Genre: Chamber

Jonathan Sacks composer “Incantations: Book V” Recorded August 2003 with the Warsaw National Philharmonic Orchestra. Conducted by Carl St. Clair “Litanies” and “Ghost Horses” Recorded December 2006 at Futura Productions in Boston, MA. Produced by Bob Lord “5th (S)eason” Recorded July 2000 [...]

CARMEN'S REVENGE is Osias Wilenski's humorous homage to Bizet's Carmen. Wilenskidraws from the works of Bizet, Mozart, and others to create a sort of operatic medley that places Carmen within modern society. This recording features soprano Maria Rosa López and baritone César Puente.

STARRY NIGHT is the latest release from Hawaii-based composer John A. Carollo. This release features compositions that span a decade, including the concert band version of Transcendence in the Age of War, previously released on the Navona label. Carollo's skillful representations of fear, suffering and sadness, as well as enthusiasm and determination, are on full display as he takes us through the course of emotion. From orchestra pieces to works for saxophone quartet, Carollo is able to capture the essence of what it means to be human.

FINE MUSIC, VOL. III is the third compilation of the Navona Records Fine Music digital series. This installment features the works of Lawrence Siegel, Sergio Cervetti, Tony Piccolo, Adrienne Albert, Daniel Perttu, Gerhard Stabler, Jane O'Leary, Jim Scully, Meira Warshauer, Piffaro, John Carollo, William Vollinger, Peter Van Zandt Lane, Lawrence Ball, and Benjamin Yusupov. This collection both highlights some of Navona's choicest tracks and offers a preview of things to come.

CROSS CONNECTION features the works of Henry Wolking and James Scott Balentine, two composers whose works perfectly complement each other through musical studies of crossed paths and human togetherness. Both composers works consider the meaning of life, love, and music, and the relationship between each: Gone Playin', a spirited musical riff on epitaphs and their connection of life and death; The Old Gypsy, a Hungarian-influenced piece for string quartet that reflects on the perpetuity of musical themes and influences; and Dun Eideann Blogh, a recollection of times past with friends and family.

New York-based Anthony Piccolo leads a vibrant and varied career as composer, choral director, pianist and conductor. Drawing on decades of performing and composing experience, he crafts clear and colorful scores in a variety of genres.

THE PARMA SESSIONS: KAROLINA ROJAHN presents a series of recordings featuring longtime PARMA collaborator and pianist Karolina Rojahn. Showcasing the artist's skill, adaptability, and dedication, this digital compilation features Rojahn performing works by a diverse set of composers with myriad influences and styles.

POLARITIES, an album of new presentations in classical music, expresses the emotions, feelings, and scenes associated with opposites. The works on the album, by four composers, range from a piece for wind ensemble and the Chinese gaohu, to a piano sonata, a chamber work, and works for orchestra.

Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

Occasionally, moments of happiness and comfort can rise from experiences of anxiety and doubt, during which we learn about ourselves and our limits. Composer and pianist Jeffrey Jacob depicts the experiences of struggle and pain, and of triumph and joy on his debut Navona Records release DARKNESS TO LIGHT.

14 concerts, 12 venues, 4 days. The 2014 PARMA Music Festival featured a diverse range of events, from concert performances of orchestra, chamber ensembles, solo instruments, and jazz groups, to an outdoor presentation of Prokofiev's Peter and the Wolf and panel discussions about music licensing and multimedia composition, as well as improvised collaborations between indie rockers and classical instrumentalists.

For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.

Composer and pianist Jeffrey Jacob returns to Navona Records with REAWAKENING, a collection of varied works for orchestra and chamber ensembles. Jacob’s lush, mystical style pervades the album, often blending his piano’s sound with orchestral arrangements to create rich musical imagery, as in The Loch Before Sunrise and A Mirror Upon the Waters.

SPELLS, a new retrospective collection highlighting the music of poet and composer Juli Nunlist, marks a touching journey through the earnest, romantic, and dramatic sounds of the late artist’s compositional language. The album’s works demonstrate Nunlist’s appreciation for tradition and grandeur, and are driven by her remarkable gift for melody and clear fascination with instrumental texture.

It should be no secret that Miami-based composer Ferdinando De Sena is a tour de force amongst electroacoustic composers. Just listening to SECRETS FOR FREE is all the proof you need. The EP boasts adventurous yet accessible compositions that balance real instruments with computer-generated sound. SECRETS FOR FREE is a testament to fans of either subgenre that the two approaches to classical music do not have to be mutually exclusive.

Composer Mark Dal Porto's award-winning, neo-Romantic Song of Eternity for Orchestra starts off THE MUSIC OF MARK DAL PORTO in epic fashion. If Mahler and Prokofiev had collaborated on a composition, it would probably have sounded a lot like this: pensive, evocative, and nostalgic. Song of Eternity describes the eternal renewal of nature with cinematic impact. It is inspired by an ancient Chinese poem, as is the next piece, I Seek Rest for My Lonely Heart for A-Cappella Choir. This work continues the subject of nature, albeit in a more individualized fashion, capturing the sentiment of a distressed soul in search of peace in a pastoral setting.

Characterized by a unique style of instrumentation and experimentation with formality, VIRTUOSITY is the colorful expression of composer John Robertson's symphonic creativity. VIRTUOSITY combines a clarinet and a trumpet concerto, a symphony, and an orchestral fantasy based on a Maori love story – all on one album.

Peter Greve may be seen as a prime example for music as a late vocation – though it's hard to believe when one hears how deeply his creations root in the bon ton of contemporary musical academia. THE PALACE OF THE DREAMKING offers a cross-section through Greve's eclectic and wildly experimental body of compositional work.

Navona Records is proud to present RESTLESS NATION: THE MUSIC OF ANDY TEIRSTEIN. A student of Leonard Bernstein and Henry Brant, Teirstein’s music has been described by The New York Times as “magically atmospheric” and “tumultuously exuberant,” with “shifts from dark, earthy urgency to floating purity.” Featuring master soloists Marco Ambrosini (nyckelharpa) and Yair Dalal (oud), this new collection takes inspiration from the composer’s many travels directing the global initiative Translucent Borders, with musical influences from Bedouin singing, Scandinavian folk music, and his roots as a folk fiddle and banjo player. Letter from Woody is an orchestral reimagining of a letter the iconic folk balladeer Woody Guthrie wrote to his lover and future wife, the dancer Marjorie Mazia, in the 1940s, with hints of Guthrie’s songs and an introduction for harmonica.

Navona Records presents ANTHELION, showcasing favorite works from composer Adrienne Elisha (1958-2017). The works that comprise the album are technically demanding and rich in philosophical significance. Anthelion, for one, is a sonic contemplation of a natural phenomenon in which the sun’s light is projected across the sky, reflecting itself on the opposite horizon. The two-movement work, scored for flute, clarinet, violin, violoncello, percussion, and piano, expresses moments of “sonic abstraction” and continuous reverberation by way of unique instrumental timbres. In TranscenDance, on the other hand, Elisha makes a humanistic statement about the Syrian civil war, borrowing joyful melodies from Arab music and reimagining them in an orchestral setting. In this way, the music of ANTHELION is at once abstract and deeply contextual, challenging yet ultimately transcendent.