Catalog

Armenian pianist Kariné Poghosyan dazzles with a riveting selection of vibrantly passionate piano music based on folk motifs of five different cultures on FOLK THEMES. Never before has there been a juxtaposition of the works of Samuel Coleridge-Taylor (half British, half Sierra-Leonese), Edvard Grieg (Norwegian), Komitas (Armenian) and Franz Liszt (largely Hungarian), and upon listening to FOLK MUSIC, one can't help but wonder why. Despite the composers' respective idiosyncrasies, all pieces share the same inherent tenderness, fire, and zest for life: and Poghosyan isn't shy to show it, both in the profundity of fragile sentiment and in fireworks of exuberant virtuosity.

Virtuoso Linda Wiley performs four flute sonatas from 19th and 20th century composers on FOUR SONATAS FOR FLUTE AND PIANO. The album fulfills her aspiration to record pieces that are both challenging and also personally meaningful to her. These include Sonata For Flute And Piano by Francis Poulenc, Sonate Pour Flûte Et Piano by Jindřich Feld, Sonata In A Major by César Franck, and Recuerdos De Mexico, Sonata for Flute and Piano by Arthur Gottschalk. Many of the works share a connection to legendary French flutist Jean-Pierre Rampal; Wiley’s flute mentor Jan Cole studied under Rampal for five years, and Wiley is proud to carry on her musical lineage in this Navona Records release.

Henley Heyn’s self-titled HENLEY HEYN VOL. 1 was born from two important aspirations of her early career: to be seen and to be heard. Raw authenticity and artistic freedom drive this operatic multimedia release, performed by Heyn herself and the Slovak National Opera Orchestra. Heyn has roared onto the operatic stage in recent seasons, making her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Now, she has collaborated with an 85-member orchestra to bring the impassioned vision of HENLEY HEYN VOL. 1 to life.

Ruth Lomon (1930-2017), Composer and Resident Scholar at the Women's Studies Research Center at Brandeis University and Composer-in-Residence with Boston Secession, and her friend Iris Graffman Wenglin, Florida-based pianist and lecturer, came to a stunning realization after Ruth traveled to London, where she looked for music written by women. There were very few scores to be found, and even fewer that were properly printed. With that, the duo set out on a mission to uncover the buried works of female composers over the years and bring them deserved recognition. The results of this endeavor come to life in HOMMAGE TO WOMEN COMPOSERS.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works. Mathieu and Chua carry on the ever-growing tradition of bringing female-identifying composers from all musical eras out of the shadows. Their delicate, tender, and thoughtful iterations of these compositions solidify INVOCATION as a function of its title; a message to the women of this collection to step forward and shine.

In the nearly 200 years since its composition for voice and piano, many have tackled Schubert’s Winterreise. Steinway artist Hilary Demske, however, transforms the cycle into a series of works for solo piano on JOURNEY FOR ONE on Navona Records, focusing on the instrument’s poignant ability to represent the original composition’s lyricism and complexity. By freely experimenting with melodic fragments and manipulating the placement and length of gestures—along with translating the meaning of Müller’s poetry to music—Demske adds a fresh, unique perspective to classic repertoire.

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.

Bulgarian-born pianist Kristina Marinova harnesses the healing powers of emotional melodies on LOVES ME NOT, a curated selection of soulful classical piano pieces spanning three centuries, from Bach to Rachmaninoff. Within the album’s tracklist lies an impressive range of works and composers: Gluck, Schubert, Chopin, Liszt, Debussy, Scriabin, Tarrega and Satie, to name a few. The compositions are united by their melancholic themes (often sparked by biographical calamity), but like an acorn that falls from the crown of a tree, they bear within themselves a seed of hope, a new beginning.

Every pianist makes a piece their own, adding flourishes and signature accents, but Marta Brankovich takes artistic interpretation to a new level. Leveraging her passion and irreplicable touch on the piano, the black swan of piano conjures an unforgettable storm on MARTA, THE TEMPEST. This long-awaited exploratory deep-dive into the classical canon delivers fresh interpretations of works by Rachmaninoff, Chopin, Kaufman, Jirásek, and Webber, complete with a solo piano composition by Brankovich herself that offers an inside look into her artistic emergence. Weaving themes of adversity, opposing forces, and oneness with a profoundly emotive approach, Brankovich delivers a powerful program in this Navona Records release.

Navona Records presents MOMENTS MUSICAUX, a unique program of solo piano repertoire performed by pianist Antoinette Perry. Captured live from USC Thornton’s Alfred Newman Auditorium, these pieces celebrate the works of German, Austrian, Russian, and American composers, intermingling cultures through various compositional styles. When it comes to Perry's artistic ability, Germaine Vadi of Les Affiches de Grenoble et du Dauphiné put it best: “One felt oneself to be in the presence of a great pianist — an absolute art of nuance, her subtle touch, and finally her perfect musical understanding, which permits her to assimilate the music of all cultures."

Navona Records’ NOTTURNO: The Complete Nocturnes and Ballades of Chopin is a fresh look at some of the Polish composer’s most expressive works. The nocturnes and ballades are also some of Chopin’s most innovative works, displaying exciting advancements in harmony, rhythm, and form—all renewed in pianist Eliane Rodrigues’s nuanced, thoughtful performances, recorded in Sacilie, Italy’s acoustically advanced Fazioli Concert Hall.

On her new album NOUVELLE VIE, flutist Michelle Batty Stanley and pianist Margaret McDonald breathe new life into classic 19th and 20th century compositions. The duo dream up new interpretations of both familiar French favorites as well as works by lesser known composers.

Tchaikovsky's works burst with well-loved, well-known melodies – which is precisely what renders them a challenge for any young musician. How does one perform a cherished classic without resorting to cliché or to musical blasphemy? Talented violinist and arranger Sarah Coyl has found her personal answer to this dilemma on PAS DE DEUX: by re-setting the Russian composer's works for unprecedented setups – in this case, the violin-guitar duo and the violin-guitar-piano trio. This audacious endeavor is strengthened not only by Coyl's undeniable talent as a multi-genre arranger, but also by her two skillful colleagues, the keen-minded, quick-fingered guitarist Max Case and emotive, empathetic pianist Angelo Monroy. The result is an album that is still very reverently Tchaikovsky – but seen from a fresher, more youthful angle.

On her Navona Records release PERSONAE, pianist Beth Levin presents works from Frédéric Chopin (1810-1849), Anders Eliasson (1947-2013), and Robert Schumann (1810-1856) that highlight each composer’s unique voice and style. Praised by Jeremy Eichler of the New York Times for her “boldly inflected readings and impressive ability to convey emotion without exhibition,” Levin animates the personalities of each composer with aplomb, passion, and elegance.

A renowned cellist in his own time, Carlo Alfredo Piatti (1822-1901) is known for composing his 12 Caprices, a set recognized for its technical difficulty and complexity, and widely used as developmental exercises for cellists. On his debut Navona Records release, PIATTI: 12 CAPRICES FOR SOLO CELLO, Venezuelan/American cellist Carmine Miranda interprets Piatti's virtuosic solo cello pieces, masterfully showing them as works that withstand treatment as significant concert repertoire.

Violist Jutta Puchhammer’s album PIÈCES DE CONCOURS POUR is a treasure trove of late romantic French viola music. Originating as exam compositions for students enrolled at the Conservatoire Supérieur de Paris from 1896-1938, this album demonstrates Puchhammer’s peerless virtuosity as a performer, as well as the expressive range of her instrument, which was largely dismissed by the mainstream of eighteenth and nineteenth century composers.

Pianist Ian Gindes presents a captivating elucidation of Sergei Rachmaninoff's solo piano works on RACHMANINOFF, a new album of discerning artistry. With meticulous care and interpretive insight, Gindes navigates the rich tapestry of Rachmaninoff's compositions, peeling back the layers on their emotional depth and their technical intricacies. The Russian-American composer's signature confluence of opulent chromatic harmonies and classically informed structures is imbued with zest under Gindes' adept touch. Gindes finds an astute balance of lyricism and virtuosity, while his intuitive phrasing enhances the inherent narrative of each of the Preludes and Études-Tableaux. The album is rounded off by a fitting tribute, composed by Jerry Goldsmith and arranged by Jed Distler, honoring Rachmaninoff's influence on Hollywood and jazz.

Acclaimed pianist Elaine Greenfield dazzles with originality, virtuosity and exuberant tone richness on her album RAVEL COMPARED on Navona Records. The French composer's works are brilliantly analyzed and brought to novel clarity with Greenfield's ingenious idea of recording the same repertoire twice, on two very different pianos – and juxtaposing them on this two-disc album. The first disc presents Ravel's music on an 1893 Erard from Paris, the same make and model as the composer's personal piano, from which Greenfield coaxes a mellow, full-bodied tone with an almost liquid quality. This rendition is contrasted with a second on an American Ivers & Pond parlor concert grand from 1917, brightly highlighting Ravel's idiosyncratic harmonies with modern, almost contemporary exactitude. Put together, RAVEL COMPARED palpably illustrates the depth of both Greenfield's skill as a performer as well as Ravel's aptitude as a composer – as lively and vivid as perhaps never before.

Pianist Fanya Lin's RHAPSODIC is a masterful exploration of two of the most iconic pieces in piano repertoire. With her deft touch and nuanced interpretation, Lin lends an entirely new dimension to George Gershwin's Rhapsody in Blue and Rachmaninoff's Paganini Variations. From the opening notes of Gershwin's masterpiece, Lin's playing proves both powerful and sensitive, capturing the complex emotions of the iconic American composer with great vividness. Some musicians might be hard-pressed to switch seamlessly into the mind and heart of the great Russian, but Lin's virtuosity is on full display as she navigates the intricate variations with vigor and precision, effortlessly enticing the listener into their bittersweet, heady romance.

The Slavic conception of time in music is notoriously generous, exuberant even, often expressed by endless heartfelt melodies, which allude to a “broad yearning Russian soul.” RUSSIAN PIANO GEMS introduces listeners to the rich tapestry of Russian classical piano music with all the emotional grandeur it entails. Renowned Russian-born, American pianist Elena Dorozhkina brings to life a selection of works by Mosolov, Glinka, Scriabin, Tchaikovsky, and Rachmaninoff with unwavering passion and technical virtuosity. Torrential cascades of thunderous chords alternate with lightning-fast runs, breathless silences intermingle with sweet vulnerability, exaltation and loss are but a hair’s breadth apart. The playing time of these individual pieces might not seem very Russian, but their emotional depth certainly is.