Catalog

Longtime Navona Records artist Michael G. Cunningham showcases his penchant for storytelling on THREE THEATRE PIECES AND CHOPIN, an album rife with theatrical wonders that delight both the ears and the imagination.

With narration by award-winning actor Rob Dean, Jan Järvlepp brings classic tales to life on THREE STORIES BY HANS CHRISTIAN ANDERSEN. The Steadfast Tin Soldier, The Little Match Girl, and The Emperor's New Clothes, along with other works by Järvlepp, open a new world of imagination for the youth of today and conjoin the countless capabilities of oral and musical storytelling. Join the Janáček Philharmonic Ostrava and Moravian Philharmonic Orchestra on this thrilling ride through these childhood classics.

On his Navona Records release THREE PASTELS FOR PIANO & ORCHESTRA, composer Carl Vollrath presents his three piano concerti, written between 2012 and 2015. Representing some of his most recent work, these concerti are connected to each other thematically, and in a way portray a different hue of the same color.

THREE ORCHESTRAL WORKS BY DWIGHT BECKHAM, SR. marks a tremendous sample of American composer Dwight Beckham’s lyrical style and command of the orchestra. Based in Kansas, Beckham is part of an important generation of composers who, in the latter half of the twentieth century, persisted in their pursuit of a classically Romantic aesthetic. To this end, Beckham’s orchestral music is stalwartly thematic, crisply orchestrated, and centered on dramatic melodic and harmonic ideas.

2016 marks the 50th anniversary of composer Deems Taylor’s death (1885-1966), an opportune time to revisit his music by releasing his previously unrecorded piece Three Century Suite. This piece, in the form of a Baroque dance suite, is delightfully accessible, full of beautiful melodies, exquisite harmonies, and marvelous orchestration. Three Century Suite was performed once before, in Interlochen, Michigan, in 1961, conducted by A. Clyde Roller.

Both the New Hampshire Master Chorale and the Manchester Choral Society elevate the works of composer-in-residence Jonathan Santore on THERE ARE MANY OTHER LEGENDS, an expansive collection of works from Santore’s choral catalog. Each piece highlights the composer’s impressive command of choral writing and the ensemble’s traditions.

John A. Carollo’s newest release, THE TRANSFIGURATION OF GIOVANNI BAUDINO is a fascinating mixture of music written for different orchestral instrumentations and with wildly varying intended emotional responses. The composer himself may best define the intangible aspect of his music’s emotive intentions, writing, “I have always preferred to let music speak for itself. We each derive our own unique personal meanings from our listening experiences and most of it is felt viscerally.”

Though there are thousands of languages and countless political differences across the world, people tend to come together through equally endless forms of music and dance. On THE SUITE, the Lowell Chamber Orchestra, under the direction of Orlando Cela, focuses the lens on the Baroque dance suite as a method of expression that’s ripe for international flavor, artistic individualism, and human storytelling.

In 2008, PARMA Recordings acquired Capstone Records, the highly respected New York-based classical label founded by composer Richard Brooks in 1986, with the intent of shepherding the company and its music into the digital era. This album was originally released on Capstone and is being re-released by PARMA Recording's Navona Records.

Renowned composer Gustav Hoyer comes to Navona Records with an ambitious and harrowing seven-part orchestral setting of Samuel Taylor Coleridge’s THE RIME OF THE ANCIENT MARINER. Hoyer melds the spoken word and musical text-setting traditions into a hauntingly atmospheric narrative concerto, the Budapest Film Orchestra coming to life as supernatural forces and creatures in the text. Meanwhile, the narrator speaks of the Mariner’s eternal penance, a stark contrast to the roiling orchestral timbres that puts listeners in the shoes of the frightened wedding guest fated to hear the Mariner’s tale. An undoubtedly ghoulish but incredibly sophisticated musical illustration of Coleridge’s famed narrative, Hoyer is no-holds-barred in his talent for the narrative orchestra, producing a musical journey packed with all the intensity and horror of the text from which it hails.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.

THE PARMA SESSIONS: KAROLINA ROJAHN presents a series of recordings featuring longtime PARMA collaborator and pianist Karolina Rojahn. Showcasing the artist's skill, adaptability, and dedication, this digital compilation features Rojahn performing works by a diverse set of composers with myriad influences and styles.

Peter Greve may be seen as a prime example for music as a late vocation – though it's hard to believe when one hears how deeply his creations root in the bon ton of contemporary musical academia. THE PALACE OF THE DREAMKING offers a cross-section through Greve's eclectic and wildly experimental body of compositional work.

About 100 years ago, classical music made a jagged turn away from the harmonic structures that had comprised its underpinnings for several centuries. This departure was early-on dubbed atonalism, and opposed the functional harmony that prevailed during the great musical flourishing of the 17th, 18th, and 19th centuries. Composer Sparky Davis, who takes a "modern, not modernistic" approach to writing his music, continues this forward movement, expanding the vocabulary of music to include non-traditional elements and adding to the functional uses of long-established note combinations.

Based on the Ukrainian folktale of the same name, THE MITTEN presents a world built using simple narration as its foundation and a complex composition creating the surrounding universe. Composer Mona Lyn Reese needs only to speak a few short sentences from a children’s tale in each track, and then lets the performers in the Moravian Philharmonic Orchestra carry the details of the story deep into the imagination.

Howard Richards composer Moravian Philharmonic Orchestra | Vit Micka conductor A Frenchman in New York, Grandparent’s Dance, and Young Daughter’s Song Recorded September 2006 with the Moravian Philharmonic Orchestra Conducted by Vit Micka Solo trumpetist on Frenchman in New York Petr Nedbal [...]

In April 2003, the earliest stringed instrument ever found, the Gold Lyre of Ur, was damaged by looters at the Iraq Museum in Baghdad. In 2004, British harpist Andrew Lowings constructed an authentic and playable replica, and enlisted the help of composer Michael Mauldin to promote the project. Moved by the instrument's legacy and the narrative possibilities of the project, Mauldin composed The Last Musician of Ur for orchestra and harp, crafting a flowing narrative following the last musician to play the historic instrument as she is torn between inescapable destruction and the hope of timeless, international peace.

Composer Richard E Brown and Navona Records present THE GIFT OF THE MAGI, a chamber opera in one act that tells the beloved story — first published by O. Henry in 1905 — of a young married couple who, despite being very poor, sacrifice their most cherished possessions to demonstrate their love for one another. This chamber opera adds even greater breadth to the composer’s output, which has also included works for concert band and orchestra, instrumental solos and ensembles, church music, piano solos, and scores for ballet, opera, and musical theater. The virtuosic performances heard on THE GIFT OF THE MAGI lend a moving emotional dimension to this heartbreaking yet ultimately uplifting story of love and sacrifice.

Through his Argentinean tango-infused classical works, composer Alejandro Rutty has carved an original, unique niche in classical music, blending tango, electronic, and classical elements into a cohesive whole. On the multifarious THE CONSCIOUS SLEEPWALKER, his first album on Navona Records, Rutty presents works for saxophone quartet and orchestra that explore concepts ranging from explorations of tango within pop culture of the future to half-dreams versus fictional reality.

Depicting 12th-century Persian poet Farid ud-Din Attar’s dramatic narrative, New York-based composer and GRAMMY-nominated conductor Jonathan Sheffer presents his orchestral work The Conference of the Birds, commissioned for the Cabrillo Festival of Contemporary Music, on Navona Records. Attar’s poem of the same name is a journey of transformation and conviction, in which the birds of the world seek to find an illustrious leader, ultimately ending with new insight into their spiritual identities. The allegory portrays our own doubts, fears, and faults, how we confront these issues, and how we seek to understand identity and our relationships with other humans, the natural world, and what lies beyond.