Release Date: August 9, 2019
Catalog #: NV6243
Format: Digital & Physical
21st Century
Chamber
Solo Instrumental
Cello
Guitar
Percussion

Patterns

Chamber Works

James William Stamm composer
Georges Raillard composer
Santiago Kodela composer
Daniel Adams composer
David Arbury composer
Bunny Beck composer
Jan Järvlepp composer

PATTERNS, a multi-composer compilation of contemporary chamber music, accentuates the richness, intricacy, and minimal sound that can be found in works written for small ensembles. Included on the album are works by seven composers, each offering a distinct interpretation of what defines the genre.

Asymmetry, composed by James William Stamm, features lush and soaring harmonies and melodies guided by a swift tempo. Guitarist David William Ross’s performance on George Raillard’s Disintegration opens with a distinct melody that quickly does exactly what its title suggests, disintegrating into dissonance. Two Lords, written and performed by Santiago Kodela, is a guitar suite based on the works of two contemporary non-classical guitarists, Allan Holdsworth (1946 – 2017) and Fredrik Thordendal (b. 1970). The piece’s three movements progress from the darkly toned “Of Textures” through the relaxing “Of Colours” to the rhythmically rich, upbeat “Of Mechanics.”

David Arbury’s aptly titled Four Snares, performed by the McCormick Percussion Group, is an exploration of the often-overlooked timbral possibilities of the snare drum and a celebration of the wealth of sound available to it. Daniel Adams’s Road Traversed and Reversed also features the Percussion Group’s leader, Robert McCormick. Following an introduction of overlapping roll textures, thematic ideas emerge in an interplay between McCormick’s and Lee Hinkle’s marimbas. On Bunny Beck’s emotional two-movement Suite for Sarro, a string trio evocatively captures sorrow in the face of loss. PATTERNS concludes with Jan Järvlepp’s Bassoon Quartet, comprised of three movements that range in spirit from adventurous to haunting to lively.

Together, each of the pieces on PATTERNS vibrantly illustrate the unlimited possibilities available within the ever-evolving world of chamber music.

Listen

Hear the full album on YouTube

Artist Information

James William Stamm

Composer

James William Stamm completed his classical guitar and theory/composition B.F.A. at Marshall University in Huntington WV. As of the release of PATTERNS, he is completing an M.F.A. in film music composition at UNC School of the Arts. His musical background also includes songwriting.

Georges Raillard

Composer

Georges Raillard was born in Basel, Switzerland in 1957, where he completed his education, culminating in studying foreign languages at the University of Basel. From 1983 to 2001 he resided in Madrid, Spain, where he worked as a language teacher, translator, and writer. From 2001 to 2019 he worked as a writer, composer, translator, and archivist, mainly in Basel. Returning to Madrid in 2019, he has since been focusing on his artistic endeavors.

Santiago Kodela

Composer, Guitarist

Santiago Kodela is an award-winning Classical Guitarist & Composer working in the areas of concert, solo instrument, chamber, and choral music. His works explore various aspects of sound and harmony, adventuring intensely into the areas of iso-rhythms, metric modulation, and chord harmonization. In 2022 the album PINNACLE VOL. 2 was awarded the 2nd Prize Silver Medal by North-American Global Music Awards in the classical category. Furthermore, his piece Delicate Soliloquies was shortlisted as a finalist in the 2nd Composition Competition by the Dutch Guitar Foundation by a jury integrated by Steve Goss, JacobTV, and Nikita Koshkin.

Daniel Adams

Composer

DANIEL ADAMS (b. 1956, Miami FL) is a Professor of Music at Texas Southern University in Houston. Adams holds a Doctor of Musical Arts (1985) from the University of Illinois at Urbana-Champaign, a Master of Music from the University of Miami (1981) and a Bachelor of Music from Louisiana State University (1978). He served as the College Music Society Board Member for Composition from 2015 through 2017.

David Arbury

David Arbury

Composer

Dr. David Arbury grew up in Washington, DC where he sang from age 9 as a boy treble at Washington National Cathedral in the Cathedral Choir of Men and Boys under Richard Dirksen and later, Douglas Major. He remained with the choir for 18 years and in that time sang with every voice part. Through the 1990s while still in the choir, he became active in DC’s thriving indie rock scene, playing drums and bass with several bands in the post-punk community there.

Bunny Beck

Composer

As a composer, Bunny composes contemporary classical music as well as jazz and ballads. Her most recent works include “Breathe” for jazz ensemble, “Suite for Sarro” for string trio, “Fantasy for Saxophones”, (quartet) “Fantasy for Brass” (quintet) and the suite “Two Rivers and An Ocean” for mixed percussion ensemble. Her client commissions include arrangements. Bunny holds a Master of Fine Arts degree in Music Composition from the Vermont College of Fine Arts.

Jan Järvlepp

Composer

Composer Jan Järvlepp creates a genuine European/American musical fusion by combining the excitement of rock and jazz rhythms with the large-scale classical structures found in orchestral and chamber music. The seriousness of his well-thought-out forms and the immediacy of contemporary rhythmic and melodic ideas make a potent brew that is appealing to both open-minded classical listeners and pop music listeners who are searching for something new.

David William Ross

David William Ross

Guitarist

David William Ross is a New England–based guitarist with roots in both classical and jazz. His recordings and performances have been lauded for their sensitivity, virtuosity, and depth of all-around musicality. Ross frequently works with composers and is active in cultivating new repertoire for the guitar. He has premiered works by Frank Wallace, Georges Raillard, Ferdinando DeSena, Peter Dayton, Pierre Schroeder, among many others. Ross’ work as a session player has led to an extensive working knowledge of the recording studio. He has developed an approach to engineering and recording that not only serves as a means to capture and present music but also as an artistic tool in its own right.