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PARMA Music Festival Live 2014
Juan Àlamo
Michael J. Evans
Christina Rusnak
Michael Mikulka
Ovidiu Marinescu
Qwill
Joseph Summer
Kris Becker
Rain Worthington
Doron Kima
Constantin Dimitrescu
Tom Dempster
José Elizondo
Sophie Dunér
Sergio Cervetti
Paul Osterfield
Ingrid Stölzel
14 concerts, 12 venues, 4 days. The 2014 PARMA Music Festival featured a diverse range of events, from concert performances of orchestra, chamber ensembles, solo instruments, and jazz groups, to an outdoor presentation of Prokofiev’s Peter and the Wolf and panel discussions about music licensing and multimedia composition, as well as improvised collaborations between indie rockers and classical instrumentalists.
This release collects some of the finest performances from the Festival, as recorded by PARMA Mobile. Ensembles include the Portsmouth Symphony Orchestra, the LUNAR Ensemble, cellist Ovidiu Marinescu, bass clarinetist Matthias Mueller, Qwill, OURBIGBAND, and many more in works by Juan Álamo, Joseph Summer, Sergio Cervetti, Paul Osterfield, Ingrid Stölzel, Michael Mikulka, Rain Worthington, José Elizondo, and Sophie Dunér.
PARMA Music Festival LLC is a non-profit organization dedicated to breaking barriers and bridging genres, bringing together regional and international artists and audiences spanning the genres of classical, jazz, rock, world music, and more in unusual and unexpected settings. The third annual Festival will take place in Portsmouth NH on August 14-16, 2015.
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Artist Information
Michael J. Evans
Michael J. Evans is an American composer based in Washington DC He has recorded with pianist Karolin Rojahn, Sirius Quartet, St Petersburg State Symphony Orchestra, Millennium Symphony Orchestra, Kiev Philharmonic, Prague Radio Symphony Orchestra, Moravian Philharmonic and Janaček Philharmonic.
Christina Rusnak
Inspired by concepts of place and the human experience, composer Christina Rusnak works at the intersection of nature, culture, history, landscape, and art to integrate context into her music from the world around her. Rusnak composes for diverse instrumentations with lyrical lines, and organic rhythms and textures. Her pieces range from elementary to professional levels and includes chamber ensemble, orchestra, wind band, choral and solo works, as well as flex band pieces, jazz, electro-acoustic works, and film.
Ovidiu Marinescu
Ovidiu Marinescu, a native of Romania, is active as a cellist, conductor, composer, and educator. He has performed at Carnegie Hall, Merkin Hall, the Great Hall of the Moscow Conservatory, Rachmaninov Hall, Holywell Room in Oxford, Oriental Art Center in Shanghai, and many other venues around the world. He has appeared as a soloist with the New York Chamber Symphony, the National Radio Orchestra of Romania, Moscow Chamber Orchestra, Helena and Newark Symphonies, Southeastern Pennsylvania Symphony Orchestra, the Cleveland Philharmonic, Limeira Symphony in Brazil, Orquesta de Extremadura in Spain, and most orchestras in Romania.
Joseph Summer
Joseph Summer began playing French horn at the age of 7. While attending the Eastern Music Festival in North Carolina at age 14 he studied composition with the eminent Czech composer Karel Husa. At age 15 he was accepted at Oberlin Conservatory, studied with Richard Hoffmann, Schönberg’s amanuensis, and graduated with a B.M. in Music Composition in 1976. Recruited by Robert Page, Dean of the Music Department at Carnegie Mellon University, Summer taught music theory at CMU before leaving to pursue composition full time.
Rain Worthington
Uniquely among classical composers Rain Worthington discovered her voice as a composer and learned her art autodidactically. She began intuitively composing works for solo piano and performing them from memory. Later she taught herself musical notation and compositional forms. Her writing has been described in the IAWM Journal as “a fusion of styles—ancient, medieval modality and sonorities, modernist minimalist ostinato, and classical approaches to basic ideas—to capture components of the human experience.”
Doron Kima
"Doron Kima utilizes some extremely arresting musical gestures and makes good use of jazzy rhythms, with effective use of contrasts between sections. The composer is clearly in control of the material and instruments" (The American Prize Composition Competition). Kima's catalogue includes works for orchestra, chamber ensembles, solo, voice, electro-acoustic, and film scores.
José Elizondo
Mexican composer José Elizondo received degrees in Humanities, Electrical Engineering and Computer Science from the Massachusetts Institute of Technology (MIT). At Harvard University, he studied musical analysis, orchestration and conducting. As an engineer, Elizondo’s work focuses on speech-recognition technology, which combines his interests in computer science, linguistics, natural language processing and artificial intelligence.
Sergio Cervetti
Sergio Cervetti left his native Uruguay in 1962 to study composition in the United States. In 1966 he attracted international attention when he won the chamber music prize at the Caracas, Venezuela Music Festival. After studying with Ernst Krenek and Stefan Grové and graduating from Peabody Conservatory, he was subsequently invited to be Composer-in-Residence in Berlin, Germany in 1969-70.
Paul Osterfield
Composer Paul Osterfield was born in Nashville TN in 1973. Spending his formative years in Northeast Ohio, he composed and performed as a cellist throughout middle school and high school, in addition to studying violin, piano, and conducting. His early efforts as a composer were recognized in 1990, when the United States Copyright Office and the Library of Congress awarded Osterfield first prize in their Young Creators’ Contest. The following year, that winning work was performed by the Cleveland Orchestra on their Family Key Concert Series.
Ingrid Stölzel
IngridStölzel (b.1971) has been hailed “as a composer of considerable gifts” who is “musically confident and bold” by National Public Radio’s classical music critic. Her music has been described as “tender and beautiful” (American Record Guide) and as creating a “haunting feeling of lyrical reflection and suspension in time and memory” (Classical-Modern Review). At the heart of her compositions is a belief that music can create a profound emotional connection with the listener.
