Catalog

On FANTASY FOR VIOLIN AND PIANO, composer Benjamin Shorstein examines the age-old rules and conventions of musical form and structure and transforms them into inspirational foundations on which to build narratives. The improvisational Fantasy for Violin and Piano begins Shorstein’s story with an exploration of emotion and character, as each instrument formlessly weaves and wanders between themes—a sentiment that continues with Sonata for Piano, which extends the album’s musical worldbuilding, expanding upon an original theme that remains warm and sensitive as it gains intensity. The dance-based partita is also interpreted anew by Shorstein, as he uses the violin to explore the coexistence of melody and dissonance within self-expression.

Navona Records presents FIGMENTS, a compilation of eclectic contemporary works for chamber ensemble that highlight the dramatic, the mysterious, and the inventive through diverse instrument combinations and use of extended techniques. The album features music by composers Mark Dal Porto, Richard Campanelli, David Nisbet Stewart, Paula Diehl, Jason R. Lovelace, and Mel Mobley.

On FIGMENTS VOL. 3 from Navona Records, the imaginations of composers Jacob E. Goodman, Gary D. Belshaw, Andrew Lewinter, Thomas Mann Jr, Elliott Miles McKinley, and Eleanor Alberga are brought to life in a dynamic breadth of emotional performances, from soothing to exhilarating and natural to mythical. A dynamic assortment of contemporary chamber music, fantasy and reality collide to bring forth exhilarating stories spanning scenes from Greek Mythology to those of spirited animals and surreal scenic portraits. Universal melodies and rhythms find their form, short sketches evoke seasonal qualities, and fantasies float into reality in this collection.

The Society of Composers, Inc. is a “professional society dedicated to the promotion, performance, understanding and dissemination of new and contemporary music.” Having brought dozens of unique and compelling compositions to Navona Records over the years, they are now back with the latest in SCI’s series: FLUX, a collection of striking, innovative, and altogether unignorable music.

Forest Whispers features works by Marty Regan that combine Western classical with the instrumentation and theory of traditional Japanese music, where musical time relies on the natural patterns of human breath to create a free, airy rhythm. With instruments from the shakuhachi to the koto, Forest Whispers delivers classical music with a distinctively Japanese aesthetic.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Laurence Sherr delves deep into the spirit of resilience with FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC. Not shying away from musically pointing to suffering and despair, Sherr paints a vivid picture of persecution, trauma, and survivor's guilt but also of silent and active opposition, hope, renewal, and the eventual overcoming of adversity. Through remembrance and tribute, these compositions unapologetically aim to tell stories of Holocaust resistance and survival, not only in concept but also in their individual tonal language: at all times fully conscious of their cultural roots, vast heritage, a sacrosanct sense of belonging, and the duty of defending these treasures. But perhaps, even more, these works reveal pathways to clearer, brighter horizons.

Introducing the album is Lee Actor’s Duo for Violin and Cello. The track, which won the Eva Thompson Phillips Award for Composition in 1979, is a short, textured, and powerful piece. In ABA form, the energy of the stringed instruments swings like a parabola from the height of sharp, angular rhythms down into deep and gentle expressions and builds up to a sharp, explosive climax.

IN TIMES OF TORMENT, from the late composer Yves Ramette (1921-2012), displays major themes from almost every single musical era. Composed from 1941-1944 in Paris during the Nazi occupation, the album presents a unique perspective from Ramette, breaking away from the virtuosic piano works found in his previous albums to showcase varying chamber ensembles. Although his sonatas were written for the virtuosic violin and cello, the piano continues to be highlighted throughout his pieces, making it more than an accompaniment, but rather a featured instrument.

Inspiring curiosity, cultural interaction, and deep listening, INK TRACES reflects violinist Julia Glenn’s 15-year journey exploring Chinese culture and interactions between Chinese language and music, fueled by frequent trips and three years living in China. This Navona Records release reflects a greater interdisciplinary approach seen in Chinese arts - one that blends poetry, dance, painting, calligraphy, and music and shows fascinating interchanges between gesture and sound. The title, inspired in part by Pan Kai's Ink Traces of Sigh for solo violin, is a nod to such interplay. The album explores three threads: probing the musical-linguistic play possible in the music of Chinese speakers, broadening perspectives on Chinese music, and fostering cultural dialogue between China and the United States. It features works by Chinese and Chinese-speaking composers, stretching traditional Western musical boundaries to create rich, imaginative soundscapes and processes.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works. Mathieu and Chua carry on the ever-growing tradition of bringing female-identifying composers from all musical eras out of the shadows. Their delicate, tender, and thoughtful iterations of these compositions solidify INVOCATION as a function of its title; a message to the women of this collection to step forward and shine.

Composer Michael K. Slayton continues his quest of lending a musical voice to the paintings of 20th century artists with KLEEMATION, the second single from his upcoming Navona Records album, SAGE BRUSHES. Commissioned by oboist Jared Hauser, this piece features responses to the highly imaginative and evocative work of the Swiss-German Expressionist/Cubist/Surrealist artist Paul Klee (1879–1940). The twinkle-in-the-eye of “Senecio,” the stark, cubed contrasts of “Ancient Harmony,” and the optical expressive energy of “Kettledrummer” served as catalysts.

LA LEYENDA DEL KAKUY is the latest Navona release from acclaimed Spanish composer Osias Wilenski. Lauded for his compositional style by Gramophone, Audiophile Audition, and more, Wilenski's unique works range from narrative symphonic poems to operatic spin-offs to instrumental miniatures.

The acclaimed The Frahm-Lewis Trio entices with LA MORTE DI DUSSEK. Contrasting the works of Mozart with the lesser-known Ferdinand Ries and Philip Antony Corri, it is a veritable declaration of love to the Classical era. One would be forgiven to think that the only star of this album would be Mozart, with his befittingly performed sonatas. Or perhaps its Beethoven’s student, Ferdinand Ries? After all, he graces this collection with an imposing trio highly reminiscent of his teacher’s early chamber works. A veritable trifecta is achieved with the addition of the album's title piece by Philip Antony Corri, whose legacy intertwines with his sister’s marriage to the once famous composer Jan Ladislav Dussek. A historical oversight, for this premiere recording of his trio, translated as "The Death of Dussek," is a clear focal point of this album — lyrical, beautiful, melodically elaborate, and harmonically innovative, almost as much as the works by the composer it commemorates.

Can you satisfy God with one sound? This question was repeatedly posed to Lachlan Skipworth by his shakuhachi teacher during a three-year period of intensive study in Japan. It sparked a deep exploration of cross-cultural aesthetics that finds expression in this self-titled Navona Records album. At the beginning of each shakuhachi lesson, student and master begin by repeatedly playing a single note on the end-blown bamboo flute. This focuses their minds on core questions of technique: “have I made progress? Am I closer to mastery of this, shakuhachi’s most fundamental note?”

On LET’S TANGO, Duo Cello e Basso with French double bassist Pascale Delache-Feldman and cellist Emmanuel Feldman invites listeners to experience some of the celebrated genre’s greatest masterpieces. Joined by pianist Victor Cayres, the centerpiece of the album is the duos’ arrangement of Piazzolla’s Four Seasons of Buenos Aires that they perform in concerts around the United States including a recent appearance at the Kennedy Center in Washington DC. Other Piazzolla works with piano include Kicho, an original work for solo double bass and Le Grand Tango, written originally for cellist Mstislav Rostropovich. The album also includes a trio arrangement of Por una Cabeza and El Dia que me Quieras by famed 20th century tango composer Carlos Gardel. Full of the longing and passion characteristic of tango music and paired with the rich dynamic range of the bass and cello, LET’S TANGO offers fresh new interpretations of these classic works.

LOCK AND KEY opens the door to discover harmonious, melodic chamber works tied together by a shared understanding of the most treasured aspects of humanity. Through diverse experiences and impressionism, each composer highlights that which makes us human but is all too easy to hide away. Navona presents these works together as a reminder that inspiration can be found through appreciating the beauty of nature, the thrill of a first kiss, lighthearted fun on a night out, or simply by being alive.

Luz means light, and light is what violist Amaro Dubois claims we are missing the most in this world of today. Dubois aims to change this with his debut Navona Records release, LUZ, a collection of works highlighting the beauty of Latin American music for viola and piano. Joined by pianist Tingting Yao, the violist brings to life several newly-commissioned works, a beautiful collaboration between eight composers from five different countries. Above all, Dubois aims to share passion, love, and peace, three qualities that undoubtedly shine throughout LUZ.

MEMORIES UNSETTLED explores music that has too often been marginalized from the historical musical canon. Sun Min Kim and Hilary Glen joined forces during the height of the pandemic, forming the Gibbs Street Duo. This piano-cello duo tours colleges and universities across the country, sharing their inspiring music with students, faculty, and other patrons of the arts. The album features composers from diverse backgrounds including Dorothy Rudd Moore, James Lee III, Ching-chu Hu, and HyeKyung Lee. Moore’s Dirge and Deliverance is a sonata in two movements written in 1971 that uses music to reflect on the Black experience in 1960s America. Abraham’s Sons written by James Lee III was written in 2013 to express horror and outrage at the killing of Trayvon Martin. Through these pieces and more like them, the Gibbs Street Duo demonstrate the power and relevance of music as a catalyst for change.

Caitlin Edwards and Daniel Schlosberg work in collaboration to bring us MERE MORTALS, an exceptional performance and intuitive study on works for violin and piano by composers of marginalized identities with a brilliant legacy to share with the world. In a world that often grinds us to the bone, MERE MORTALS asks us to slow down, step back, and appreciate the fruits of our labor, reminding us that although our time on this earth is fleeting, it can also be a rich and exploratory experience that enables us to leave an immortal and vital legacy behind.