Genre: Chamber

Navona Records' latest offering of chamber music ELEMENTS RISING highlights contemporary composers who re-imagine the building blocks of music, such as melody, harmony, rhythm, dynamics, and timbre, in innovative ways, applying them to a number of duo and ensemble settings.

Don't mistake the inference in the title of Emmy Award-winning composer Bruce Babcock's multi-faceted new Navona Records album TIME, STILL - the music is serious and contemplative at points to be sure, but the effervescence of Babcock's metrically shifting style and sound percolates to the surface throughout.

Considered by American Record Guide as a composer who “approaches his pieces with respect and care,” Carl Vollrath presents the second volume of his clarinet and piano works on Navona Records, LINGERING LONGINGS: MUSIC FOR CLARINET AND PIANO VOL. 2. Expanding upon the first release in this collection, PAST RECOLLECTIONS: MUSIC FOR CLARINET AND PIANO VOL. 1, the composer continues to celebrate past events through musical narratives, tenderly and radiantly performed by clarinetist Michael Norsworthy and pianist Yoko Hagino.

For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.

Navona Records presents FIGMENTS, a compilation of eclectic contemporary works for chamber ensemble that highlight the dramatic, the mysterious, and the inventive through diverse instrument combinations and use of extended techniques. The album features music by composers Mark Dal Porto, Richard Campanelli, David Nisbet Stewart, Paula Diehl, Jason R. Lovelace, and Mel Mobley.

Navona Records presents RIPPLES, a collection of contemporary works from composers Mathew Fuerst, Heath Mathews, Bill Pfaff, Sally Reid, and William Thomas McKinley, that showcase percussion alongside either a pianist, saxophonist, or chamber ensemble, exploring the textures and tonal colors possible within each instrument combination.

Composer, author, and educator Fred Broer presents his String Quartet No. 8, as well as four colorful piano works, on his Navona release FRED BROER: MUSIC FOR STRING QUARTET AND PIANO SOLO. Broer’s adventurous String Quartet No. 8 is performed masterfully by the New England String Quartet  and is dedicated to the memory of his good friend Hilda Ayer.

Composer Lawrence Ball has long been fascinated by the intersection of subjective human emotion and algorithmic mathematical objectivity.  In his 2012 Navona Records release METHOD MUSIC, produced by Pete Townshend of The Who and PARMA Recordings CEO Bob Lord, he took Townshend’s long-gestating concept of automatic musical portraiture first explored in LIFEHOUSE and WHO’S NEXT and turned it into reality, creating a system which could translate personal information and experiences into sound.

CADENCE, the new vocal music compilation from Navona Records, offers a set of inspired, emotive premiere recordings by composers Christopher J. Hoh, David Kirtley, Joanne D. Carey, and Timothy Kramer in works juxtaposing the ethereal and the earthy, the diaphanous and the muscular, and the serene and the agile.

With his new album SURSUM, composer Michael Slayton presents six compelling compositions, each performed by a different ensemble or solo performer. Despite the album’s varied & esteemed assemblage of performers, there lies a common thread throughout in both the form of Slayton’s distinguished composing style – dreamy but focused, and equal parts smooth and dissonant – as well as the imagery that the music conjures.

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

PARMA Recordings artists Peter Greve and Hans Bakker have come together to give us LINES TO INFINITY, a stunning album that revolves around emotive and dramatic scores for primarily piano and flute. The two composers hail from the Netherlands and share a knack for creating thoughtful contemporary chamber works that appeal to the listener’s imagination.

Sergio Cervetti returns with an exciting collection of works on his sixth Navona Records release, SUNSET AT NOON. A diverse composer, his works range from instrumental and vocal music to electronic compositions, often reflecting his South American, French and Italian heritage. His vocabulary draws from an early interest in twelve-tone and minimalism, and his current approach is flexible and free of constraint. With SUNSET AT NOON, Cervetti focuses on keyboard-based compositions for half of the album, with a foray into chamber music on the other half.

Trombonist Deb Scott makes her PARMA debut with her new Navona release PLAYING FAVORITES, accompanied by pianist Ron Petti. She performs a variety of her favorite pieces that appeal to her background in jazz and to her considerable technical skill. She writes: “What I love about each one is its ability to engage a diverse audience making for enjoyable and exciting musical moments.”

Navona Records proudly presents renowned composer Ruth Lomon’s SHADOWING, her debut album on the label. The release showcases her remarkable skill in writing for the piano, pushing the instrument’s timbre and color to its limits to create animated sound worlds such as those of the title work, Shadowing. Lomon writes of the colors in the piece: “’Shadowing’ means to have such a light touch, such a light tread, that one can move freely through the forest, observing without being observed… It is the equivalent of manifesting and then becoming like smoke, and then manifesting again…”

FOREVER BEELER represents a sampling of composer Alan Beeler’s prolific output throughout his musical career, which is generally defined by his commitment to compositional craft and structural clarity. The works featured on this album also reveal a playfulness lying just under the surface of Beeler’s compositional perspective. This quality of Beeler’s music is most notable in the seven sonatas for piano, often accompanied by another instrument, included in FOREVER BEELER.

Composer and pianist Jeffrey Jacob returns to Navona Records with REAWAKENING, a collection of varied works for orchestra and chamber ensembles. Jacob’s lush, mystical style pervades the album, often blending his piano’s sound with orchestral arrangements to create rich musical imagery, as in The Loch Before Sunrise and A Mirror Upon the Waters.

With his Navona debut ERGO, pianist and composer Zhen Chen makes an impressive contribution to the decades-long legacy of composers blending Chinese and western instruments and musical materials. This musical trend can be traced back 20 years, when a potent generation of Chinese and Taiwanese composers who began to explode across American and European concert stages. Luminary composers like Bright Sheng, Tan Dun, Chen Yi, and Zhou Long paved the way for younger Chinese artists like Zhen Chen, who uses ERGO to continue this blend of his native musical culture with many parts of the Western musical tradition.

This triple re-release contains a collection of works for small ensembles comprised of a diverse selection of instruments. Along with two albums from Allen Brings, this reissue includes a compilation titled CONTRA-PUNCTUS (1994).

When approaching his latest chamber album BLISS POINT, Polish-born violinist and composer Piotr Szewczyk turned to a unique lens of inspiration – food science. His interpretation of a “bliss point” in the culinary sense embodies the technique’s saturation of a flavor just before the point of diminished potency. Of course, he trades in the contents of his spice cabinet in favor of diverse instrumental pairings, and in doing so, the composer explores the “saturation limits in the full spectrum of emotions, textures, and characters.” In doing so, Szewczyk is confident that the resulting collection of chamber works “covers the entire expressive range of my vocabulary and artistic sensitivity.”