Catalog

Composer/arranger/lyricist Joanna Estelle presents EMERGENCE: a compilation of works produced under her personal philosophy that “quality music uplifts humankind.” The album includes a generous list of collaborators: John Gordon Armstrong (arranger), Laurence Ewashko (baritone), Morgan Strickland, Susan Elizabeth Brown and Laura Dziubaniuk (soprano), Brandon Wilkie and Roland Gjernes (cello), Frédéric Lacroix (piano), and two choral ensembles, Ewashko Singers and Capital Chamber Choir.

Deeply expressive and melodic, the English horn boasts a unique texture in the woodwind family. On Elizabeth Masoudnia’s aptly titled ENGLISH HORN EXPRESSIONS, the instrument has found itself in the spotlight, guided by Masoudnia’s soothing tone, and lending a distinguished voice to the works of several composers. The vast lyrical range of the English horn shines throughout this album, emphasized by Masoudnia’s adept artist skill set. Containing works inspired by paintings and poetry, works written explicitly for Masoudnia, and more, the Philadelphia native’s Navona Records debut carries a healthy balance of sentimentality and musical prowess.

Fresh from Navona Records comes PARMA recording artist Lindsey Goodman’s ETEREO, a multi-composer album featuring the internationally acclaimed flutist in solo, duo, and trio settings. Goodman’s virtuosic performances unleash the breadth of dynamic and tonal possibilities the flute offers, making for a riveting listener experience.

On FADING SOUNDS, composer Georges Raillard turns a creative eye towards the simple wonders of the world with a deep appreciation for the fleetingness of each moment. The aptly titled album presents 10 works for solo guitar, each of which take full advantage of the instrument’s tone and timbre. As the pieces conjure images and memories of landscapes, experiences, and thoughts, every cheerful chord, harmonic passage, and lyrical progression inevitably ends with a haunting resonance that leaves the ear wanting more. The compositions are dexterously played by guitarist David William Ross, whose gentle confidence on the instrument lets Raillard’s musical ideas ring out with clarity and precision.

FELT, a compilation for solo piano offered by Navona Records, presents an array of techniques and themes to illustrate the piano's dexterous capacity for limitless expression and tonal colors.

Capturing the viola's rich and haunting quality, composer Peter Vukmirovic Stevens' second release on Navona Records, FERAL ICONS, is a suite of six works for solo viola performed by the extraordinary violist Mara Gearman of Seattle Symphony. The album embodies the raw and expressive energy of Stevens' impassioned compositional style, inviting the listener on an emotional narrative.

FIGMENTS 2, which follows the success of 2016’s FIGMENTS, is a compendium of chamber music that sparks the imagination. The album features the works of Yuan-Chen Li, Peter Dayton, Hans Bakker, Navid Bargrizan, and Charles Corey—innovative composers whose works draw inspiration from the world around them, be it the tribal dances of indigenous peoples, art history, 16th-century keyboard music, the science of acoustics, or the idiosyncrasies of language.

Navona's FINE MUSIC, VOLUME 1 is the first in a series of fine selections from Navona Records. This digital release features Grammy-winner Richard Stoltzman, Pulitzer Prize-winner Lewis Spratlan, Pixar/Randy Newman orchestrator Jonathan Sacks, and New York Philharmonic concertmaster Glenn Dicterow. This collection both highlights some of Navona's choicest tracks and offers a preview of things to come.

FINE MUSIC, VOL. II is the second compilation of the Navona Records Fine Music digital series. This installment features the works of Marinescu, Barber, Evans, Elizondo, Zaimont, Nagorcka, Hofmeyr, Wilenski, Stölzel, Bakker and Sackman. This collection both highlights some of Navona's choicest tracks and offers a preview of things to come.

Navona Records proudly presents Flare, recordings by members of the Society of Composers, Inc. Now in its 32nd installment, it offers a veritable cross-section of some of the most original voices in composition today. The album opens with 19-year-old Vaibhav Mohanty's Rhapsody No. 1 (2017), traveling through elements of Western classical composition, jazz, and Indian traditional music with such well-proportioned naturalness and ease, it bears all the telltale signs of an instant repertoire classic.

Armenian pianist Kariné Poghosyan dazzles with a riveting selection of vibrantly passionate piano music based on folk motifs of five different cultures on FOLK THEMES. Never before has there been a juxtaposition of the works of Samuel Coleridge-Taylor (half British, half Sierra-Leonese), Edvard Grieg (Norwegian), Komitas (Armenian) and Franz Liszt (largely Hungarian), and upon listening to FOLK MUSIC, one can't help but wonder why. Despite the composers' respective idiosyncrasies, all pieces share the same inherent tenderness, fire, and zest for life: and Poghosyan isn't shy to show it, both in the profundity of fragile sentiment and in fireworks of exuberant virtuosity.

FOR THE YOUNG ARTIST, Michael Glenn Williams' debut on Navona Records, pursues the tradition of hearing a composer's works performed by a world-class musician. Sean Chen, a rising star pianist who had his 2013 break through winning the prestigious American Pianists Association DeHaan Classical Fellow Award and the Crystal Award at the Van Cliburn Piano Competition, performs the works of Williams.

Composer and pianist Antonija Pacek impresses with FOREVER, an album of soulful, aesthetic piano music – in a minimalist style somewhere between classical and popular music. Pacek, who holds a degree in psychology, is no stranger to the conditio humana, and while the temperament of her pieces is distinctly melancholy, their gentle expressiveness spans the whole gamut of human emotions.

FOREVER BEELER represents a sampling of composer Alan Beeler’s prolific output throughout his musical career, which is generally defined by his commitment to compositional craft and structural clarity. The works featured on this album also reveal a playfulness lying just under the surface of Beeler’s compositional perspective. This quality of Beeler’s music is most notable in the seven sonatas for piano, often accompanied by another instrument, included in FOREVER BEELER.

Composer, author, and educator Fred Broer presents his String Quartet No. 8, as well as four colorful piano works, on his Navona release FRED BROER: MUSIC FOR STRING QUARTET AND PIANO SOLO. Broer’s adventurous String Quartet No. 8 is performed masterfully by the New England String Quartet  and is dedicated to the memory of his good friend Hilda Ayer.

Navona Records presents FRENCH CONNECTIONS, a new album of French works for harpsichord performed by Jonathan Rhodes Lee. The pieces selected for this collection celebrate the small, tight-knit pantheon of 17th-century French harpsichordists who helped shape the instrument’s repertoire. While the total output of these composers would make for countless hours of listening, FRENCH CONNECTIONS offers a taste of this expansive body of work. Music by Louis Couperin (c. 1626-1661), François Couperin (1668-1733) and Antoine Forqueray (1672-1745) comes alive through masterful performances by Lee, with recordings engineered and mastered by multiple GRAMMY-winning classical music producer Brad Michel.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Described by the Oskar Morawetz Award jurors as a “legend” of Canadian musicians, Christina Petrowska Quilico joins lauded composer and champion of new music David Jaeger on GAMES OF THE NIGHT WIND, a dreamy musical landscape premiering 12 of Jaeger’s original nocturnes in addition to seven 20th century solo piano works. Each nocturne invokes a different spirit of the night: deception, memory, redemption, realization, and many more, each brought to fruition by Petrowska Quilico’s evocative musicality. Sharp staccato and an increasingly startled momentum drives the image of an encounter with the shadows in Nocturne 11, The Alarm Bell, a weighty contrast to the deep rubato and heaving nostalgia in Nocturne 1, In Memory Of — yet both hail from the same thematic darkness that expands across the entirety of the album. These sensations are ever present in Tōru Takemitsu’s starry Les yeux clos, Alexandre Tansman’s complex and lyrical nocturnes, and two works by Górecki, whose Lullaby sings GAMES OF THE NIGHT WIND off to sleep. GAMES OF THE NIGHT WIND plays to the unfettered wildness of the night, a force of nature encapsulated in every aspect of Petrowska Quilico and Jaeger’s musical and poetic collaboration, an elegant exploration for the night owl in us all.

Navona Records artist Bruce Leto’s newest album of solo piano works synthesizes the tribulations and perseverance of the human spirit in the age of COVID-19 while also taking a look at some of the more bewildering aspects of the global response. GOMITOLO! — named after the Italian expression that loosely translates to “the incomprehensibility of human life" — is a fitting tribute to the European countries heavily impacted by the COVID-19 pandemic, featuring solo piano performances of works by Poulenc, Ravel, and fellow PARMA artist Curt Cacioppo.

When listening to keyboardist Patrick Hawkins playing an 1831 William Geib square piano on his debut Navona Records release, HAYDN AND THE ENGLISH LADY, one can imagine men and women in elegant silk gowns and suits gathered in an opulently decorated drawing room of an 18th-century English estate. This collection of piano works by Franz Joseph Haydn (1732-1809) and Maria Hester Park (1760-1813) illustrate the diversity and refinement of Classical repertoire.