Mark Lieb, clarinetist, is the Founder and Artistic Director of the Phoenix Ensemble. He is a graduate of Northwestern University and The Juilliard School, where he studied clarinet performance with Robert Marcellus, former Principal clarinet with the Cleveland Orchestra, and David Shifrin, clarinet soloist and former Artistic Director of the Chamber Music Society of Lincoln Center. He has been an active professional freelance musician since 1991, performing with many orchestras, opera companies, chamber ensembles, and new music groups in New York City. He has a special love for chamber music, and has been the guiding force behind the Phoenix Ensemble for 25 years. With various ensembles he has toured throughout the US, Europe, and Asia, and has recorded with New World Records, Mode Records, Furious Artisans, Newport Classics, Dorian, Innova, Albany Records and BMG Classics labels.

Albums

Clarinet Quintets

Release Date: November 9, 2018
Catalog Number: NV6193
20th Century
Romantic
Chamber
Clarinet
Flute
Violin
The Phoenix Ensemble’s latest album JOHANNES BRAHMS / ELLIOTT CARTER: CLARINET QUINTETS is, of course, masterful. The Phoenix Ensemble now looks back on almost three decades of being a fixture in the national chamber music scene, focusing on performances and recordings of 20th- and 21st-century music. Indeed, it may be this particular specialization in complex musical structures that allows the musicians to explore Brahms' late quintet with the previously unheard thoroughness and careful reconnaissance displayed on this album.
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Pheonix Ensemble

Release Date: February 10, 2017
Catalog Number: NV6076
20th Century
Chamber
Clarinet
String Quartet
Wind Ensemble
Navona Records is proud to present PHOENIX ENSEMBLE: CHAMBER WORKS OF HENRI MARTEAU AND ALEXANDER ZEMLINSKY. The Phoenix Ensemble is a mixed instrument chamber music ensemble. Founded in 1991 by New York-based clarinetist Mark Lieb, the Phoenix Ensemble aims to “inspire a new and diverse audience for classical music.” They undertake this challenge by presenting two works by late romantic French composer Henri Marteau, who is relatively unknown in the music world, as well as presenting one work by Austrian composer Alexander Zemlinsky. Both composers were active at the turn of the 19th century.
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