Welsh-born composer Hilary Tann lived in the foothills of the Adirondack Mountains in Upstate New York where she was the John Howard Payne Professor of Music Emerita at Union College, Schenectady. Her compositions have been widely performed and recorded by ensembles such as the European Women’s Orchestra, Tenebrae, Lontano, Marsyas Trio, Thai Philharmonic, Royal Liverpool Philharmonic, and BBC National Orchestra of Wales. Composer-residencies include the 2011 Eastman School of Music Women in Music Festival, 2013 Women Composers Festival of Hartford, and 2015 Welsh Music Center. Praised for its lyricism (“beautiful, lyrical work” – Classical Music Web) and formal balance (“In the formal balance of this music, there is great beauty …” – Welsh Music), her music is influenced by a strong identification with the natural world. A published haiku poet with a deep interest in the traditional music of Japan led to private study of the shakuhachi and guest visits to Japan, Korea, and China. Other recordings of Hilary Tann’s music, released by Ravello and Navona, include EXULTET TERRA, KID STUFF, and TOMORROW’S AIR.