Catalog

Navona Records presents FIGMENTS, a compilation of eclectic contemporary works for chamber ensemble that highlight the dramatic, the mysterious, and the inventive through diverse instrument combinations and use of extended techniques. The album features music by composers Mark Dal Porto, Richard Campanelli, David Nisbet Stewart, Paula Diehl, Jason R. Lovelace, and Mel Mobley.

For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.

Considered by American Record Guide as a composer who “approaches his pieces with respect and care,” Carl Vollrath presents the second volume of his clarinet and piano works on Navona Records, LINGERING LONGINGS: MUSIC FOR CLARINET AND PIANO VOL. 2. Expanding upon the first release in this collection, PAST RECOLLECTIONS: MUSIC FOR CLARINET AND PIANO VOL. 1, the composer continues to celebrate past events through musical narratives, tenderly and radiantly performed by clarinetist Michael Norsworthy and pianist Yoko Hagino.

Don't mistake the inference in the title of Emmy Award-winning composer Bruce Babcock's multi-faceted new Navona Records album TIME, STILL - the music is serious and contemplative at points to be sure, but the effervescence of Babcock's metrically shifting style and sound percolates to the surface throughout.

Navona Records' latest offering of chamber music ELEMENTS RISING highlights contemporary composers who re-imagine the building blocks of music, such as melody, harmony, rhythm, dynamics, and timbre, in innovative ways, applying them to a number of duo and ensemble settings.

The stories we tell, stemming from our experiences of people, places, and events, reveal how we understand and express the world around us. Composer Carl Vollrath presents works for clarinet and piano which depict his interpretations of past events and tones of past composers, oftentimes conveying them through ironic and spirited musical themes.

Common threads between art forms are woven into the creative process of exploring and expressing our shared experiences, emotions, and uncertainties. On her debut Navona Records release, BENEATH WINTER LIGHT, composer Heidi Jacob finds inspiration in film and poetry, as well as in music from past centuries, illustrating her faculty of expanding on timeless themes within modern compositional settings.

The clarinet is an essential voice in many genres, from classical and jazz to klezmer and world music, and composer Gerald Cohen calls it one of his favorite instruments: "I love the clarinet for its wide variety of character and dynamics, and its ability to either blend beautifully with other instruments or to stand out in a crowd." Through this affinity, the composer offers new compositions featuring the clarinet in various trio settings on his debut Navona Records release, SEA OF REEDS.

From the serenity of the Smoky Mountains to the abstraction and boldness of Kandinsky's paintings, composer Paul Osterfield's debut solo Navona Records album SOUND AND FURY pulls inspiration from several experiences which the composer translates into refined, stimulating, and expressive chamber pieces.

A stroll along the Seine - Notre Dame reflected in the waters below - the Eiffel Tower illuminated in evening skies - bistro conversations echoing in the streets of the Left Bank. Parisian scenes such as these come to mind when listening to the nuances of pianist Kathryn Goodson's debut Navona Records release, BELLE NUIT, a collection of works from the La Belle Époque and beyond, with arrangements for piano and wind instruments.

With a distinctly contemporary compositional signature that draws on minimalism and popular music of the late 20th century, and also recalls the 19th-century Romantic tradition, composer and pianist Scott Pender explores the expressive natures of four instruments - piano, violin, viola, and cello - on his debut solo release on Navona Records, 88+12.

As in a Philip K. Dick or Isaac Asimov novel, composer Sarah Wallin Huff's music on SOUL OF THE MACHINE, her debut solo release on Navona Records, explores the relationships between mechanical structures, organic beauty, and identity.

Continuing the mission of the original Capstone Records series by the Connecticut Composers, Inc., this debut Navona Records release of the same name, SPECTRA, highlights six contemporary composers from northeastern United States, who reflect the diversity and progression of today's music.

The 28th edition of the Society of Composers, Inc. release series and the 4th on Navona Records, PENDULUM extrapolates and elaborates on several themes relating to variation, transformation, repetition, and more.

 On RITORNELLO composer and pianist Curt Cacioppo revisits the beloved country of Italy, recalling places, friends, Italian tales, Don Giovanni, and more to create a detailed sonic story about his experiences and Italian heritage. 

RATIONAL PASSIONS, Greg Bowers' debut release on Navona Records, takes its listeners on a trip through the psychological world of music. Each piece explores the relationship between the notes played and the emotions experienced, suggesting that emotional meaning can be rationalized.

On his debut release on Navona Records, INNER MUSIC, composer Ruud van Eeten presents three works that highlight the refinement and control evident in his compositional style. Throughout the four movements of Piano Quintet No. 1, the composer adds no excess; every note has a role. Yet the piece exudes emotion, particularly the second movement which develops a deep sense of longing.

On her second release on Navona Records, BRASS RAIL BLUES, Canadian composer and oboist Patricia Morehead showcases her ability to incorporate varying instrumentation into her compositions, from mezzo-soprano and chamber ensemble; to flute and piano; to mandolin, cello, and clarinet. Because of this variety, the composer creates a world of imagery, setting poems by such writers as Margaret Atwood, Anne Sexton, and Cathy Ann Elias in several of her pieces.

Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

POLARITIES, an album of new presentations in classical music, expresses the emotions, feelings, and scenes associated with opposites. The works on the album, by four composers, range from a piece for wind ensemble and the Chinese gaohu, to a piano sonata, a chamber work, and works for orchestra.