Catalog

Excerpts from the Bible, text from the Middle Ages, and traditional instrumentation (organ, orchestral, and choral) form the basis of six composers' inspired works on FOUNDATIONS to create stirring, new contemporary classical music. By connecting to the roots of historical texts and musical conventions - in some cases the foundations of our collective cultures - these pieces present a modern spin on traditional materials, sounds, and forms.

The music of Irish composer Gráinne Mulvey explores the juxtaposition of polar opposites, pitting the real against the synthetic in finely crafted and thought-provoking works. AKANOS, an all-Mulvey album on Navona Records, includes seven of her works.

POLARITIES, an album of new presentations in classical music, expresses the emotions, feelings, and scenes associated with opposites. The works on the album, by four composers, range from a piece for wind ensemble and the Chinese gaohu, to a piano sonata, a chamber work, and works for orchestra.

Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

10 concerts, 7 venues, 3 days. The inaugural PARMA Music Festival in 2013 featured more than 100 composers and performers in works for orchestra, chamber ensembles, solo instruments, and jazz groups, as well as improvised collaborations between indie rockers and classical instrumentalists. This release collects some of the finest performances from the Festival, as recorded by the PARMA Recordings production team.

AT THE PRECIPICE, the third release on Navona Records featuring the music of the late composer Yves Ramette (1921-2012), showcases four world premiere recordings of the composer's works. Recorded with the St. Petersburg Symphony Orchestra in the summer of 2013 after his passing, these four orchestral pieces follow on the heels of Ramette's albums CASCADING INTO REVERIE for piano and orchestra and WITH PASSION for solo piano, and offer interesting insight into not only the composer himself but also the times in which he worked.

Throughout an individual's life, certain experiences, places, and people remain fundamental to his or her identity. As in a memoir, composer and conductor Paul John Stanbery depicts some of the experiences that have substantially influenced his character in SYMPHONY NO. 2, FOUNDATIONS, his digital-only release on Navona Records.

LUMINESCENCE brings to light six works for small and large orchestra, showcasing the inspired directions and composers of contemporary orchestral music. Marvin Schluger's Manhattan Suite for full orchestra is being released 14 years after its recording. New York, 2013 by Raymond Bokhour is another piece alluding to the Big Apple, as experienced by the composer that year. 

Occasionally, moments of happiness and comfort can rise from experiences of anxiety and doubt, during which we learn about ourselves and our limits. Composer and pianist Jeffrey Jacob depicts the experiences of struggle and pain, and of triumph and joy on his debut Navona Records release DARKNESS TO LIGHT.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.

On his latest Navona Records release, PARAGONIA, composer Michael G. Cunningham explores ways in which the orchestra can interact with itself on several levels. Counter Currents presents contrary phrases and themes simultaneously stated while TransActions portrays dimensions of density, emphasizing orchestral blur and presenting gestures and passages that prompt interplay between the sections of the orchestra.

What do you get when you cross a composer, a bassist, and a conductor? It's no joke, and neither is Aleksander Sternfeld-Dunn. It is, however, a piece called Joker's Wild which opens up Sternfeld-Dunn's debut Navona Records release FIREWORKS, and it's a doozy, a crackerjack double concertino expertly crafted and written to showcase the talents of the Cameradschaft Duo. The piece won Best in Show from the Global Music Awards in 2012.

14 concerts, 12 venues, 4 days. The 2014 PARMA Music Festival featured a diverse range of events, from concert performances of orchestra, chamber ensembles, solo instruments, and jazz groups, to an outdoor presentation of Prokofiev's Peter and the Wolf and panel discussions about music licensing and multimedia composition, as well as improvised collaborations between indie rockers and classical instrumentalists.

The most recent recording of music by internationally renowned and critically acclaimed composer, Fredrick Kaufman, is a mystical journey through Kaufman's compositional explorations of the unknown, the natural order, and universal human experience. The two feature works are world premieres of his atmospheric choral & instrumental pieces that depict the cosmos in Stars & Distances and Seven Sisters.

Navona Records’ compilation of contemporary works for orchestra, TURBULENT SKY, presents works by composers Fred Broer, William Coble, and Stephen Yip that explore and celebrate the dramatic fanfare, intricate textures, and variety of timbres possible with the orchestra.

With an innate sense of curiosity and a drive for knowledge, humans constantly push the boundaries of their physical and psychological environments, attempting to break through and discover the unexpected. On his debut Navona Records release ASTRAL TRAVELS, composer and double bassist David Arend explores several frontiers, including perceived boundaries between musical genres, earth and outer space, humanity and nature, and perception and reality.

Music can possess the power to take hold of our emotions, guiding us along an imagined journey that stirs our inner being, a concurrently unique and familiar experience. New York composer Rain Worthington writes music to captivate the listener, creating textural and lyrical worlds that are inhabited by various colors and tones. On DREAM VAPORS, her full-length solo debut on Navona Records, the composer offers a selection of her orchestral works, presenting intense dreams, intangible perceptions, and musically evocative elaborations.

The modern romanticism of composer Craig Morris is one simultaneously deeply personal and broadly meaningful. His albums DREAMS (2011) and CIRCLE OF LOVE (2015), both on the Ravello Records label, in large part deal directly with musical representations of universal emotional states and concepts.

Celebrating their 25th-anniversary concert season in 2016, the San José Chamber Orchestra conducted by Maestra Barbara Day Turner, presents a commemorative collection of contemporary works on Navona Records, showcasing the ensemble’s commitment to new music as well as their stylistic versatility.

Depicting 12th-century Persian poet Farid ud-Din Attar’s dramatic narrative, New York-based composer and GRAMMY-nominated conductor Jonathan Sheffer presents his orchestral work The Conference of the Birds, commissioned for the Cabrillo Festival of Contemporary Music, on Navona Records. Attar’s poem of the same name is a journey of transformation and conviction, in which the birds of the world seek to find an illustrious leader, ultimately ending with new insight into their spiritual identities. The allegory portrays our own doubts, fears, and faults, how we confront these issues, and how we seek to understand identity and our relationships with other humans, the natural world, and what lies beyond.