Genre: Vocal Music

The Winona Symphony Orchestra, under the direction of conductor Erik Rohde, presents HERE AT THE RIVER, a celebration of the natural splendor of Minnesota. The album begins with Reinaldo Moya’s Minnesota Suite, an ode to The North Star State, with each movement portraying an aspect of the region’s landscape. The collection also features a new work by Libby Larsen, Emergency Haying, a poignant reflection on labor and the land. Katherine Bergman’s Superior is a short tone poem inspired by the vast and beautiful Great Lake. These works and more invite listeners to appreciate Minnesota’s breathtaking landscapes and reflect on the intrinsic beauty wherever they call home.

Experience the humanity and splendor of outer space with DEEP-SKY OBJECTS/STARS, an album of two works for soprano and ensemble by Musiqa. Sebastian Currier’s Deep-Sky Objects, with lyrics from Sarah Manguso’s poetry, reimagines the great Romantic song cycles with electronic sounds and a tale of intergalactic longing. Trevor Weston’s Stars, with lyrics from Robert Hayden’s poetry, ponders the night sky and its profound impact on thought through the ages. Each piece was commissioned by Musiqa, a cutting-edge chamber ensemble at the forefront of contemporary music. The Houston-based group provides a melting pot for artistic collaboration, with a focus on community-oriented productions that highlight our shared experiences as humans.

Mona Lyn Reese composes with a mission: to confront human experiences, both harrowing and hallowing, with unflinching artistry. Her dramatic oratorio CHOOSE LIFE melds Jewish and Christian musical traditions, Holocaust survivor accounts, and scripture into a powerful interfaith memorial. An immediate success, this work filled 1500-seat auditoriums and received spontaneous standing ovations at every concert during its initial season; and it's easy to see why. Reese possesses a rare talent for marrying intricate rhythms and stylistic diversity — klezmer, Gregorian chant, and Anglican anthems — to soaring melodies and emotional depth. Acclaimed nationally and nominated for a Pulitzer Prize, this powerhouse of a work moves listeners to reflect, remember, and ultimately — to CHOOSE LIFE.

Award-winning choral ensemble Cantori New York presents FOUND AGAIN, a poignant exploration of human connection, self-growth, and collective pursuit of a better world. At once forward-looking and deeply introspective, this collection features three works espousing the power of transformative renewal. Each presents a revised version of an earlier work, offering an opportunity for rediscovery, recentering, and new understanding. The New Amorous World, by Lembit Beecher, reflects on the limitations and possibilities of humankind in a spirited setting of texts by French utopian philosopher Charles Fourier. Beauty by Beauty, by John Rommereim, contrasts with a gentle, inward-looking setting of texts by three-time U.S. poet laureate Joy Harjo on themes of courage, spiritual transformation, and of human connection to the earth and to one another. The title track – Found Again, by Jerod Impichchaachaaha’ Tate – presents a second setting of Joy Harjo poems exploring cultural connection, reconciliation, and renewal.

Estonian composer Toivo Tulev is an idiosyncratic visionary in contemporary composition, and this Navona Records disc, DAWN, ALMOST DAWN, delves into themes of imagination and transcendence. The album could be considered an immersive journey through Tulev's oeuvre, one not least afforded by its heterodox instrumentation, including solo violin with scordatura, ney, kaval, a symphonic orchestra, and the bare human voice. The strings featured in this album lend an ethereal dissonance to the program, while the breathy tones of the ney and kaval add a strange, almost mythical warmth. Both the orchestra and the human voice seem paradoxically otherworldly in comparison. The elusive light of consciousness unfolds, wavers, then disappears; when the music stops, one is left with the feeling that nothing is as it was.

Celebrated soprano Ellaina Lewis honors composer Richard Thompson's art song oeuvre in LIFE'S SWEET SHADOWS, a recording created in collaboration with masterful sound designer Joe Williams. Immersed in the rich text of Paul Laurence Dunbar and Langston Hughes, Lewis gives a profoundly emotional performance, her rich timbre pronouncing the story within each song and elevating the complexities of Thompson's compositional style. Lewis shines in each expression, proving equal beauty in the musings of One Life as the joyful call of Passion. Lovingly brought to fruition with the help of many supporters, including the encouragement of pianist Kim Davenport, LIFE'S SWEET SHADOWS is a triumph in art song.

If one could have recorded an ancient culture, how would it have sounded? Croatian conductor Antoaneta Radočaj-Jerković and two all-female choirs under her lead pursue this question. The result is HORIZON, a haunting performance of the eponymous work by contemporary composer Dalibor Bukvić. HORIZON is meant to evoke the ambiance of the prehistoric Vučedol culture, which flourished between 3000 and 2200 B.C. in what is now (mostly) Croatia. And in this endeavor, it succeeds with unsettling precision: Bukvić's work and the choirs' impeccable performance conjure images of hermetic settlements, starry skies, pagan rituals, and an ever-present consciousness of impending extinction. An ethereal experience.

VOICES FROM THE OTHER SIDE is a collection of evocative chamber works performed by cello octet — several with soprano soloist Gabrielle Haigh. Included are Arvo Pärt’s tintinnabuli-style Fratres as well as his L’abbé Agathon, inspired by the remains of a 12th-century leper hospital near Beauvais, France; as well as the beloved Bachianas Brasileiras No. 5 by Heitor Villa-Lobos. Two works by American composer Margi Griebling-Haigh are featured: the title piece is a setting of three otherworldly poems by Edna St. Vincent Millay, and a single-movement work called Cantilena allows the cellists to shine individually as well as together. Griebling-Haigh’s music has been praised for memorable melodies and strong rhythms; her colorful scoring and harmonic language have been compared to Barber, Ravel, and Poulenc.

Music about grief is a bit like medicine: most people don't reach for it until they find themselves in need. The Vertex Duo, composed of mezzo-soprano Kristin Gornstein and pianist Jeremy Chan, might sympathize, having created just this medicine for the soul in the wake of some of their darkest biographical hours. The result is JOY, TOO, a curiously wonderful collection of melancholy songs — so lyrical and beautiful, one doesn't have to be sad to want to listen to it. In case of misfortune however, it may well be sanity-saving: with its stirring melodies and poignant lyrics, JOY, TOO serves as a testament to the universal experience of sorrow, offering solace and understanding to those grappling with its impact.

Navona Records is pleased to present UNSEEN PATHS, a variegated collection of works by late composer Lawrence K. Moss. Well known for his diverse musical oeuvre spanning vocal, instrumental, and electronic works, UNSEEN PATHS shows us a deeper look into his mastery in the chamber music genre, from flute and piano duos to music for string quartet, operas, and more. As a valediction to a remarkable career, this collection is a timeless tribute to Moss' enduring legacy, inviting listeners to savor the depth and brilliance of his artistic voice.

THREE SONGS TO POEMS brings to life poems written by clinical psychiatrist Dr. Frank Clark set to music by Gordon (Dick) Goodwin. The themes are as emotionally complex as life itself, and so is the music. The pieces illuminate the reflections of a son whose mother suffers from dementia, the joys of becoming a father, as well as the healing of an emotionally neglected child. Heart-wrenchingly performed by tenor Johnnie Felder and pianist Winifred Goodwin, this brief but complete set of songs is bound to leave a lasting impression.

A love of poetry lies at the core of Monica Houghton’s A BREATH OF AIR from Navona Records. She has set to music not only lyrical giants such as Whitman, Dickinson, and Hughes, but also some contemporary poets with their own magnificent lyrical gifts. These soul-touching works are performed to the highest possible standard by select world-class singers and accompanists. A perfect symbiosis on all fronts.

Ethereal, uplifting, and deeply impactful throughout. The works on CELESTIAL VOICES check these boxes and more. Featuring sacred choral works from several contemporary composers, this offering from Navona Records is a musical exploration into the divine that’s ready to be experienced in both stereo and Dolby Atmos immersive audio formats. Modern harmonies and rhythmic freedom, new settings of famous hymns, fragments of plainchant that highlight contemporary topics, and more are expressed with clarity and spirit by The Kühn Choir of Prague in this release, who are joined by supportive instrumentalists at various points in the program.

BLOODY JACK from composer Michael Matthews is a cycle of 14 songs based on selected poems from Dennis Cooley’s 1984 collection by the same name. These poems draw upon the chilling story of John Krafchenko, a Hungarian immigrant to Canada who became a notorious outlaw at the turn of the 20th century. The music was originally composed between 2015 and 2017, and revised in 2020. Matthews dedicates this work to pianist Laura Loewen and vocalist Dawn Bruch, both of whom bring this release and its haunting harmonies to life.

TAPESTRY OF VOICES from Navona Records showcases the versatility and elegance of the human voice woven with grand orchestral statements, colorful choral arrangements, and intimate settings with piano. Eight contemporary composers offer settings of poetry and stories from various cultures throughout human history, from Africa to Europe, North America, and beyond. Threading modern takes on Greek mythology, meditations on concepts of loss, morality, and more, TAPESTRY OF VOICES is exactly as its title suggests — an intricate and artistic convergence of ideas that’s sure to entrance those who experience it.

Composer Michael Cohen delivers an enticing follow up to his 2022 Navona Records release with ARIA, his second full album of original chamber works. Featuring a mix of studio and live recordings captured from various points in his diverse and expansive career, Cohen’s music emanates a thorough line of vitality and fervor. While strikingly rooted in tonal principles, these works embrace an elegant, confident, and ebullient character, permeated by a magnificent, effervescent spontaneity throughout.

Few forms in classical music are as underrated as the song cycle. It is easy to be betrayed by the seemingly-modest set-up – piano and solo voice – requiring well-calculated finesse from a composer to seize its minimalist power and bring it into full bloom. UNHOLY SONNETS, a collection of songs by German-born American Samuel Adler, succeeds greatly in this effort. Although all works presented are in English and the tonal language is decidedly modern, there is much that harks back to the German art song tradition of the 19th century. Despite the title, these are largely quiet, pensive pieces, confidently resting in a tranquil serenity.

Transmutation: “to change or alter in form, appearance, or nature, especially to a higher form.” Joanna Estelle embodies this definition in her deeply personal and profound compositions on TRANSMUTATION, a communal effort featuring various talented performers coming together to transmute their message to you. With music as vulnerable and exposed as the stories it tells, TRANSMUTATION is a reflection on the patterns of life through periods of both rain and shine, and the constants that keep us grounded through the changes that they bring. Estelle’s message is clear: to allow for change is to allow for healing.

COMPELLING PORTRAITS from lauded trombonist Kenneth Thompkins celebrates the music of contemporary Black composers. The album features five pieces, three of which are commissioned trombone chamber music works. These compositions take listeners on a journey from the contemplative to the triumphant, showcasing Thompkins’s range and sensitivity as a performer. The title track, composed by James Lee lll, is a musical ode to the paintings in Jacob Lawrence’s Migration Series and in particular his painting Confrontation at the Bridge (Selma, Alabama). Drawing upon the works of multiple contemporary artists, COMPELLING PORTRAITS reflects the contribution of contemporary Black composers to a rich musical legacy.

Diane Maltester and Nancy Bachmann take listeners on a mesmerizing musical journey with WILD SWANS. Contemporary composer Nancy Bachmann’s exquisite music entices listeners with an artist’s pallet of expressive and progressive sounds. Released under Navona Records, this extraordinary album showcases Bachmann’s compositions for the superbly talented clarinetist, Diane Maltester. WILD SWANS takes flight through compositions for voice, woodwind quintet, trios, duos, and unaccompanied clarinet. The wings of Bachmann’s imaginative energy and Maltester’s interpretive virtuosity transport the listener to beautiful and exotic destinations. As one explores the transcendent compositions on WILD SWANS Bachmann’s brilliance and versatility shine through on every track, illuminated by the extraordinary artistry of Maltester and all her collaborators. A captivating mix of wildness and grace!