Instrumentaion: Piano

Composer and pianist Antonija Pacek impresses with FOREVER, an album of soulful, aesthetic piano music – in a minimalist style somewhere between classical and popular music. Pacek, who holds a degree in psychology, is no stranger to the conditio humana, and while the temperament of her pieces is distinctly melancholy, their gentle expressiveness spans the whole gamut of human emotions.

For Richard Fountain, piano music is as American as apple pie and baseball. On AMERICAN IVORY, his debut album on Navona Records, the well-versed pianist celebrates the variety and vitality of American art music by performing a decades-spanning collection of works by time-honored and contemporary composers alike.

Navona Live and pianist Antoinette Perry are proud to present BEETHOVEN BOOKENDS. The album takes listeners from Opus 7—Beethoven’s personal favorite of his early sonatas—through the Bagatelles of Opus 119, and culminates with the composer’s final sonata, Opus 111. BEETHOVEN BOOKENDS is rich with the passion and dynamic range for which Beethoven is renowned; Perry applies what Le Dauphine Libéré has called her “irreproachable technique” to these legendary compositions.

Newly released from Navona is CONVERSATIONS WITH MY SOUL, a collection of new chamber works from acclaimed composer-pianist Bun-Ching Lam. The music sets in different languages the poetry of Shelley, Heine, Rimbaud, and Lasker-Shüller, as well as the poems of 9th Century Chinese mystic Han Shan and contemporary writer Etel Adnan. In a compositional voice The New York Times has called “alluringly exotic,” Lam incorporates baritone voice, piano, viola, flute, French horn, and harp to elucidate timeless works concerning life’s fundamental questions.

Navona Records is proud to release TRANSIT VOICES from composer Carl Vollrath. Featuring a series of works for clarinet, the album grapples with existential questions; who were the humans of prehistory, and what defining qualities do our spirits share in common with theirs? Vollrath imagines these clarinet pieces as found archaeological objects, voices from long ago that have somehow made their way to our present-day ears. Inspired by Andrew Robinson's book Lost Languages: The Enigma of the World's Undeciphered Scripts, the music plums a cavernous underworld for clues toward a deeper understanding of human existence.

LOCK & KEY VOL II is the second presentation of five composers drawing from the well of inspiration – in highly heterogeneous ways and from a plethora of sources, yet all united by a common theme: the profound depths of the human experience. The pieces all revel exuberantly: in the natural beauty of Iceland, the nostalgia evoked by a distantly familiar melody, the random augury of a deck of tarot cards, late 19th Century anthems adapted for woodwind quintet, or the kinetic energy of musical gestures.

Stanley Grill’s REMEMBER is presented by Navona Records. Featuring viola and piano, these inventive works aptly demonstrate Grill’s unique style; rooted in his passion for medieval and Renaissance music, his compositions are as pioneering and contemporary as they are fundamentally traditional. Grill’s work focuses particularly on melody, modal harmonies, and contrapuntal, interweaving lines. The result is a musical experience greater than the sum of the instruments involved.

Two years after the release of SUSTAIN comes the long-anticipated follow-up, SUSTAIN VOL. 2. This fresh collection of works centered around the piano includes a range of contemporary compositional styles: tonal, atonal, and everything in between. This volume features a new cast of composers and performers, with contributions by Sarah Wallin-Huff, Karen Tarlow, Chen-Hsin Su, Bill Sherrill, Jim Puckett, Ron Nagorcka, Gordon Monahan, Kenneth A. Kuhn, Santiago Kodela, John Craven, and John A. Carollo. The album’s varied soundscapes and arrangements—including solo piano, piano and saxophone, and piano and strings—constantly surprise and delight the ear. A fitting sequel to the first installment, SUSTAIN VOL. 2 is steeped in the dynamic complexity piano music offers.

MOTHER EARTH, the new album from celebrated violist Brett Deubner with PARMA Recordings, reflects humanity’s search for meaning in the midst of loss and mortal frailty. Born out of the strife of 2020, MOTHER EARTH expresses the angst and hope of this deeply challenging period through the language of music. Chant-like meditations, cathartic outpourings, and even a call to arms for environmental justice are only a few of the themes explored in MOTHER EARTH.

On SOUND AND LIGHT, Demondrae Thurman wields the euphonium to further expand its repertoire and cement its graceful power into the minds of composers of solos and orchestral works alike. Playing works written by five close friends, Thurman wholly dedicates himself to unlocking the musical mysteries of every measure and fully exploring the instrument’s potential.

Acclaimed pianist Inna Faliks breaks new ground with REIMAGINE on Navona Records, an homage to Beethoven and Ravel which manages to do the impossible: be breathtakingly innovative while remaining respectful to the source material.

Claude Debussy, Olivier Messiaen, and Pierre Boulez are stunningly reconciled in Christina Petrowska Quilico's Navona Records release SOUND VISIONARIES. Boasting a track record of over 50 recorded albums and having recently been named to the Order of Canada, the veteran pianist proves that despite all difficulties, finding common ground between these three composers can be done spectacularly.

One does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.

4 RHAPSODIES from critically-acclaimed pianist Kristina Marinova and Navona Records is a collection of vibrant, dynamic, and technically demanding works for solo piano. The album’s titular piece, Four Rhapsodies op. 11 by early 20th-Century composer Ernst von Dohnányi is rarely performed in concert given the level of musicianship it requires of pianists. Now, its combination of stark drama and dazzling virtuosic passages may be enjoyed by listeners everywhere.

Paul Paccione and Navona Records are pleased to present Paccione’s latest album, MUSIC FOR PIANO. This collection of solo piano pieces was composed especially for noted pianist Jenny Perron. Paccione’s compositions are carefully crafted to highlight and build upon Perron’s unique gifts as a musician. The music featured on the album moves freely among various shades of coloristic harmonies, with a through line of lyricism running throughout.

Navona Records presents VIRTUOSO, a collection of works by Frederic Chopin performed by piano prodigy Dmitry Ishkhanov. Featured on this album are the pieces Ishkhanov cites as Chopin’s most meaningful: the four Mazurkas of Op. 17, the Nocturne in C sharp minor of Op. 27, and the Etudes of Op. 25, considered by many as one of the most challenging repertoires to master.

No other musical form allows the composer as much liberty as the musical fantasy, or fantasia. Ukrainian-born pianist Pavel Gintov iconoclastically blends emotion and reason in his selection of PIANO FANTASIES ranging from the Baroque through to the late Romantic era.

Navona Records presents DIVISION OF MEMORY, a comprehensive collection featuring a variety of sound production methods displayed on the cello by Thomas Mesa. The works of composers Lydia Jane Pugh, George Holloway, Ben Yee-Paulson, Jonathan Chenette, and Elizabeth Start are featured on this album, each with their own compositional personality and a repertoire dedicated to the multifaceted soundscape of the cello.

In the nearly 200 years since its composition for voice and piano, many have tackled Schubert’s Winterreise. Steinway artist Hilary Demske, however, transforms the cycle into a series of works for solo piano on JOURNEY FOR ONE on Navona Records, focusing on the instrument’s poignant ability to represent the original composition’s lyricism and complexity. By freely experimenting with melodic fragments and manipulating the placement and length of gestures—along with translating the meaning of Müller’s poetry to music—Demske adds a fresh, unique perspective to classic repertoire.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.