Catalog

TITRATION: a term used in chemistry to describe the process where two reagents are mixed drop by drop to avoid the explosive reaction that would occur from pouring them together quickly. Titration is also used to describe a therapeutic process in which one approaches trauma very slowly, “drop by drop,” so as to avoid unnecessary distress, flooding and potential re-traumatization. No title could be better fitting for Shara Nova’s new cycle of healing songs, recorded by The Crossing with conductor Donald Nally. TITRATION examines the experience of our own bodies, the capacity of our nervous systems, and the quest to identify and embrace our most difficult feelings. Styles converge, warm sounds emerge and voices soar next to laughter, humming, and the energy of Shara’s Indie band roots, with songs deeply inspired by Resmaa Menakem’s Somatic Abolitionist body of work and his call for communal practice. TITRATION offers a glimpse into various healing modalities while extending a hand of self-awareness to listeners alike.

Transmutation: “to change or alter in form, appearance, or nature, especially to a higher form.” Joanna Estelle embodies this definition in her deeply personal and profound compositions on TRANSMUTATION, a communal effort featuring various talented performers coming together to transmute their message to you. With music as vulnerable and exposed as the stories it tells, TRANSMUTATION is a reflection on the patterns of life through periods of both rain and shine, and the constants that keep us grounded through the changes that they bring. Estelle’s message is clear: to allow for change is to allow for healing.

For centuries, writers have documented the awe brought about by the pristine wilderness and untamed expanses of the American Midwest and West. Three authors in particular—Ralph Waldo Emerson, Walt Whitman, and Emily Dickinson—beautifully documented the boundless optimism and sense of opportunity that the country’s vast natural resources inspired and heralded a new era of American thought.

Few forms in classical music are as underrated as the song cycle. It is easy to be betrayed by the seemingly-modest set-up – piano and solo voice – requiring well-calculated finesse from a composer to seize its minimalist power and bring it into full bloom. UNHOLY SONNETS, a collection of songs by German-born American Samuel Adler, succeeds greatly in this effort. Although all works presented are in English and the tonal language is decidedly modern, there is much that harks back to the German art song tradition of the 19th century. Despite the title, these are largely quiet, pensive pieces, confidently resting in a tranquil serenity.

Navona Records is pleased to present UNSEEN PATHS, a variegated collection of works by late composer Lawrence K. Moss. Well known for his diverse musical oeuvre spanning vocal, instrumental, and electronic works, UNSEEN PATHS shows us a deeper look into his mastery in the chamber music genre, from flute and piano duos to music for string quartet, operas, and more. As a valediction to a remarkable career, this collection is a timeless tribute to Moss' enduring legacy, inviting listeners to savor the depth and brilliance of his artistic voice.

Throughout his ever-evolving career, Brian Field has penned music for everything from orchestra and chamber settings to ballet and television, sprinkling in influences of post-romanticism, minimalism, and jazz. On his album VOCAL WORKS on Navona Records, the human voice takes center stage, and Field doesn’t shy away from his brand of compositional diversity. Field brings six pieces springing from the page, including a traditional Sephardic lullaby, musical interpretations of Pablo Neruda's and E. E. Cummings’ poetry, and works with texts written by the composer himself. Throughout the album, the Budapest Chorus conducted by Martón Tóth brings dynamism and emotion to every note.

VOICES FROM THE OTHER SIDE is a collection of evocative chamber works performed by cello octet — several with soprano soloist Gabrielle Haigh. Included are Arvo Pärt’s tintinnabuli-style Fratres as well as his L’abbé Agathon, inspired by the remains of a 12th-century leper hospital near Beauvais, France; as well as the beloved Bachianas Brasileiras No. 5 by Heitor Villa-Lobos. Two works by American composer Margi Griebling-Haigh are featured: the title piece is a setting of three otherworldly poems by Edna St. Vincent Millay, and a single-movement work called Cantilena allows the cellists to shine individually as well as together. Griebling-Haigh’s music has been praised for memorable melodies and strong rhythms; her colorful scoring and harmonic language have been compared to Barber, Ravel, and Poulenc.

The poet has long been considered a vehicle for expressing human thought and emotion through literary device, setting the seemingly indescribable to text, offering direction to the enamored and forlorn alike. The human voice adds a new element to the text, providing an additional level of complexity and expressiveness.

VOICES OF EARTH AND AIR VOL II presents the best that modern choral compositions have to offer. Settings of traditional prayers are mingled with ethereal stories and otherworldly visions, and each of the eight compositions both stand unique and work together harmoniously to create a collection that nods to the future of choral music.

Judging by Navona's VOICES OF EARTH AND AIR VOL III, this century is facing a significant paradigm shift in contemporary composition. The third installment of the trailblazing series again showcases contemporary choral music, and once more, it is mesmerizing – mesmerizingly tonal and aesthetic.

Navona Records presents VOICES OF EARTH AND AIR VOL IV, a choral celebration of the human commonality we find within music. Featuring the works of six seasoned composers, each piece tells a sentimental story unique to each composer, fitting together like puzzle pieces and demonstrating the connective qualities of the human voice. Brought to life by Prague’s Kühn Choir, these choral works are sure to entrance and entice listeners with flowing tonality and artful text settings that demonstrate the powerful storytelling capabilities that vocal music wields.

Navona Records presents VOICES OF EARTH AND AIR VOL V, a dynamic album showcasing the human voice and the powerful storytelling capabilities that vocal music wields. Six contemporary composers from around the world offer breathtaking works that stir the senses in this release, from hauntingly beautiful ballads to uplifting choral arrangements and climactic moments of triumph. With intimate settings of the human voice with instrumental accompaniment, full-fledged choir works, and everything in between, the composers and performers on VOICES OF EARTH AND AIR VOL V deliver unique and impactful moments that are sure to strike a chord.

Recently named Musical America's 2024 Ensemble of the Year, Donald Nally's chamber choir The Crossing stuns with their latest studio album, WAYS YOU WENT. Vibrant, exhilarating, and uplifting, this new release features original compositions by composers Martin Bresnick and Mason Bates. WAYS YOU WENT is a yin and yang of interconnected opposites. Bresnick's song cycle Self-Portraits 1964 exclusively deals with the life and personality of a single man: young and intellectual, working as a trash collector to put himself through college, and escaping into literature at night. Bates' trilogy Mass Transmission takes a telegraph conversation between mother and daughter in the 1920s and sets it to music, contrasting the warmth of human communication and a mechanistic medium. Both of these cycles, one introspective, the other socially oriented, are snapshots of a time gone by. The Crossing brings both to life with perfect mastery.

There are generally two ways one can face a crisis. One can give up, or one can persevere and use it to one's advantage. Choir director Dominick DiOrio definitely chose the latter during the pandemic, turning his reflections and sentiments about it into a profoundly engaging, almost philosophical choral album titled WHAT IS OURS. DiOrio conjures a formidable cross-section of music by a range of contemporary composers that not only reflects the diversity and multiplicity of modern-day America, but also its underbelly of struggle, challenge, and an eventual triumph of humanity.

Avner Finberg, Avishay Shalom, and Ohad Stolarz decorate the choral scene in WHEELS OF HEAVEN, a new setting of sacred Hebrew and Aramaic texts admirably performed and recorded by Ensemble Ofanìm. WHEELS OF HEAVEN is a devotion to the literary elements of Hebrew traditions, illustrations of a rich and cherished history. These artists have composed, arranged, and presented a beautiful collection of a vast literary tradition in this release, and the resulting sound is remarkable.

The Bonifantes Boys Choir showcases the best of the best of the Czech boy singers and composer Jan Jirásek over the past 20 years. WHEN THE SOUL SPEAKS demonstrates the abilities of both the ensemble and its leaders through the performance of Latin Christian masses, Buddhist mantras and Quran excerpts, and traditional Czech hymns -- together presenting the idea that different religions and cultural customs can stand together side by side.

First up in this compelling collection is a selection of Walt Whitman's oeuvre, including the work that inspired the album's title, which Perkins' music hauntingly elucidates as the lament of a soul hovering on the brink between life and death. Intriguingly, the composer preserves the mood for the Holy Sonnets by John Donne, a Petrarch-style, English Renaissance collection of sonnets auguring the later Baroque period's preoccupation with the contrast between carnality and mortality.

Joseph Summer’s WHO IS SYLVIA, new from Navona Records, is a collection of Shakespeare’s works set to music that will make you question everything you thought you learned in high school English. Summer believes that the famous playwright’s true identity is not William Shakespeare but rather Edward De Vere, the 17th Earl of Oxford. Many of the songs found on WHO IS SYLVIA come from Summer’s aptly-named The Oxford Songs, a collection of scenes, sonnets, songs, and Summer’s original opera version of Hamlet. These are paired with music from the likes of Schubert and Schumann to create a dynamic and colorful musical experience worthy of the Bard himself.

Diane Maltester and Nancy Bachmann take listeners on a mesmerizing musical journey with WILD SWANS. Contemporary composer Nancy Bachmann’s exquisite music entices listeners with an artist’s pallet of expressive and progressive sounds. Released under Navona Records, this extraordinary album showcases Bachmann’s compositions for the superbly talented clarinetist, Diane Maltester. WILD SWANS takes flight through compositions for voice, woodwind quintet, trios, duos, and unaccompanied clarinet. The wings of Bachmann’s imaginative energy and Maltester’s interpretive virtuosity transport the listener to beautiful and exotic destinations. As one explores the transcendent compositions on WILD SWANS Bachmann’s brilliance and versatility shine through on every track, illuminated by the extraordinary artistry of Maltester and all her collaborators. A captivating mix of wildness and grace!

On his latest release on Navona Records, WISDOM-LOVE-ETERNITY, composer Michael G. Cunningham presents a collection of his choral works, performed by the Kühn Choir of Prague conducted by Marek Vorlíček, which explore the spiritual element of the human condition, addressing the uncertainty of death, the inexpressible emotion of love, and humans’ search for an understanding of God.