Catalog

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

Composed almost entirely in 2018 and performed by composer Giovanni Piacentini, the music on BETWEEN WORLDS serves as a brand-new snapshot of a musician's prowess at the height of his creative capabilities. In an age where the musician-composer is a dying breed in the realm of so-called "serious" music, Piacentini brings a breath of fresh air in a multitude of ways. There is no doubt that his astounding technical skill as a guitarist deeply informs his compositions, and the effect is nothing short of breathtaking. Strikingly, even when employing modern elements – such as adding electronics – Piacentini resolutely resists the temptation of putting trendy, cheap showmanship over the soul of the music. The guitar, the mainspring of musical expression, remains paramount and prominent, always. And, thanks to the composer's talent for lyricism, structure, and depth, this pays off. Immensely.

The long-awaited release from the chamber ensemble Duo Sequenza, YES…IT’S A THING!, includes works by five critically acclaimed contemporary composers. David Noon is one of the most prolific composers in the U.S.; Jerry Owen’s numerous achievements include two Pulitzer Prize nominations; Jorge Muñiz has had his music performed by chamber ensembles, chorales and orchestras throughout the world; Marc Mellits is one of the leading American composers of his generation and one of the most performed and recorded living composers in the United States; and Amin Sharifi’s recent works have been performed in the United States, Europe, and his native Iran.

The Society of Composers, Inc. is a “professional society dedicated to the promotion, performance, understanding and dissemination of new and contemporary music.” Having brought dozens of unique and compelling compositions to Navona Records over the years, they are now back with the latest in SCI’s series: FLUX, a collection of striking, innovative, and altogether unignorable music.

Saxophonist Dave Camwell's interpretations on SECOND WIND impressively demonstrate the capabilities of the instrument in music spanning three centuries. SECOND WIND presents a wide selection of saxophone music: a J. S. Bach partita with piano accompaniment added by Robert Schumann, a Vivaldi concerto, a Händel sonata, but also several contemporary, tonal saxophone compositions.

Fresh from Navona Records comes PARMA recording artist Lindsey Goodman’s ETEREO, a multi-composer album featuring the internationally acclaimed flutist in solo, duo, and trio settings. Goodman’s virtuosic performances unleash the breadth of dynamic and tonal possibilities the flute offers, making for a riveting listener experience.

Composer Carl Vollrath returns to Navona Records with THE UNFOLDING FLUTE, a collection of contemporary chamber works showcasing his years of experience writing for flute. Vollrath unfolds his talents piece by piece through the performances of acclaimed flutist Dieter Flury and pianist Ieva Osa.

From Mozart’s concertos to Jethro Tull’s “Aqualung,” the flute has served as a versatile tool for conveying the spectrum of human emotion. On AERO, flutist Dieter Flury puts decades of study and a handmade golden flute by Yamaha to work to breathe life into works by contemporary composers and spark the imaginations of listeners.

Navona Records presents PAINTED MUSIC from Quatra Duo. This album of works for flute and guitar by four heralded contemporary composers unlocks the imaginative, expressive power of these beloved instruments.

Fusing European and American musical traditions, the album pairs the excitement of rock and jazz rhythms with classical orchestral and chamber music forms.

BRUSH STROKES from Athenia Trio features works for flute, oboe, and bassoon. The program harnesses the impressive versatility of the trio, with six pieces by six different composers, including two commissioned specially for the ensemble: Alyssa Morris’s Brush Strokes, and Robbie McCarthy's The Blind Men and the Elephant.

One does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.

When four musicians of high caliber join forces, one can generally expect favorable results; but only the truly splendid manage to create a musical experience greater than the sum of its parts. Such is the nature of The Opus Project, founded in 2020 and already rated as one of Canada's most eminent Early Music quartets.

Rigorous repertoire is at the ready on WINDSWEPT VOL. II from Navona Records, a sweeping sonic force of contemporary chamber works for woodwind quintet. Performed by the New London Chamber Ensemble, the works of seven composers soar with modern flair, making use of various instrumental textures and irregular meters with jazz-driven influences sprouting from classical roots. Dynamic displays of dexterity and lucious interplay between performers burst with refined energy in this recording, uplifting listeners into a satisfying and equally enticing atmosphere.

TIME AND THE HOUR from Israeli-born composer Ayala Asherov is a selection of chamber works tied together by the theme of the passing of time. Asherov’s acknowledgment of time moving us forward in constant motion is a significant piece of the composer’s compositional process, translated into her work with titles such as Seasons and Crystal Watch. This carefully curated collection of Asherov’s pieces commissioned and performed throughout the years provides a thorough taste of the composer’s communicative and powerful musical style.

Following their Navona Records debut in 2019, Duo Sequenza returns with YES… IT’S STILL A THING!, a new program geared towards building new audiences for today’s classical music and promoting the work of living composers. Comprised of flutist Debra Silvert and classical guitarist Paul Bowman, Duo Sequenza brings an enchanting and harmonious quality that showcase the complementary capabilities of their respective instruments. From emotive and introspective works to scenic vistas painted in sound, the duo once again proves their musical chops and adaptability across a wide array of compositional styles.

When Johann Sebstian Bach composed his flute sonatas, the flute was in its infancy as a replacement for the popular recorder. Nevertheless, his musical genius rings out as richly layered harmony and emotions exude from each fluently written piece on J.S. BACH COMPLETE SONATAS FOR FLUTE & PIANO. On this two-disc recording, the mother-daughter duo of flutist Julie Scolnik, lauded by the Boston Globe for her “urgency full of fire that melts into disarming delicacy,” and pianist Sophie Scolnik-Brower further amplify Bach’s expressiveness, swapping the usual harpsichord for piano to deepen the dynamics and phrasing throughout the compositions.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

Modern traditionalist composer Garth Baxter’s album ASK OF ME WHAT THE BIRDS SANG presents a wide variety of instrumental works as well as vocal music; each of these unique pieces has a special connection with a song. When Lights Begin to Show, for example, includes a musical quote from “Afternoon on a Hill,” which is the first song in Three Poems from Edna St. Vincent Millay. The songs referenced sometimes come from earlier works by Baxter or borrow from folk music. An unabashedly lyrical composer, Baxter combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements.

Celebrated Montréal flutist Joanna Marsden explores the work of eighteenth century French composer Michel Pignolet de Montéclair on MONTÉCLAIR CONCERTS FOR BAROQUE FLUTE from Navona Records. The performances feature The Opus Project, a chamber music initiative founded by Marsden and Christophe Gauthier dedicated to revisiting early musical prints and manuscript sources in order to celebrate the unsung treasures of baroque chamber music. The “concerts” of Montéclair reconcile Italian virtuosity and complexity with French expressive language, exploring a variety of national styles to which he was exposed during his time working in Milan. Orchestrated with flute, viola da gamba, harpsichord, and theorbo, The Opus Project gives new life to these centuries-old compositions for modern audiences.