailor both music and lyrics to a tenor of brilliant clarity? A profound, cerebral, sensuous and at times even mystical experience, as demonstrated by vocalist Timothy Stoddard on his riveting new album TAROT. Born out of a year-long, close-knit collaboration between Stoddard, pianist Ellen Fast, and a diverse assortment of composers and librettists, TAROT proves the Aristotelian assertion that the whole is even more than the sum of its parts. These scintillating new vocal compositions all touch upon the vast mysteries of the great unknown wherever it overlaps with the human condition – be it in love, in death or in the occult. TAROT conjures an enchanting, dizzying, dreamlike universe – and Stoddard’s crystal-clear tenor is the effervescent guide.

Tchaikovsky's works burst with well-loved, well-known melodies – which is precisely what renders them a challenge for any young musician. How does one perform a cherished classic without resorting to cliché or to musical blasphemy? Talented violinist and arranger Sarah Coyl has found her personal answer to this dilemma on PAS DE DEUX: by re-setting the Russian composer's works for unprecedented setups – in this case, the violin-guitar duo and the violin-guitar-piano trio. This audacious endeavor is strengthened not only by Coyl's undeniable talent as a multi-genre arranger, but also by her two skillful colleagues, the keen-minded, quick-fingered guitarist Max Case and emotive, empathetic pianist Angelo Monroy. The result is an album that is still very reverently Tchaikovsky – but seen from a fresher, more youthful angle.

Navona Records presents PINNACLE VOL. 3, a collection of contemporary chamber works by composers Alla Elana Cohen, Andrew Schneider, Dušan Bavdek, and Richard E Brown that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. This diverse assortment of repertoire spans numerous influences and orchestrations, delivering a range of sounds from somber and moving to sprightly and energetic. Leveraging raw thematic material and colorful musical portraits, the composers and performers in this edition of PINNACLE keep the fire burning while bringing a fresh and unique tone to the series.

If there is one thing that is important to Richard E Brown, it’s clarity; it would be impossible to listen to any of his compositions without finding one’s emotions immediately and intuitively seized, no explanations necessary. Brown’s music is at once neoclassical and aesthetic, and his selection of TRIOS & SONATINAS makes for a perfect introduction. Aforementioned clarity is also the secret ingredient which allows Brown to breezily and naturally unite polar opposites: the Western classical piano trio with Korean folk themes, the simple sonatina form with musical complexity, and the frail violin and resounding horn as equals in another trio. Simplicity is supposedly the ultimate form of sophistication, and TRIOS & SONATINAS makes a strong point indeed.

Daniel Burwasser’s music has been praised as accessible, communicative, and imaginative, descriptors encapsulated in the recordings of FLIGHTS OF IMAGINATION, a comprehensive release including some of Burwasser’s most beloved works. Burwasser provides no shortage of musical variety; the childlike wonder of Catching Fireflies is paired with the rhythmic, jubilant, and occasionally mystical qualities of Whirlwind, Flux, and Puck’s Game, while A Well-Traveled Road is a tumultuous and lively musical journey through lush, overflowing fields of orchestration. There is undoubtedly something for every musical ear in the works of Daniel Burwasser, and in FLIGHTS OF IMAGINATION, listeners will be well-met in finding it.

Navona Records is proud to present ROMANCE AL CAMPESINO PORTEÑO, an album threading saxophonist José Antonio Zayas Cabán’s childhood memories with music both old and new. The tunes of his childhood and his culture sonically surround a newly-composed piece, the GRAMMY®-nominated El País Invisible, that addresses Puerto Rico’s political status as a commonwealth of the United States Empire. Featuring Miguel Zenón, Ryan Smith, Casey Rafn, and Zayas Cabán himself, ROMANCE AL CAMPESINO PORTEÑO explores the textures of Puerto Rico and Latin America, and the sounds of both struggle and celebration. “ROMANCE AL CAMPESINO PORTEÑO is an artful scream into the void of forgetting,” says essayist Katheryn Lawson. “We hope you will listen. We hope you will remember.”

On BOWED COLORS 2, violist Brett Deubner tackles a vibrant collection of Bach-inspired compositions for the viola. A bonafide virtuoso of international acclaim, Deubner set his sights on the works of seven American composers, and the result is a dynamic album of showstoppers for the alto voice of the string family. Baroque structure unites with contemporary fervor in this program, and Deubner's solo viola (occasionally accompanied by piano) entwines both, brimming with vigor and precision.

The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album MADREPERLA proves him right. MADREPERLA's brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What's most intoxicating is Galliano's fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.

The Sirius Quartet returns with the long-anticipated PLAYING ON THE EDGE 3, adding to their ever-thrilling catalog with a fresh batch of imaginative compositions hailing from today’s composers. This installment of the acclaimed series dives into the concept of beauty, expressing itself in an extraordinary duality, with each work contributing its own unique take on the whole. PLAYING ON THE EDGE 3 offers up a vibrant and challenging selection, a verbose continuation of theme. From beginning to end, the Sirius Quartet proves that they’re not just playing on the edge — they’re living on it too.

There are many composers who intertwine eclectic influences into one coherent picture, but few people do it as ambitiously and convincingly as New York City based composer Debra Kaye. On IKARUS AMONG THE STARS, she vibrantly explores themes both real and surreal, perpetual and fleeting, nonchalant, and profound. Kaye's sources of inspiration are unnumbered; it seems there is nothing which she cannot turn into a composition. The works presented (two of them multiple award winners) draw their inspiration from Spanish poetry, real-life tragedy, and from the pieces of fellow contemporary composers. All of these sources are woven together by Kaye's measured choice of tonality, and the resulting tapestry is remarkable.

BUXTEHUDE Trio Sonatas op.1 is the debut album of Québécoise violinist Noémy Gagnon-Lafrenais, who joins forces with viola da gambist Margaret Little and keyboardist Christophe Gauthier to form Ensemble Spinoza and celebrate the seminal work of 17th-century composer Dietrich Buxtehude. VII Suonate a due, violin & viola da gamba, con cembalo Op.1. highlights Buxtehude’s distinctive compositional style and stands as a testament to his contribution to the instrumental repertoire of the Baroque era. Featuring North German, French, and Italian influences, the music is an aesthetic masterpiece of musicological significance. Through its historically informed performance, Ensemble Spinoza gives a thoughtful and heartfelt reading of each of the beautiful sonatas in this collection.

CHAMBER WORKS FOR VIOLA from composer David Jaeger gathers together some of Jaeger’s most defiantly creative compositions and demonstrates the vast possibilities of the viola and the chamber music genre as a whole. The album includes pieces like Diptych for viola and piano, lamenting at one moment and brazen the next. Six Miniatures on poems by David Cameron, for solo viola brings to life the poetic works of David Cameron, winner of the 2014 Hennessy Literary Award for Poetry. The album features the tasteful virtuosity of violist Carol Gimbel and pianist Cullan Bryant. Jaeger’s music will surely remind listeners—and perhaps even some other composers—of the rich tonal palate the viola offers.

The aptly-titled HEAVY PEDAL VOL. 2 from Navona Records is the second installment of an organ-centric series of albums. Featuring the music of composers Christopher Hoh, Deon Price, Richard E Brown, and John Rommereim, the collection lives up to its name; these organ works are some of the most powerful that classical music has to offer. From Hoh’s Concertino Corona, inspired by the hardships and seeds of hope from COVID-19, to Brown’s Six Chorale Preludes on Favorite Hymn Tunes, which were composed using Brown’s encyclopedic understanding of historical hymns, HEAVY PEDAL VOL. 2 brings the organ down from the choir loft to allow all listeners a greater appreciation of this incredibly dynamic instrument.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works. Mathieu and Chua carry on the ever-growing tradition of bringing female-identifying composers from all musical eras out of the shadows. Their delicate, tender, and thoughtful iterations of these compositions solidify INVOCATION as a function of its title; a message to the women of this collection to step forward and shine.

Tenor Brian Smith Walters is a force to be reckoned with — endowed with a dark, thundering timbre and magnificent, towering style, he is the embodiment of a Heldentenor. His first Navona Records release is a challenging cross-section of chansons and Lieder spanning five centuries, and Walters navigates them with stunning bravado. It doesn't matter whether he sings Purcell or Copland, Schubert or Saint Saens, Tchaikovsky or Barber, Wagner or Szymanowski – the energetic grip Walters has on every single piece is awe-inducing, every rendition buzzing with vibrance and profundity. Accompanied here by only the piano, there is only one word to describe the tenor and A PHOENIX RISING: intense.

Celebrated Montréal flutist Joanna Marsden explores the work of eighteenth century French composer Michel Pignolet de Montéclair on MONTÉCLAIR CONCERTS FOR BAROQUE FLUTE from Navona Records. The performances feature The Opus Project, a chamber music initiative founded by Marsden and Christophe Gauthier dedicated to revisiting early musical prints and manuscript sources in order to celebrate the unsung treasures of baroque chamber music. The “concerts” of Montéclair reconcile Italian virtuosity and complexity with French expressive language, exploring a variety of national styles to which he was exposed during his time working in Milan. Orchestrated with flute, viola da gamba, harpsichord, and theorbo, The Opus Project gives new life to these centuries-old compositions for modern audiences.

OCEAN CALLING from composer Meira Warshauer is a moving trilogy for two pianos dedicated to the ocean. The three installments — “Waves and Currents,” “From the Depths,” and “The Giant Blue” — speak to the vast majesty of the aquatic world and the many challenges that face it. Innovative performance techniques coax unique sounds out of the instruments; a metal chain rustles on vibrating strings to mimic the white noise of breakers in “Waves and Currents,” while “From the Depths” utilizes coloristic “inside piano” techniques, and bowed tones recall sounds from the blue whale in "The Giant Blue." Against the backdrop of large-scale contaminations, overfishing, acidification, and rising temperatures, OCEAN CALLING is an impassioned plea on behalf of Earth’s greatest natural resource.