• Dreams

    Catalog #: NV5838

    Release Date: July 1, 2008

    21st Century
    Solo Instrumental
    Accordion

    Music of Davor Bobić Davor Bobić composer Miran Vaupotić

  • No More War

    Catalog #: NV6327

    Release Date: March 26, 2021

    21st Century
    Orchestral
    Accordion
    Orchestra

    On NO MORE WAR, composer and award-winning accordionist Semir “Sammy” Hasić shines a spotlight on the 1991 Battle of Vukovar, which plunged eastern Croatia into turmoil. Through the clever usage of dissonance, illogical harmonies, and polyrhythms, the poignant album highlights the aural terrors of a warzone, made all the more jarring by the timbre of the usually cheerful accordion. The message, however, is not all doom and gloom: melodious themes and accompaniment by members of the Philharmonic orchestra provide contrast to the horrors, highlighting the perseverance of the human spirit and how individuals can come together to find hope.

  • Polarities Vol. 2

    Catalog #: NV6353

    Release Date: June 25, 2021

    21st Century
    Orchestral
    Accordion
    Orchestra
    String Orchestra

    From yin and yang to public debate, much in the world revolves around opposing forces. POLARITIES VOL. 2, an album of new presentations in classical music, documents the intricacies of these forces, expressing the emotions, sensations, and scenes associated with the extreme ends of conversation and change.

  • Madreperla

    Catalog #: NV6518

    Release Date: April 14, 2023

    21st Century
    Chamber
    Orchestral
    Accordion
    Orchestra

    The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album MADREPERLA proves him right. MADREPERLA's brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What's most intoxicating is Galliano's fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.