Catalog

GOOD NEWS FALLS GENTLY features the works of Chicago-based composer and oboist Patricia Morehead: Disquieted Souls, inspired by pre-Christian Celtic legends of goddesses and the supernatural; The Handmaid's Tale, motivated by the chilling, futuristic writing of Canadian writer Margaret Atwood; It is Dangerous to Read Newspapers, a reflection on modern times and the proclivity towards bad news; Ladders of Anxiety, an abstract work inspired by colorful medical charts that taps into our inner anxieties; and Good News Falls Gently, a setting of the poetry of Chicago-based writer Regina Harris Baiocchi that portrays an intense spiritual faith from a feminist perspective.

Navona Records presents HAMLET from Joseph Summer. In this installment of the Shakespeare Concert Series, composer Joseph Summer brings us along to Elsinore with The Bard’s classic play in an all new setting complete with the lyric integrity of Shakespeare’s words in a contemporary musical arrangement. Performed by Bulgaria’s State Opera Ruse orchestra, choir, and selected Bulgarian soloists with nine international soloists singing the lead roles, the celebrated revenge tragedy bursts with a new modern flair while keeping the spirit and riveting narrative of the original alive.

Australian Bruce Crossman blends East and West in his new release HEAVEN TO EARTH BORDER HOUSE on Navona Records. With his modernist approach to musical construction and style, he effortlessly integrates traditional Western, Korean, and Chinese instruments and philosophies into a coherent, enlightening whole.

Henley Heyn’s self-titled HENLEY HEYN VOL. 1 was born from two important aspirations of her early career: to be seen and to be heard. Raw authenticity and artistic freedom drive this operatic multimedia release, performed by Heyn herself and the Slovak National Opera Orchestra. Heyn has roared onto the operatic stage in recent seasons, making her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Now, she has collaborated with an 85-member orchestra to bring the impassioned vision of HENLEY HEYN VOL. 1 to life.

I GIVE YOU MY HOME is a site-specific chamber opera inspired by Rose Standish Nichols and the Nichols House Museum in Boston MA that premiered June 3, 2022. This elegant new opera paints a portrait of Rose, a professional Bostonian woman, and highlights her professional work as a landscape architect as well as her efforts to affect change through activism in the Women’s Peace Movement and Women’s Suffrage. Soprano Aliana de la Guardia portrays Rose in this opera, and is joined by saxophonist Philipp A. Stäudlin and percussionist Mike Williams.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.

Few things have informed and inspired as much music as humanity's search for God. Acclaimed baritone, arranger, and conductor Courtney Carey explores the relation between the worldly and the divine on I WANNA BE READY, a set of 12 spirituals arranged for different instrumentations — and each piece packs a punch. Six of them are songs for a solo voice (soprano or baritone) and piano, and Carey, being a trained vocalist himself, deploys this setup to its fullest effect, allowing for powerful brilliance. The other half are choral pieces, which are furnished with extra layers of depth and vigor by the splendidly expressive Concert Chorale ensemble. Even individually, these spirituals would be remarkable; together, they are a tour de force.

Lovers of Early Music are in for a huge treat with IGNACIO JERUSALEM: MASS IN G, a tribute commemorating the 250th anniversary of the composer's death. The little-known, Italian-born, galant creator, who spent much of his colorful life in Mexico, receives long-deserved attention from the Chicago Arts Orchestra under the baton of Mexican-American conductor Javier José Mendoza.

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.

Lawrence Siegel’s Kaddish is an evening-length cycle of fifteen original songs for chorus, soloists, and chamber ensemble that serves to find a common ground with those who survived the Holocaust. The choral masterpiece’s libretto is drawn from interviews with Holocaust survivors and incorporates elements of folk songs and traditional Klezmer music. As a whole, Kaddish brings us on a journey through the cultural identities of pre-Holocaust central Europe, reflections of the atrocities that occurred during those years, and the victims’ desire for ordinariness.

On KASSANDRA, composer Anthony Brandt and librettist Neena Beber explore two leading issues of our times — climate change and sexual harassment. Based on the Greek myth of Apollo trying to seduce Trojan princess Cassandra, Brandt and Beber tell the tragic yet familiar story of Kassandra, a scientist whose forecasts of climate change are discredited as a result of rejecting sexual advances from a venture capitalist. In the ancient myth, Apollo places a curse on Cassandra: she will see the future but no one will believe her. In today’s world, scientists face a similar curse, their warnings of our warming planet too often ignored. Brandt and Beber’s chamber opera challenges us to heed Kassandra’s predictions.

KLEEMATION AND OTHER WORKS is the debut Navona release from Rockport-based composer Elizabeth Vercoe, featuring six of the composer's works for small ensemble and solo instruments. The title piece, Kleemation for flute and piano, draws its inspiration from five drawings by Swiss artist Paul Klee. Through her expertly crafted music, Vercoe effectively captures the moods and styles of the visual elements from which she works, ranging from wry humor to anxiety about the state of our world.

A collection of works by Curt Cacioppo celebrating and lamenting the history of the Native American peoples. Composed and performed with impeccable attention to detail and historical accuracy, these vibrant and emotional tone poems urge the listener to consider the vibrancy and plight of Native American culture as they guide us through musical narratives of the past.

Composer Nicholas Vines’ surreal opera Loose, Wet, Perforated comes to life in this Navona Records release. Commissioned by the Boston-based experimental opera company Guerilla Opera, and premiered in 2011, this recording coincides with a new production of Loose, Wet, Perforated that involves video projection and audience interaction.

On LORD, HOW COME ME HERE?, composer Shawn Okpebholo turns the mirror of history on today’s society with his own work and a reimagined collection of spirituals by enslaved Africans and American folk hymns that draws upon music from the past to critique contemporary racial injustices in the United States and around the globe. An ensemble of mezzo-soprano (J’Nai Bridges), baritone (Will Liverman), piano (Paul Sánchez), cello, and flute poignantly bring Okpebholo’s music to life, from hopeful anthems celebrating community to laments between a mother and her Creator and hymns celebrating faith and hope over hate and fear.

Multi-award-winning composer Anthony Brandt makes his Navona Records debut with MATERNITY / ULYSSES, HOME. The album includes two very distinct compositions with equally distinct inspirations.

The history of setting literary text in music is a considerable one, from Schubert's Lieder to Benjamin Britten's Serenade to art songs of the 21st century. Composer Michael Murray presents four song cycles on PERCIPIENCE, all of which emphasize the deep connection between poetry and music as varying means of expression that can reveal different facets of the same idea.

MODERN MUSES is an entirely new presentation of captivating music in its first commercial recording and release, showcasing works composed by women and works representing female perspective. Inspired by Greek and Roman mythology, Josefien Stoppelenburg’s arresting soprano is juxtaposed with Jean Hatmaker’s poetic cello in this recording, fostering a rich musical dichotomy that blends together in a refreshingly powerful way.

Uruguayan-born American Sergio Cervetti is sure to please listeners with MORTAL DREAMS, his ninth album with NAVONA. Cervetti, who, on previous releases, has firmly established himself as one of the most unique voices in contemporary serious music, again delivers electro-acoustic compositions that can be counted as some of his best in the genre.

MUSIC TO HEAR, Joseph Summer’s follow up to WHO IS SYLVIA from Navona Records off his Shakespeare Concerts set, is the result of the composer’s lifelong obsession with poetry. The album pairs the works of contemporary poets as well as Shakespeare with Summer’s music in order to express deeper significance than either words or music are capable of on their own.