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CONCERTO FOR VIOLIN AND ORCHESTRA

Nuevo Diario (Madrid)

Coca F. Ruiz writes: "He closed the afternoon of the 3rd Festival of Music of America and Spain with the 'Concerto for violin and orchestra' by Alicia Terzian. Conceived as an extension of the expressionist historical constant, it is a major work, good work and in projecting the showcasing of the solo Szymsia Bajour a complete technical and sensitive musicality ".

 

CONCERTO FOR VIOLIN AND ORCHESTRA

La Razon (Buenos Aires)

Ricardo Turró writes: "The Colon Theatre, under the Philharmonic concert in Buenos Aires led by Washington Castro unveiled as a world premiere the" Concerto for Violin and Orchestra "by Alicia Terzian, work that earned its author unquestionable success'. It is a page approached with sincerity and depth with sensitive musical valuation and balance. It is written 'for violin' and not 'against the violin'. The rich orchestration knows the nuance and its sound blends well with the solo without ever drown. There in the first movement and the last difficult and appealing for violin cadenzas. The andante with variations is broad, thematically intense, penetrating cantabile and excellent workmanship. The finale holds more value in passages of rhythmic impulse. The violinist had an outstanding Szymsia Bajour technically safe performance, he played like a virtuoso. His acclaim from the public was strict justice as was the author and the orchestra expertly directed Washington Castro and ease "

 

CONCERTO FOR VIOLIN AND ORCHESTRA

Newspaper El Cronista Comercial (Buenos Aires)

César Magrini wrote: "Concerto for Violin and Orchestra by Alicia Terzian, broadly inspired work very touching and poetic atmosphere in the second movement, captivating end, both the soloist and the orchestra, it has been structured with great intelligence, profound musicality and exact sense of the relationship between soloist and performers. In the opening Allegro is highly attractive interplay between violin and orchestra (the melody comes and goes, goes from one to the other with great freshness) and when the violin is the guide, the orchestra receives and develops these themes in all its richness. The cadenza is testing the technical condition of the performer. The issue with variazzioni is a piece of perfect consistency, very beautiful in its encouragement and inspiration, almost stubborn, she sustained elegiac melody thrilling accents in depth and breadth. The third movement is a very bright allegro excellent orchestration, high quality. The work was on a solo Szymsia Bajour clear sound, transparent, great musicality and an admirable technical perfection ".

 

CONCERTO FOR VIOLIN AND ORCHESTRA

Diario Clarín (Buenos Aires)

Write Dayet (pseudonym of Napoleon Cabrera): "The 'Concerto for violin' Alicia Terzian, nourished deep vitality work has a fluidity of ideas in which the presence of a strong structure that preserves its unity from the beginning even warns end. The composer joins clarity and richness of content without interrupting the speech sound. All their climates are achieved, but the second movement is more seductive for its lyricism, and the first for the richness of its sound material. The work displays full maturity while a spontaneity that was one of the factors of the enthusiastic public reception "

 

CONCERTO FOR VIOLIN AND ORCHESTRA

Diario La Nacion (Buenos Aires)

Write René Vargas Vera: "Zurich Symphony Orchestra directed by Massimiliano Matesic was presented on tour in our country with the soloist Rafael Gintoli, who played his 'Violin Concerto'. Terzian wrote this work at age 20 and went traveling the world in the master Rafael Gintoli fingers. Our composer developed in this work his own harmonic and contrapuntal conception, so that the orchestra reached a sound balance with violin solo voice.

This is seen clearly when Rafael Gintoli shows meticulous, suggestive concert Terzian plot in its 3 movements. It surprises the work for its clarity and intensely enjoys the contrasting elaborations, the dialogues violin and orchestra, explosions and backwaters, orchestral grandeur and introspective climates, the mystery and the emergence of dance pergeñados over 50 years by a young

songwriter "

 

CONCERTO FOR VIOLIN AND ORCHESTRA

Daily L'Unione Sarda (Sardinia, Italy)

Greca Piras writes: "From Buenos Aires came Rafael Gintoli violinist and director Pedro Ignacio Calderon to release the Concert for Violin and Orchestra Alicia Terzian with the Community Orchestra Cagliari. The work of Terzian is a large built respite keeping the creative experience that the composer has in the field of contemporary music. Rafael Gintoli was a first class violinist, technically perfect and great virtuosity. This is a real piece of bravery that the interpreter permeated masterfully "

 

CONCERTO FOR VIOLIN AND ORCHESTRA

Newspaper La Nuova Sardegna (Sardinia, Italy)

Write Daniela Sari: "Argentina Alicia Terzian is a lady who has a great passion, contemporary music, he composes, directs, explores and imposes many years being the voice of the music of Latin America. The Violin Concerto Alicia Terzian has a particular emphasis on the rhythmic and thematic development and the composer gives ample space filling virtuoso solo instrument in the sound speech. Rafael Gintoli exceeded what masterfully designed the atmosphere underlining the particular narrative or dramatic contours of the work, whose orchestral exposition is balanced and expressive

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