Catalog

Nothing has ever gripped intellectuals as firmly as reflections about the conditio humana, with all the perceptions, joys and miseries it entails. Israeli pianist and prolific recording artist Hagai Yodan sounds the depths of existence on his new release, THE HUMAN CONDITION, and with great panache. Featuring both piano and the harpsichord, Yodan skillfully navigates through the seas of Being as described by no fewer than six international composers. There is a persistent sense of melancholy, but also of truculence and a certain rage de vivre – an indomitable will to live. In this, THE HUMAN CONDITION isn't merely another contemplation; it's a self-assured declaration.

Howard Richards composer Moravian Philharmonic Orchestra | Vit Micka conductor A Frenchman in New York, Grandparent’s Dance, and Young Daughter’s Song Recorded September 2006 with the Moravian Philharmonic Orchestra Conducted by Vit Micka Solo trumpetist on Frenchman in New York Petr Nedbal [...]

Kim Ellis clarinet Richard Stoltzman clarinet Slovak Radio Symphony Orchestra | Kirk Trevor conductor Clarinet Concerto and Concerto for Two Clarinets & Orchestra Recorded May 2008 in Bratislava, Slovakia with the Slovak National Symphony Orchestra Conducted by Kirk Trevor Clarinet Duet Book [...]

Artists are liminal figures — they cross thresholds and collapse boundaries between past, present, and future.  In THE NEW EPOCH, three musicians from the Boston Artists Ensemble interpret works by French composers Fauré, Debussy, Ravel, and Lili Boulanger, infusing these pieces with unprecedented freshness and clarity. Each celebrated in their own right, cellist Jonathan Miller, violinist Lucia Lin, and pianist Diane Walsh join forces in every duo setting possible from this assortment of instruments. Exploring works written at the threshold of the First World War — with the world crossing into the violent twentieth century and composers reacting with music that looked both nostalgically back and innovatively forward — they underline the commonalities between each composer’s unique voice and reinterpret this music for our turbulent present. Each celebrated in their own right, cellist Jonathan Miller, violinist Lucia Lin, and pianist Diane Walsh join forces in every duo setting possible from this assortment of instruments. Exploring works written at the threshold of the First World War –– with the world crossing into the violent twentieth century and composers reacting with music that looked both nostalgically back and innovatively forward –– they underline the commonalities between each composer’s unique voice and reinterpret this music for our turbulent present.

THE ROAD OF PROMISE represents a concert adaptation of Kurt Weill’s 1937 opera-oratorio The Eternal Road. Performed by members of the New York City-based performing arts organization MasterVoices (formerly The Collegiate Chorale), under the baton of Ted Sperling, this pseudo-allegorical work was conceived by European Jewish emigrants in the US as an attempt to inform the American public about Adolf Hitler’s persecution of German Jews.

2016 marks the 50th anniversary of composer Deems Taylor’s death (1885-1966), an opportune time to revisit his music by releasing his previously unrecorded piece Three Century Suite. This piece, in the form of a Baroque dance suite, is delightfully accessible, full of beautiful melodies, exquisite harmonies, and marvelous orchestration. Three Century Suite was performed once before, in Interlochen, Michigan, in 1961, conducted by A. Clyde Roller.

PARMA is proud to present THROUGH TIME AND PLACE, an ambitious cross-section of James Lentini's extensive catalog. The award-winning guitarist and composer impresses with massive tonal landscapes which can be considered exemplary in contemporary American serious music. THROUGH TIME AND PLACE's title is aptly chosen: the album contains a collection of previously unreleased recordings made over the course of Lentini's long career.

“Music is a game we play… It is to be respected, but not to be taken too seriously. It belongs to all of us. It is ours to create and recreate, to mess around with, as long as we give credit.” In his own words, Toker expresses the freedom that can be found within the written page of every musical score. A whole world can be discovered, rediscovered, and recreated in a single piece, and TOKER MESSING AROUND seeks to do just that.

TREASURES FROM THE ARCHIVES, composer Carol Barnett's debut solo release on Navona Records, presents shining choral arrangements and originals from the composer's diverse catalog as interpreted by several choral groups, which gives the pieces an added tonal quality and presence. Many of the featured works were arranged by Barnett for the Minnesota-based Dale Warland Singers during her nearly decade-long residency with the group.

Yuriy Bekker, violinist on Navona Records release TWENTIETH CENTURY DUOS, is joined by renowned pianist Andrew Armstrong in some of the most beautiful and rarely-performed works of the twentieth century by Jewish composers Erich Korngold and Aaron Copland. Bekker says of the album, “The idea for this project finally came to fruition with the help of the rare 1686 Ex-Nachez Stradivarius violin.  This is the first sound recording of this violin and I believe these particular selections by Korngold and Copland highlight its most magical qualities.”

The four works on UNEXPLORED, offer an expansive variety of musical genres while introducing listeners to previously unrecorded cello repertoire. Premiere recordings of works by Tchaikovsky, Cassadó, Rudnytsky, and Rimsky-Korsakov are presented by cellist Nada Radulovich and pianist Cullan Bryant.

Very few genres are as difficult to interpret pianistically as that of contemporary serious music: it often requires a superhuman degree of both virtuosity and patience, and the potential pitfalls of expression are ever-present. Enter Korean pianist Koeun Grace Lee, who zestily breezes through the most varied contemporary repertoire imaginable, with a level of self-assurance and musical competence that borders on being a revelation. While also featuring folkloristically-inspired works by David Burge and Jean Ahn, the heart of VARIATIONS ON A THEME BY STEFAN WOLPE is the similarly-titled work by Robert Gross, spanning no less than twenty variations on a theme by Stefan Wolpe, the German-American interdisciplinary modernist. Sprawling yet precise, decisive yet eclectic, it's the perfect canvas for Lee, and the resulting symbiosis is mesmerizing.

WALTON & BARBER from famed British violinist Thomas Bowes celebrates the works of two early 20th century composers, William Walton and Samuel Barber. The album includes Walton’s Concerto for Violin and Orchestra and Two Pieces for Strings from Henry V, as well as Barber’s Concerto for Violin and Orchestra op. 14 and the touchstone Adagio for Strings op. 11. Throughout the album, Bowes’ breathtaking virtuosity is on full display. His playing, which has been characterized by Gramophone Magazine as “deeply human” and “unusually communicative,” teases out subtleties and rises to the challenge of the most technically-demanding passages. With the violin at centerstage, WALTON & BARBER brings the full power of the orchestra to bear.

Michael Clark’s knowledge and reverence for Florence Price shines in WALTZES & CHARACTER PIECES OF FLORENCE PRICE. Opening with the first waltz in Price’s musical catalog, Valsette Mignon, and closing with one of her final waltzes, Waltzing on a Sunbeam, Clark’s respect and intimate understanding of these elegant piano works is evident in his delicate treatment of each passage down to the single note. The sheer musicality Clark presents in the rolling melodic line of character pieces such as Dreamboat and Barcarolle honors Price’s work in a way that both uplifts and exceeds expectations. Clark hopes that the fragment of her vast repertoire showcased in WALTZES & CHARACTER PIECES OF FLORENCE PRICE will implore listeners to further explore her works, continuing to give Price her long overdue flowers.

Pan-Fare, the album's starting point, is a rare modern classical piece for steel pan and a motley, jazz-inflected ensemble. Fun, energetic, and brimming with rhythmic imagination, it is set against an original percussive backdrop provided by, among others, a vibraslap, a marimba, and a Chinese opera gong.

Eleanor Alberga explores the whole gamut of the human experience in  WILD BLUE YONDER, an equally diverse and coherent set of four contemporary chamber music pieces. While written over the course of twenty-two years, these pieces burst the limits of both space and time. No-Man’s-Land Lullaby reaches back over a century to World War I; Shining Gate of Morpheus enters the realm of the mystical; Succubus Moon explores the dark sides of the  human psyche; and The Wild Blue Yonder offers a glimpse into a world that is at once alien and  wonderful. Undauntedly, positively unsettling album; perfect listening for these unsettling times and a worthy addition to the much hailed album of Alberga's three string quartets from 2019.

WIND DEVIL & CO. is a selection of sound scores commissioned by choreographers and dance companies that were performed nationally and internationally at venues such as Berlin's Akademie der Kunste and three Next Wave Festivals at Brooklyn Academy of Music. WIND DEVIL & CO. was created, composed, and performed by Sergio Cervetti, and is his third Navona release.

WITH PASSION is the latest release from Navona Records featuring the works of French composer Yves Ramette (1921-2012). Exquisitely beautiful, these cascading works for solo piano stand alone within a palate of tine, color, and space that Mr. Ramette crafted and honed throughout his studies and professional career.

The long-awaited release from the chamber ensemble Duo Sequenza, YES…IT’S A THING!, includes works by five critically acclaimed contemporary composers. David Noon is one of the most prolific composers in the U.S.; Jerry Owen’s numerous achievements include two Pulitzer Prize nominations; Jorge Muñiz has had his music performed by chamber ensembles, chorales and orchestras throughout the world; Marc Mellits is one of the leading American composers of his generation and one of the most performed and recorded living composers in the United States; and Amin Sharifi’s recent works have been performed in the United States, Europe, and his native Iran.