Catalog

Following their 2023 United Kingdom Remembrance tour, The Syracuse University Wind Ensemble returns to the airwaves with two world premiere recordings on ANGELS RISING: MUSIC OF REMEMBRANCE AND LIGHT. The ensemble has commissioned dozens of new works for their genre, the two most recent being Frank Ticheli’s Angels Rising and Energy and Light by Syracuse’s own Natalie Draper, both of which commemorate the 35 Syracuse University students lost in the 1988 Lockerbie bombings. Draper and Ticheli’s tributes to the 270 total lives lost in the attack on Pan Am Flight 103 are bookended by performances of George Gershwin’s An American in Paris and Rhapsody in Blue in this Navona Records release, and are all available to experience in both stereo and Dolby Atmos immersive audio formats.

Pianist Kristín Jónína Taylor dives deep into the lyrical, evocative, and hauntingly beautiful works of three leading composers and educators from the Midwest United States on MIDWEST PIANO SONATAS. A blend of neo-classical and neo-romantic styles are presented in this Navona Records release, exploring compositional concepts ranging from bitonality to mixed meters, and life’s inscrutable emotions, particularly, anguish and bereavement. These profound spectrums of musicality and feeling are conveyed with stunning clarity by Taylor, an award-winning pianist lauded for her mesmerizing performances of nuance and depth.

ROYAL CORONATION OVERTURE by Dr. Patrick Brill is a contemporary take on the program overture model of the 19th Century, a genre most commonly heard in concert hall performances, as well as church services and royal coronation ceremonies. Dr. Brill, an expert in Medieval and Renaissance music, capitalized on his extensive background in classical music and experience crafting large-scale orchestral pieces to compose this opulent overture. This studio recording of the piece is also available in a Dolby Atmos immersive audio format, placing listeners directly into the lavish fanfare by which this music is historically accompanied. Carrying on the 200-year tradition of the program overture, this work is a majestic delight for the modern ear.

Lyrebird Brass presents the world premieres of five new contemporary brass quintets in BOOK OF BRASS, an album shaking up the scene with an assortment of boundary-pushing works by highly lauded and awarded composers. Opening with three time GRAMMY® award winner Jennifer Higdon’s Book of Brass, this titular composition can be played and listened to in any order one pleases. From the intense energy of “Ramp Up” to the puzzling, slowly unfolding maze of “Acrostic,” Higdon certainly knows how to sell a story. Alice Humphries is no stranger to puzzlings in Uncertain Meditations, which considers ideas in isolation, reflecting on their vast possibilities. Reflection is at the core of Grace-Evangeline Mason’s poetic As Bronze, too, and found even in Kate Neal’s Fanfare, which, composed during the 2020 lockdown period, challenges what a fanfare represents. Alan Holley rounds out the recording with The Goodchild Canzonas, a four movement work exploring atriums, cathedrals, and the heavens above, but perhaps most appropriately: the Lyrebird. BOOK OF BRASS is a winning installment in Lyrebird Brass's already impressive oeuvre, pulling out all the stops with spirited fanfares and contemplative odes.

One might be tempted to think that there is no crossover in music that hasn't been done yet; and thankfully, one would be mistaken. DEEP RIVER presents a vibrant selection of 21 African American spirituals, interpreted by countertenor Michael Walker II and early music consort Alchymy Viols. A curious collaboration? Not at all, according to director Philip Spray. The viol consort's historical purpose was to arrange popular tunes of its day; so it appeared only logical to try this setup on America's first folk songs. It worked. Additional harmonies are provided by a distinctly anachronistic grand harp, and accompaniment by a small field pump organ. The effect is stunning: a music so utterly, distinctly American, one wonders why this hasn't been done before.

Music can possess the power to take hold of our emotions, guiding us along an imagined journey that stirs our inner being, a concurrently unique and familiar experience. Critically-acclaimed composer Rain Worthington writes music to captivate the listener, creating textural and lyrical worlds that are inhabited by various colors and tones. In this live performance of her piece Dream Vapors Suite from the Armenian State Symphony Orchestra, the composer presents intense dreams, intangible perceptions, and musically evocative elaborations.

What happens when two world class performers unite in their efforts to carry on the traditions and collaborative spirit of classical music? Cellist Ovidiu Marinescu and pianist Noreen Cassidy-Polera share a shining example on RESURGENCE. Featuring the works of several contemporary composers, this Navona Records release offers reflections on emergence and transformation, the throes of long distance love, the great artists of our past and present, the fusion of several musical influences, and more. Leveraging refined elegance in sound and raw virtuosity in approach, RESURGENCE is a thoughtful exploration into the expressive capabilities of the cello and the piano both as individual entities and a cohesive voice.

Christopher O'Riley's THE WELL-TEMPERED CLAVIER BOOK I delves into the subtle intricacies of Bach's famous masterwork, revealing the composer's nuanced craftsmanship through an exploration of the spaces between notes. Inspired by Bach's profound lyricism and informed by historical insights, O'Riley's interpretation transcends conventional keyboard traditions. Embracing the expressive potential of articulation and texture, he illuminates counterpoint with dynamic contrast, unveiling hidden dialogues within Bach's compositions. Through meticulous attention to intonation and rhythmic flexibility, O'Riley uncovers layers of meaning, echoing the Japanese concept of “Ma” — the significance of space and silence. This album invites listeners to immerse themselves in Bach's universe, where every pause resonates with depth and possibility.

Passion and intellect meld in THE BOOK OF SPELLS, the Merian Ensemble’s hotly anticipated debut album. The album is comprised entirely of world premiere recordings, with works by Clarice Assad, Nicole Chamberlain, Jennifer Higdon, Mary Kouyoumdjian, Anne Leilehua Lanzilotti, Soon Hee Newbold, Kimberly R. Osberg, and Lynne Plowman, each but one* commissioned by the Merian Ensemble. The Book of Spells offers a gripping and intimate portrait of modern chamber music, performed with brilliance and precision by an ensemble of world-class soloists who are dedicated to the elevation of women’s voices in classical music. Clarice Assad’s titular composition, The Book of Spells, opens the recording with three movements “inspired by rituals that deal with magic, which is done to achieve a particular goal, righteous or wicked” (Assad). The album continues, weaving together elements of folklore, faith, and science, with Nicole Chamberlain’s Atalanta, Lynne Plowman’s Small World, Jennifer Higdon’s The Sound of Light, Mary Kouyoumdjian’s A Boy and a Makeshift Toy*, Kimberly Osberg’s Just Another Climb, Soon Hee Newbold’s Alis Volat Propriis (She Flies With Her Own Wings), and Clarice Assad’s Solais. And in meridian, Leilehua Lanzilotti explores the themes of metamorphosis, inspired by the Merian Ensemble’s namesake, Maria Sibylla Merian (1647–1717), a German entomologist, naturalist, and scientific illustrator, whose work is featured on the album’s cover and book.  Taken as a whole, The Book of Spells offers a finely-drawn portrait of 21st century chamber music — the compelling repertoire, composers, and performers — while also highlighting the still-underrepresented voices of women in classical music. *Mary Kouyoumdjian’s A Boy and a Makeshift Toy was originally commissioned by Michael Hall as a piece for viola and piano; it is presented here in a new Merian Ensemble arrangement.

Displaying their characteristic, fearless virtuosity, multiple-GRAMMY®-winning ensemble The Crossing offers a new album born of cultural resonance, with new works by three of the most creative composers working today. The performances on OCHRE are both rigorous and supple, moving from the intriguing, foggy textures of George Lewis to Caroline Shaw’s primarily wordless, quiet contemplation of the Earth, to Ayanna Woods’ inspired determination to live in a better world. This is The Crossing’s 13th release on Navona Records, and it is a special one. Topical, timely, and forward-looking, these performances of the 24-voice ensemble led by conductor Donald Nally demonstrate why Gramophone recently observed the group's ability to “sustain long lines, clarify layers of dense counterpoint and pinpoint the expressive intent of every detail, however minute or cataclysmic."

Music about grief is a bit like medicine: most people don't reach for it until they find themselves in need. The Vertex Duo, composed of mezzo-soprano Kristin Gornstein and pianist Jeremy Chan, might sympathize, having created just this medicine for the soul in the wake of some of their darkest biographical hours. The result is JOY, TOO, a curiously wonderful collection of melancholy songs — so lyrical and beautiful, one doesn't have to be sad to want to listen to it. In case of misfortune however, it may well be sanity-saving: with its stirring melodies and poignant lyrics, JOY, TOO serves as a testament to the universal experience of sorrow, offering solace and understanding to those grappling with its impact.

WANDERINGS, the debut album from pianist Brian Woods, reflects the beauty that can emerge in dark times. Woods performs Chopin's Ballades alongside pioneering compositions from Clara Schumann, Lili Boulanger, and Amy Beach. The album was born as an artistic response to the horror of the war in Ukraine; through these emotive and technically-demanding performances, Woods offers comfort and inspiration for people everywhere suffering displacement. Just as Chopin wrestled with what it meant to be Polish while living outside of Poland, Woods seeks identity and transformation through exile. In WANDERINGS, Woods leverages the power of music to bridge the gap between despair and hope.

ON AN OVERGROWN PATH from pianist Jennifer Elowsky-Fox features music by composers Leoš Janáček and Larry Thomas Bell. Janáček gives the album its title piece, a programmatic work that evokes the composer’s memories from early 20th century Moravia. The piano cycle, performed with masterful sensitivity by Elowsky-Fox, blends the eastern and western cultural influences of the region. Based on hymn tunes included in Bell’s A Hymnbook for Congregational Singing, op. 169, Bell’s Piano Sonata No. 5, A Landscape of Small Ruins, op. 166, was composed in 2020 specifically for Elowsky-Fox. Her performances have been described in print as “buoyant”, “fun” and “gorgeous in all respects,” all sentiments that resonate in this Navona Records release.

FELT, METAL, WOOD, featuring John Mackey’s Concerto for Soprano Saxophone, is a thorough exploration into the many expressive and technical facets of the Saxophone. Mackey, who has garnered widespread critical acclaim as one of today’s leading composers, notes that the saxophone is a hybrid instrument; it is essentially a brass instrument with a woodwind reed. With that in mind, Mackey composed this concerto by focusing several movements on unique characteristics of the instrument.  After the prelude comes “Felt,” a movement focused on the keys of the instrument and all the ways a player can use them as an interface. “Metal,” the third movement, demonstrates the saxophone’s soaring range in a lyrical, introspective manner, while “Wood,” a tango highlighting the saxophone’s strengths in an intimate setting, transitions to an exhilarating display of virtuosity in the “Finale.” Performed by saxophonist Stephen Page and pianist Liz Ames, Mackey stirs a greater appreciation for the versatile instrument in this release.

What do you get when a Puerto Rican-American oboist falls in love with the music of a French oboist-composer? The answer is OBOE IN HUES, on which accomplished oboe virtuoso Nermis Mieses champions rarely-heard compositions for solo oboe by Gilles Silvestrini with astounding empathy and bravado. Silvestrini may hark back to certain traditions by using Shostakovich, Prokofiev, and other Russians as sources of inspiration, but his musical concept is almost non-Western in its focus on exploiting the entire gamut of the instrument. Mieses excels at this challenge. An intriguing exploration of the oboe and all that it is capable of.

Internationally renowned and award-winning pianist Hyewon Chang makes her Navona Records debut on FANTASIE REFLECTIONS, a carefully crafted collection of fantasias from Mozart and Schumann effortlessly brought to peak form. Chang’s fluent attention to temperance in Mozart’s Fantasia in C Minor (K. 396) captures improvisational elements and collaborative effect in Maximilian Stadler’s completion of the 1782 composition. So to does Chang treat the wide range of captivating themes nestled in the folds of Fantasia in D Minor (K. 397) with equal musicality and assurance; the same for Fantasia in C Minor (K. 475), a pinnacle of Mozart’s repertoire given new breath in an unwaveringly grand iteration. Rounded out with Schumann’s Fantasie in C Major, a staggering journey into the innermost impassions, dedications, and toils of the composer himself, FANTASIE REFLECTIONS comes as a masterful recording to be long-lauded by dedicatees of Mozart and Schumann alike.

Accomplished Brazilian pianist Eliane Rodrigues interprets Chopin with a highly combustible melange of precision, expressiveness and dynamism on her newest release, DREAMSCAPE. With her trademark crystal-clear tone and larger-than-life interpretation, Rodrigues brings Late-Romantic grandeur to the Romantic composer. The juxtaposition of Chopin's Piano Concerto No. 2 with his famous Préludes op. 28 impressively highlights one of the greatest strengths of Rodrigues: her ability to coax orchestral colors from seemingly straightforward solo piano pieces. The shades and hues she manages to produce unveil an entirely new facet of the Polish composer's works: a sense of spatial vastness and exuberance.

Saxophonist Dan Goble and pianist Russell Hirshfield join forces on SECOND FLIGHT to deliver virtuosic performances of works by a variety of today’s leading composers, several of them winners of GRAMMY® awards, the Pulitzer Prize, and more. The title track is Joan Tower’s exhilarating sequel to the popular clarinet piece Wings; written explicitly for the saxophone, echoing the grandeur of flight and the vastness of the human spirit. Jennifer Higdon's dynamic Yes, No, Maybe? captivates with its intricate melodies and compelling rhythms, a testament to her mastery of contemporary composition. James David’s Pradakshina: Sonata for Alto Saxophone and Piano takes inspiration from the Buddhist architecture of Colorado’s Great Stupa, finding connection between the seemingly disparate composition and improvisation. Three-time Academy Award winner Philip Glass and Pulitzer Prize for Music laureate John Adams contribute pieces that resonate with depth and humanity, while critically-acclaimed composer David Biedenbender's Images offers a glimpse into the ethereal realms of dreams and imagination. Produced by multiple GRAMMY®-winner Judith Sherman, SECOND FLIGHT unites today’s foremost compositional figures with the inimitable talents of Goble and Hirshfield, who celebrate 20 years of collaboration in the arts with this release.

Navona Records is pleased to present UNSEEN PATHS, a variegated collection of works by late composer Lawrence K. Moss. Well known for his diverse musical oeuvre spanning vocal, instrumental, and electronic works, UNSEEN PATHS shows us a deeper look into his mastery in the chamber music genre, from flute and piano duos to music for string quartet, operas, and more. As a valediction to a remarkable career, this collection is a timeless tribute to Moss' enduring legacy, inviting listeners to savor the depth and brilliance of his artistic voice.

Piano visionary Sandrine Erdely-Sayo pays a dignified tribute to Maestro Franz Liszt in MAJESTIC LISZT, an intimate recording of some of his finest works. Having a deep respect and admiration since childhood, Erdely-Sayo pours every ounce of her being into capturing the contemplative and song-like quality that pervades Liszt’s middle-to-late repertoire. A rich and elegant session, it’s impossible not to be enraptured by her sensitive and languishing treatment in Consolations, nor her delicate attention to poetics in the melody lines of Ständchen and Romance in E Minor. Erdely-Sayo shines in the beloved Liebesträume, delivering an electrifying interpretation while still maintaining a dream-like musicality at its core. MAJESTIC LISZT is a perfect introduction to the Maestro’s oeuvre, catering to both devoted Liszt enthusiasts and those just starting to explore his music.