The Sea Knows
Catalog #: NV6111
Release Date: July 14, 2017
21st CenturyChamberSolo InstrumentalCelloViolaViolinMichael Kurek’s PARMA Recordings debut, THE SEA KNOWS, is a charming collection of works written with an emphasis on that which is beautiful and emotive. Composing in a tonal idiom reminiscent of the great melodists of the early 20th century, Kurek creates music that tugs at the heartstrings without ever pandering, that is rich in emotive content without feeling sugary. The works on THE SEA KNOWS plumb the depths of musical sensitivity and will appeal to anyone who listens to music seeking intimacy and an emotionally-grounded experience.
The Ties That Bind
Catalog #: NV6453
Release Date: August 26, 2022
21st CenturyChamberViolaViolinNavona Records and Australian composer Lee Bradshaw present THE TIES THAT BIND, a collection of chamber music for strings that reveal an explicit and emotionally-charged truth. Brought to life by Baiba Skide (violin), Ivan Vukčević (viola), and Harriet Krijgh (violoncello), the album features works that redefine the expressive possibilities of contemporary string playing; and in which the performers are compelled to delve deeply into their own artistry. Bradshaw’s sensuous and yet muscular compositional style displays a profound intimacy for his craft, which ultimately renders music of a rare and arresting beauty.
Transfiguration
Catalog #: NV6355
Release Date: July 23, 2021
21st CenturyChamberViolaFrom online performances to benefit albums, musicians kept their art alive throughout the most dire days of the coronavirus pandemic. Among them are composer Stanley Grill and violist Brett Deubner, who collaborated via remote recording sessions to transform Grill’s multi-instrumental chamber pieces into an intimate collection of multilayered works for viola. The resulting album, TRANSFIGURATION, showcases a singular connection between composer and performer.
Trios & Sonatinas
Catalog #: NV6511
Release Date: March 24, 2023
21st CenturyChamberPianoPiano TrioViolaIf there is one thing that is important to Richard E Brown, it’s clarity; it would be impossible to listen to any of his compositions without finding one’s emotions immediately and intuitively seized, no explanations necessary. Brown’s music is at once neoclassical and aesthetic, and his selection of TRIOS & SONATINAS makes for a perfect introduction. Aforementioned clarity is also the secret ingredient which allows Brown to breezily and naturally unite polar opposites: the Western classical piano trio with Korean folk themes, the simple sonatina form with musical complexity, and the frail violin and resounding horn as equals in another trio. Simplicity is supposedly the ultimate form of sophistication, and TRIOS & SONATINAS makes a strong point indeed.