Catalog

Composer Carl Vollrath returns to Navona Records with THE UNFOLDING FLUTE, a collection of contemporary chamber works showcasing his years of experience writing for flute. Vollrath unfolds his talents piece by piece through the performances of acclaimed flutist Dieter Flury and pianist Ieva Osa.

Since the late 18th century, art songs have combined poetic vocals and equally intricate instrumental accompaniments to delight listeners with intimate compositions across the globe. The Malta Philharmonic Orchestra Trio’s CANTILENA spans the centuries and continents to highlight the form’s enduring appeal.

A historical feast awaits listeners on Ganesh Kumar's first NAVONA release SPIRIT OF HUMANITY. Half intended as an homage to Beethoven, half a musical portrayal of a little-known refugee crisis in World War II, it aims to be an epically emotional orchestral experience.

Jan Järvlepp's first Navona release, CONCERTO 2000, presents a tonal concerto, scored for orchestra – one might think Wagner or Mahler when listening. Except that Wagner and Mahler might not quite have agreed with the directness of his tonal language: for Järvlepp's work unabashedly aspires to appeal on a popular level.

For centuries, writers have documented the awe brought about by the pristine wilderness and untamed expanses of the American Midwest and West. Three authors in particular—Ralph Waldo Emerson, Walt Whitman, and Emily Dickinson—beautifully documented the boundless optimism and sense of opportunity that the country’s vast natural resources inspired and heralded a new era of American thought.

Navona Records presents some of the finest American voices of modern serious music on THROUGH GLASS, a brand-new compilation of recently-created works for piano – both solo and in chamber setups.

Timothy Kramer has recorded and released a full album of his orchestral works with Navona Records. The result: SENTINELS, an evocative representation of Kramer’s compositions that span several decades, with influences ranging from Baroque to rock.

GRAMMY-winning chamber choir The Crossing is back with their latest installment in a multi-album series with Navona Records. CARTHAGE comes on the heels of the 2020 GRAMMY-nominated album THE ARC IN THE SKY, released last summer. In this latest offering, artistic director Donald Nally leads the choir through six striking pieces by composer James Primosch that confront the most elemental questions of Western philosophy.

Exalted and expressive to just the right degree, Ohio-born pianist Vytautas Smetona fuses his American upbringing with his Lithuanian heritage in his recordings of Brahms, Chopin and his own work. His second release on Navona exhibits technical command of the highest order, profound musical understanding and a clarity of interpretation which is seldom heard.

MUSIC TO HEAR, Joseph Summer’s follow up to WHO IS SYLVIA from Navona Records off his Shakespeare Concerts set, is the result of the composer’s lifelong obsession with poetry. The album pairs the works of contemporary poets as well as Shakespeare with Summer’s music in order to express deeper significance than either words or music are capable of on their own.

Lovers of Early Music are in for a huge treat with IGNACIO JERUSALEM: MASS IN G, a tribute commemorating the 250th anniversary of the composer's death. The little-known, Italian-born, galant creator, who spent much of his colorful life in Mexico, receives long-deserved attention from the Chicago Arts Orchestra under the baton of Mexican-American conductor Javier José Mendoza.

Their fourth release with Navona Records, OPENINGS by the Jitro Czech Girls Choir and conductor Jiří Skopal presents the rich beauty of the Czech Republic’s national dances, folk texts, and songs for audiences around the world.

ÆTERNUM is a tribute to music's infallible steadfastness against the mundane adversity of human existence. Brazilian-born pianist Eliane Rodrigues convinces with her forceful, furious interpretations of keyboard works by Johann Sebastian Bach and Ludwig van Beethoven – among them the latter's Fifth Symphony, grippingly arranged by Rodrigues herself.

Joseph Summer’s WHO IS SYLVIA, new from Navona Records, is a collection of Shakespeare’s works set to music that will make you question everything you thought you learned in high school English. Summer believes that the famous playwright’s true identity is not William Shakespeare but rather Edward De Vere, the 17th Earl of Oxford. Many of the songs found on WHO IS SYLVIA come from Summer’s aptly-named The Oxford Songs, a collection of scenes, sonnets, songs, and Summer’s original opera version of Hamlet. These are paired with music from the likes of Schubert and Schumann to create a dynamic and colorful musical experience worthy of the Bard himself.

New from Navona Records comes AND THE SNOW DID LIE, composed by Hilary Tann and performed by Sirius Quartet. Tann, a Welsh-born composer living in the foothills of the Adirondack Mountains was inspired to write this commissioned work by a series of illustrations from the classic French-Canadian novel, Le Survenant. These images are included with the release of this digital single.

Longtime Navona Records artist Michael G. Cunningham showcases his penchant for storytelling on THREE THEATRE PIECES AND CHOPIN, an album rife with theatrical wonders that delight both the ears and the imagination.

Acclaimed English violinist Thomas Bowes seems to have a penchant for thoroughness and completion. Known and praised for his complete recording of all J. S. Bach’s sonatas and partitas, the European virtuoso has now taken it upon himself to embark on another quest for totality. This time, it is the six sonatas by Belgian violinist Eugène Ysaÿe (1858-1931), presented on Bowes' new album, EUGÈNE YSAŸE: SIX SONATAS FOR SOLO VIOLIN. As one would expect from Bowes, they are played to passionate perfection.

Fresh from Navona Records comes QUOTATION OF QUERIES, featuring the students of Hong Kong Baptist University under the direction of Professor John Winzenburg. This collection of choral music explores notions of culture throughout the course of human civilization. It features traditional compositions, recent works, and even three debut recordings by prominent composers from Hong Kong and the United Kingdom.

The creation of VIOLIN CONCERTO by Alicia Terzian marked the beginning of her 65-year (and counting) compositional career. Originally composed in 1954/55, this important piece of her repertoire was brought to life thanks to a collaboration between Navona Records and the Siberian State Symphony Orchestra. This album also features Terzian's Three Pieces, which listeners can remember from their previous Navona release, OFF THE EDGE.

Navona Records presents European/American composer Svjetlana Bukvich’s latest masterpiece: EXTENSION, a multifaceted collection of pieces that use technology, music, and the motions of dance to both deconstruct and reimagine ideas of genre and cultural division. In EXTENSION, listeners traverse ten innovative pieces that are both deeply personal and universal.