Catalog

Composer Sergio Cervetti has cemented himself into the contemporary classical scene, earning notoriety for his ability to present orchestral, opera, chamber, vocal, and electronic under a single classical umbrella that is distinctly individualistic. With works lauded as "truly novel and genuinely intriguing" (Washington Post), "noteworthy in the sea of fluff that passes for electronic music" (Option Magazine), and "a listener's joy" (New York Times), Cervetti has proven himself a worthy contender in the world of contemporary classical.

NIGHT OF LIGHT is the latest CD from Cypriot composer Sophia Serghi featuring five of her works for orchestra and voice: Night of Light, a musical reaction to Easter in Manhattan and a document of the composer's spiritual growth; Serghi's earliest work for orchestra and voice, Cantus Integritatis, comprised of four introspective and meditative movements based on the composer's own Latin poetry; Full Moon Haiku, a collaboration with poet Nancy Schoenberger setting the mensal characteristics of the full moon to music; Ikon, inspired by an unusual Ikon in Paris; and Night of Light: Reprise.

Even the most fearful of the cold will draw warmth from Joe Summer’s comforting NO ENEMY BUT WINTER AND ROUGH WEATHER, the sixth album honoring The Shakespeare Concerts Series, of which he is founder and executive director. Track 1 is Summer’s own Concert Overture for Piano, an icy introduction performed by SangYoung Kim. Following are two settings of “Under the Greenwood Tree.” Track 2 is the inviting setting by William Walton performed by soprano Kathryn Guthrie and pianist John McGinn. Alluring, too, is Track 3 the Erich Wolfgang Korngold setting of the text performed by Kim and mezzo-soprano Thea Lobo. Kim stays at the piano for Track 4—“When Birds Do Sing”—also by  Korngold; Guthrie delivers this spritely tune.

Carl Vollrath’s OLD AND NEW POETRY from Navona Records is a lovingly-prepared setting of the works of seminal poets William Blake and Sara Teasdale, as well as the contemporary writer John Gracen Brown. The verses chosen by Vollrath—including such varied selections as Blake’s “The Fly,” Teasdale’s “Dusk In War Time,” and Brown’s “The Coming of a Summer Rainstorm”—all reflect the composer’s belief in the interdependency of all life on earth. Employing piano, saxophone, and mezzo-soprano, Vollrath thoughtfully pushes tonal boundaries in response to the poetic language.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

On September 2, 1998, 229 passengers and crew members lost their lives when Swissair Flight 111 crashed into the Atlantic Ocean near Nova Scotia. Composer Matt Frey, who identified with the Swissair tragedy due to his own brush with a plane malfunction, explores the human relationship to air travel while also commemorating the lives lost in the chamber opera ONE-ELEVEN HEAVY.

On the fourth offering in Navona Records' The Shakespeare Concerts Series, ORPHEUS WITH HIS LUTE MADE TREES, executive director and composer Joseph Summer presents original works and pieces by composers from the 18th through the 21st centuries that celebrate the myth of Orpheus.

Composer Michael Murray’s album PASSAGES brings the words of iconic 19th and 20th century poets to life through stirring music for solo soprano and instruments. Murray has selected poetry from the likes of Robert Louis Stevenson, William Butler Yeats, William Wordsworth, John Keats, and Walt Whitman, with poems detailing childhood adventure, hope, and tragedy. Celebrated soprano Genevieve Fulks performs throughout; most of the music heard on the album was written specifically with her voice in mind. Murray’s music has been lauded for its meticulously crafted yet ultimately approachable style. Through familiar themes and time-honored poetry, Murray invites listeners to engage with, and even be challenged by, this collection of thoughtful compositions.

Kamyar Mohajer’s PICTURES OF THE HIDDEN honors the composer’s “four Grand Masters:" Johann Sebastian Bach, Persian poet Hafez, and his parents. In this album, Mohajer shares his artistic upbringing by combining his roots in Persian modality with his love of Western classical music.

PREACH SISTER, PREACH showcases award-winning Katherine Jolly’s “agile, bright lyric soprano” voice (The New York Times) on a series of pieces that are distinctively individual in their inspiration while cohesively united by the passions of their composers.

One does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.

QUADRANTS VOL. 4 comes as the fourth installment of Navona's acclaimed series of string quartet recordings by contemporary composers. This time, a variety of ensembles perform a selection of pieces by Daniel Gil, Jacob E. Goodman, John Summers, Sami Seif, and Judith Lang Zaimont. Like its predecessors, QUADRANTS VOL. 4 presents musical creations that are highly structured, thoroughly conceptualized and profoundly cerebral, drawing upon subject matters as diverse as Kabbalistic philosophy, English urban poetry, and Arabic cultural identity, among others. Often the result of years-long toil, these compositions are by no means easy to perform – but each ensemble masterfully succeeds with virtuosic panache.

Fresh from Navona Records comes QUOTATION OF QUERIES, featuring the students of Hong Kong Baptist University under the direction of Professor John Winzenburg. This collection of choral music explores notions of culture throughout the course of human civilization. It features traditional compositions, recent works, and even three debut recordings by prominent composers from Hong Kong and the United Kingdom.

Everybody knows Rumpelstiltskin’s name, but what if there’s more to his story? On RUMPELSTILTSKIN, composer Marti Epstein reimagines the classic fairy tale as a sympathetic opera, transforming the titular character into a tragic figure to propose that villains are made, rather than born. Guerilla Opera, conducted by Jeffrey Means, brings the alternate version to life across six scenes, deftly conveying the emotions and motivations of each character as they interpret Epstein’s carefully crafted soundscapes of shifting harmonic palettes and interweaving rhythmic pulses.

SHAKESPEARE'S MEMORY is the first offering Navona's The Shakespeare Concerts Series. A salmagundi of selections from composer Joseph Summer's The Oxford Songs, this album includes previously unreleased recordings spanning the life of the series. This first volume includes Summer's original chamber and vocal compositions set to Shakespeare's dramas and sonnets and the poetry of Milton and Yeats, performed by a slew of musicians: the Kalmia String Quartet, baritone Chad Sloan, soprano Andrea Chenoweth, mezzo-soprano Kellie Van Horn, tenor Justin Vickers, pianists Miroslav Sekera and Ian Watson, and harpist Lydie Härtelovä.

For her debut album on PARMA recordings SHE, Emily Sternfeld-Dunn serves as the voice of two of history’s strongest female characters. The poetic musings in the lyrics soar with Sternfeld-Dunn’s unmistakable soprano under the current of the tender, delicate melodies performed by pianist Amanda Pfenninger.

Soprano Maria Clark and pianist Maria Thompson Corley navigate the intense emotion, scars of suffering, and religious passion in the hymns and gospels on SOUL SANCTUARY from Navona Records. Featuring empowering spirituals from the past two centuries, the duo brings to life religious songs that have stood the test of time and find deep relevance today. Arranged by Thompson Corley and recorded in Atlanta GA’s Peachtree Presbyterian Church, these spirituals, including His Eye is on the Sparrow, Wade in the Water, and Glory, Glory, Hallelujah, offer uplifting outlooks in the face of adversity.

SOUND SPECTRUM features works for piano, soprano, and orchestra by composer Allen Bonde. Bonde draws from his personal experiences and feelings to craft beautiful pieces with a wide range of styles: Fantasia for Piano and Orchestra, a cohesive work cast in traditional harmony; Three Elizabethan Songs and Three Elizabethan Songs Revisited, a set of works blending simplicity and sophistication; Symphony No. 1, a kaleidoscopic orchestral piece with astounding instrumental color; Rose Window, a musical representation of the breathtaking Rose Window at Mount Holyoke Chapel; Sonus I, a 12-tonebased and freely composed piece in variation form; Four Shakespeare Songs, a fresh take on the Bard's work stylistically reflective of the 1920s; You Were The One, based on the sensitive poetry of Mary Jo Salter; and Encore Blues, a one-take improvised celebration of the recording sessions. Often performing the works himself as pianist, and in collaboration with the "Bonde Family," his oeuvres provide warmth, intimacy and compositional diversity with each piece.

Award winning composer Peter Knell offers a deep dive into a number of his inspirations and formative experiences through a variety of orchestrations in SOUNDSCAPES from Navona Records. Expressed through solo violin, violin and vocal duo, and string quartet, Knell’s work encompasses the poetry of Pablo Neruda, the art of Rolf Stein, landscapes of his youth, and more. Dive in and become immersed in the natural imagery and sensations both Knell and these performers bring forth.

A historical feast awaits listeners on Ganesh Kumar's first NAVONA release SPIRIT OF HUMANITY. Half intended as an homage to Beethoven, half a musical portrayal of a little-known refugee crisis in World War II, it aims to be an epically emotional orchestral experience.